q2K BHP
Black History Portal
THE BHP WIRE —
HIDDEN TRUTHS
What's New!
THE JOURNEY THROUGH TIME

Explore Black History

Explore the people, places, events, achievements, struggles and stories that shaped our journey.

✊🏾

Civil Rights

Movements, leaders, victories and the continuing fight for equality.

⚙️

Black Inventors

Innovation, patents, science, technology and world-changing contributions.

🏆

Sports

Pioneers, champions, Negro Leagues, records, activism and excellence.

♟️

People

Meet the people whose lives, choices and achievements shaped the journey.

📍

Places

Black towns, communities, institutions and places where history happened.

📜

Events

Moments that changed communities, movements, institutions and the nation.

Enter a person, place, event, or topic.
MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

MORE →
BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

MORE →
BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
← BACK TO RESULTS
NMAAHC

Haitian Street Scene

Date
1938
Caption
In 1938 Aaron Douglas visited the island of Haiti while traveling on a Rosenwald Foundation fellowship. During his sojourn, he created a series of paintings that were exhibited in Port-au-Prince as well as the ACA Galleries in New York (1939). Douglas was well regarded for his unique modernist style that blended elements from art deco, African art, and Egyptian hieroglyphics. However, for his Haitian series, he chose to paint in a post-impressionist vein.
Although Harlem Renaissance luminary Alain Locke was disappointed in the work’s conventional style and felt it gave "little distinctively new or forceful" to the field, Douglas’s decision to paint scenes from Haiti reflected an important step for black artists interested in capturing their experiences in various parts of the African diaspora.
Description
An oil on canvas painting by Aaron Douglas depicting a street scene in Haiti. In the foreground, three (3) women are depicted, all traveling from right to left. The two women at proper right are walking, and the third woman at center is traveling on a donkey or burro. The woman on the donkey is wearing a light blue dress and cream colored hat, and is sitting on top of a cloth or a sack. Both of the women traveling on foot are wearing dresses, with brightly colored headscarves topped with baskets balanced on their heads. At proper left, a man is emerging from an alley, wearing a light blue suit with cream colored hat. Behind the figures are colorful buildings bathed in dappled sunlight, a glimpse of colorful blue sky and puffy clouds visible in the background. At proper left there is a large building painted yellow with colorful trim around the windows, at center a garage with teal blue doors, and at proper right a stone wall with a large pine tree with gracefully drooping branches behind. The painting is signed at the lower-right corner [A. Douglas].
See more items in
National Museum of African American History and Culture Collection
Classification
Visual Arts
Movement
Harlem Renaissance (New Negro Movement)
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Melvin Holmes Collection of African American Art
Data Source
National Museum of African American History and Culture
Object number
2015.267
Type
paintings
Restrictions & Rights
© Aaron Douglas Foundation//Licensed by VAGA at Artists Rights Society (ARS)
Permission required for use. Proper usage is the responsibility of the user.
Medium
oil on canvas
Dimensions
H x W x D (Framed): 25 5/8 × 27 5/8 × 4 1/2 in. (65.1 × 70.2 × 11.4 cm)
H x W (Unframed): 18 × 20 × 1 in. (45.7 × 50.8 × 2.5 cm)
Title
Title • Haitian Street Scene
Record ID
nmaahc_2015.267
Museum
NMAAHC
Title Sort
HAITIAN STREET SCENE
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1930s
Geo Location
Country • Haiti • Subregion • Caribbean • Region • Latin America • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

No preview image
NMAAHC

Flyer advertising the inaugural dance of the African-Haitian Association

Date: Date

Description

MORE →
NMAAHC

Pinback button with “Power to the Haitian People”

Date: Date

Description

MORE →
No preview image
NMAAHC

Haitian Farmer

Date: Date

Description

MORE →
No preview image
NMAAHC

Haitian Street Scene

Date: Date

Caption

MORE →
TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

MORE →
TRIVIA QUESTION OF THE DAY

Which Black woman became the first elected to the United States Congress?

Shirley Chisholm, elected in 1968.