q2K BHP
Black History Portal
THE BHP WIRE —
HIDDEN TRUTHS
What's New!
THE JOURNEY THROUGH TIME

Explore Black History

Explore the people, places, events, achievements, struggles and stories that shaped our journey.

✊🏾

Civil Rights

Movements, leaders, victories and the continuing fight for equality.

⚙️

Black Inventors

Innovation, patents, science, technology and world-changing contributions.

🏆

Sports

Pioneers, champions, Negro Leagues, records, activism and excellence.

♟️

People

Meet the people whose lives, choices and achievements shaped the journey.

📍

Places

Black towns, communities, institutions and places where history happened.

📜

Events

Moments that changed communities, movements, institutions and the nation.

Enter a person, place, event, or topic.
MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

MORE →
BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

MORE →
BHP gathered finds from its connected research sources. Showing the 1 strongest Black History matches.
← BACK TO RESULTS
NMAAHC

Ampeg SR-6 mixing console used by Pete Cosey

Date
1970s
Description
A six-channel sound mixing console manufactured by Ampeg and owned by Pete Cosey. Console has black and white facade with worn black fabric across top and silver-tone knobs with numerically graduated indicators. Front panel has rows to control reverb, treble, bass, and volume, as well as a column with master reverb, antifeedback hi band, antifeedback lo band, and master volume. Six columns of four knobs each control the different channels. First channel has duct tape over name plate, but channels two through six are named in handwritten print from left to right: [BASS], [SNARE TOP / HIGH HAT], [BASS DRUM], [guitar], and [celleste]. Along front of console, lined up with channel columns, are input jacks. Right side of console has black handle for carrying. Left side of console has metal feet for storing on its side. Back of console has accessory panel. Accessory panel has jack for footswitch and in/out jacks for extension amplifier, master patch, external echo, master multiple. Accessory panel also has line cord, power outlet, reverb lock lever, and speaker jacks. Serial number on back panel is 57325.
See more items in
National Museum of African American History and Culture Collection
Classification
Tools and Equipment
Musical Instruments
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Karumah, Dunni, Ishmak, Aribania and Mariama Cosey in memory of Baba Pete Cosey
Data Source
National Museum of African American History and Culture
Object number
2021.105.1
Type
audio equipment
Restrictions & Rights
No known copyright restrictions
Proper usage is the responsibility of the user.
Medium
plywood, metal, and plastic with cloth and duct tape
Dimensions
H x W x D: 8 1/16 × 21 7/8 × 16 15/16 in. (20.5 × 55.5 × 43 cm)
Title
Object Name • Ampeg SR-6 mixing console used by Pete Cosey
Record ID
nmaahc_2021.105.1
Museum
NMAAHC
Title Sort
AMPEG SR-6 MIXING CONSOLE USED BY PETE COSEY
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1970s
Online Media Rights
No Known Copyright Restrictions

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

No preview image
NMAAHC

Ampeg SR-6 mixing console used by Pete Cosey

Date: Date

Description

MORE →
TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

MORE →
TRIVIA QUESTION OF THE DAY

Which heavyweight champion was known as the “Brown Bomber”?

Joe Louis.