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THE JOURNEY THROUGH TIME

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Events

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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NMAAHC

Transformation "Blue Horse"

Date
2009
Caption
For BK Adams, Blue Horse represents a sense of transformation. He sees the sculpture as emblematic of time, space, and place. It also represents the evolution of transportation over time and into the present. The bicycle, the horse, and the number three are all deeply personal symbols for the artist. However, the bicycle holds particular significance, as during his childhood, he rode his bike off a cliff in a foolhardy attempt at flight. The result of his actions landed the young Adams in the hospital, where he remained in bed for over two months. While in recovery, he turned to drawing as a means of entertaining and expressing himself. Adams cites that specific event as the moment he was transformed into an artist.
Description
The work consists of a life-size blue fiberglass sculpture of a horse. The horse's left flank exposes a cavity filled with six (6) yellow bicycle wheels. Attached to the horse's back are a fuchsia pink bicycle seat and handlebars, the handlebars attached at the withers, and the bicycle seat attached at the hindquarters. Painted onto the horse's left hindquarter in white is the number [3], and the horse's left back leg is painted gold. Faux fur is attached to the sculpture in several places, including at the top of the horse's head, the tail, and the proper right front and rear fetlocks, just above the hooves. Black yarn is wrapped around the proper left front and rear fetlocks. The artwork is attached to a self base that has four (4) double wheels, one at each corner.
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National Museum of African American History and Culture Collection
Classification
Visual Arts
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of B.K. Adams - I AM ART
Data Source
National Museum of African American History and Culture
Object number
2012.89
Type
sculpture
mixed media
Restrictions & Rights
© B.K Adams · I AM ART
Permission required for use. Proper usage is the responsibility of the user.
Medium
mixed media: fiberglass, artificial resin, burlap, foil, metal, acrylic paint, wood, polyurethane foam, imitation fur, vinyl and yarn
Dimensions
H x W x D: 87 × 34 1/2 × 84 in. (221 × 87.6 × 213.4 cm)
Overall with Weight: 243 lb. (110.2 kg)
Title
Title • Transformation "Blue Horse"
Record ID
nmaahc_2012.89
Museum
NMAAHC
Title Sort
TRANSFORMATION "BLUE HORSE"
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2000s
Geo Location
City • Washington • State • District of Columbia • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Photograph of the Tolon Na presenting a carved elephant to Frank N. D. Buchman

Date: Date

Description

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NMAAHC

Photograph of Ghanaian parilamentarians at the MRA Assembly of Nations

Date: Date

Description

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NMAAHC

Transformation "Blue Horse"

Date: Date

Caption

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Black woman became the first elected to the United States Congress?

Shirley Chisholm, elected in 1968.