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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Shirley Chisholm — Unbought and Unbossed

In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Gail Anderson on Marian Wright Edelman

Date
2018
Caption
Gail Anderson is a New York based designer and partner at Anderson Newton Design. Since 1987, Anderson has worked in the field of design at design firms, advertising agencies, and publications. Her work has received awards from major design organizations, including the Society of Publication Designers and the American Institute of Graphic Arts (AIGA). In 2008 she received a Lifetime Achievement Medal from the AIGA. Anderson currently works as Creative Director at the School of Visual Arts Press and is on the Citizen Stamp Advisory Committee for the US Post Office. In 2013, the US Postal Service commissioned Anderson to design the commemorative stamp for the sesquicentennial of the Emancipation Proclamation. Anderson was only the second African American designer tapped to design a commemorative stamp, the first being Georg Olden who designed the Proclamation’s 100th anniversary stamp in 1963.
Description
This is a poster designed by Gail Anderson with a quote by Marian Wright Edelman. This poster has a white background with black text and graphics. The poster depicts two large hands, one descending from the top margin and pointing down and one emerging from the poster’s bottom margin and pointing up. Both hands are pointing with its index finger and have the other fingers folded down against the palm. The hands are attached to wrists that are wearing white buttoned cuffs under dark sleeves. In the poster’s upper left quadrant is large text in block letters that reads “A Lot of People / Are Waiting / For MARTIN / LUTHER KING / or MAHATMA / GANDHI / To Come Back- / But / They Are / GONE.” In the lower right quadrant this text continues “WE / ARE IT. / IT IS UP / TO US. / IT IS UP / TO YOU.” Below this quote is smaller red text that reads “Marian / Wright / Edelman.” In the bottom right corner is small black text that reads “Chicago Design Museum / “Great Ideas of Humanity / -One of a Series.” Followed by a pre-printed signature by Gail Anderson. The back of the poster is blank.
Title
Poster designed by Gail Anderson with a quote by Marian Wright Edelman
See more items in
National Museum of African American History and Culture Collection
Portfolio/Series
Great Ideas of Humanity
Classification
Decorative Arts, Craft, and Design
Memorabilia and Ephemera - Political and Activist Ephemera
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Gail Anderson
Data Source
National Museum of African American History and Culture
Object number
2020.11.12
Type
posters
Restrictions & Rights
© Gail Anderson
Permission required for use. Proper usage is the responsibility of the user.
Medium
ink on paper (fiber product)
Dimensions
H x W: 20 × 13 1/2 in. (50.8 × 34.3 cm)
Title
Title • Gail Anderson on Marian Wright Edelman
Record ID
nmaahc_2020.11.12
Museum
NMAAHC
Title Sort
GAIL ANDERSON ON MARIAN WRIGHT EDELMAN
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2010s
Geo Location
City • Chicago • County • Cook County • State • Illinois • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Page from Gail Anderson's sketchbook

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NMAAHC

Gail Anderson on Marian Wright Edelman

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NMAAHC

Print of book jacket design by Gail Anderson

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NMAAHC

Poster for Ragtime designed by Gail Anderson

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Supreme Court case ruled state-sponsored public-school segregation unconstitutional?

Brown v. Board of Education in 1954.