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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Green plaid coat with green velour shirt and leggings by Anne Klein

Date
1991-1992
Description
Green plaid coat (.1), green velour mock turtleneck (.2), and green velour leggings with attached shoes (.3) by Anne Klein.
The jacket (.1) is made from a woven plaid material made of primarily kelly green mohair with blue, pink, red, purple, and yellow mohair, and multi-colored metallic thread stripes. It is collarless and has straight cut full-length sleeves with no cuffs, and a straight bottom hem that falls just below the hip. The jacket closes at the center front with three (3) metal snaps. On the proper right side there are three (3) decorative buttons sewn to correspond with the snap closures. The buttons are a gold-toned metal with four (4) irregularly shaped elements in red, blue, gold, and green set into the metal to form a roughly square shape. There is a copyright symbol engraved onto the back of each button, but no manufacturer name. The jacket is fully lined in green synthetic fabric. The designer's black fabric label featuring an embroidered lion head in gold and burgundy above the burgundy text "ANNE KLEIN" is sewn at the interior center back neck with a "Made in the U.S.A." label to the proper right. Sewn into the interior proper right side seam are stacked three labels with care and size, fiber content, and a union label.
The mock turtleneck (.2) is made from a green velour fabric and has full-length sleeves. It closes at the center back neck with a green plastic invisible zipper and one (1) black hook-and-eye at the top. The designer's black fabric label featuring an embroidered lion head in gold and burgundy above the burgundy text "ANNE KLEIN" is sewn at the interior proper left back near the zipper opening with a "Made in the U.S.A." label underneath it. To the proper left of the designer label are stacked three labels with care and size, fiber content, and a union label.
The leggings (.3) are made from the save green velour as the shirt, with low-heeled shoes attached at the bottom. The fabric is attached to the soles of the shoes, forming the uppers of the shoes and then continuing up the legs without a seam to the elastic waist band. They are not lined. The shoes have leather soles and a one-inch stacked leather heel with gold painted leather wrapped around the outsides of the heels. The designer's black fabric label featuring an embroidered lion head in gold and burgundy above the burgundy text "ANNE KLEIN" is sewn at the interior center back waist seam. A fiber content label is sewn to the interior back seam below the waist. Text imprinted into the bottom of both shoe soles reads "ANNE KLEIN / LEATHER / MADE IN ITALY / 10 / M".
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National Museum of African American History and Culture Collection
Collection title
Ebony Fashion Fair Collection
Classification
Clothing - Fashion and Historical
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2015.141.1.1-.3
Type
coats
shirts
leggings
pumps (shoes)
Restrictions & Rights
No known copyright restrictions
Proper usage is the responsibility of the user.
Medium
jacket: wool, mohair, nylon, and metal;
shirt: rayon, nylon, with metal and plastic fasteners;
leggings: rayon, nylon, elastic, and leather
Dimensions
H x W (.1 flat): 33 1/2 × 23 1/4 in. (85.1 × 59.1 cm)
H x W (.2 flat): 27 × 19 in. (68.6 × 48.3 cm)
H x W (.3 flat): 48 1/2 × 16 1/4 in. (123.2 × 41.3 cm)
Title
Object Name • Green plaid coat with green velour shirt and leggings by Anne Klein
Record ID
nmaahc_2015.141.1.1-.3
Museum
NMAAHC
Title Sort
GREEN PLAID COAT WITH GREEN VELOUR SHIRT AND LEGGINGS BY ANNE KLEIN
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1990s
Online Media Rights
No Known Copyright Restrictions

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Green plaid coat with green velour shirt and leggings by Anne Klein

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Richard Barry Sobol and Anne Buxton Sobol Oral History Interview

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Black Panthers from Sacramento, Free Huey Rally, Bobby Hutton Memorial Park, Oakland, CA, No. 62

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Costume worn by Maxine Jones in "Giving Him Something He Can Feel" video

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.