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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Shirley Chisholm — Unbought and Unbossed

In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Cow print turtleneck and skirt by Patrick Kelly with belted coat by Scaasi

Date
1989-1990
Description
Black and white cow print knit turtleneck (.1.1) and skirt (.1.2) by Patrick Kelly with a cow print coat (.2a) with belt (.2b) by Scaasi.
The turtleneck (.1.1) is made from wool knit. It has a ribbed black collar and ribbed full-length tapered sleeves. The front of the body has a knitted design of irregularly shaped black spots on white ground. The back of the body is a plain black knit. The plain back wraps around at the underarms and front sides to create a slight contour of the bottom front of the sweater. The sweater is pulled on over the head, it has no closure method. The sweater is not lined. Shoulder pads faced in black fabric are sewn at each interior shoulder. The designer's label, a white fabric label with black embroidered text reading "MADE IN FRANCE / PATRICK KELLY / PARIS" has come detached and is stored in a bag with the sweater.
The skirt (.1.2) is made from the same wool knit as the turtleneck. It has a wide ribbed black knit and elastic waistband. The body is made from the black and white spotted knit fabric, with a thin band of plain black running around the bottom hem of the knee-length skirt. The skirt is pulled on over the legs, it has no closure method. It is not lined. A white fabric label with black embroidered text reading "MADE IN FRANCE / PATRICK KELLY / PARIS" is sewn at the interior center back waist. A size tag with a fiber content and care tag below it are sewn at the interior proper left side seam near the hem.
The coat (.2a) is made from faux fur in a black and white cow print. It is a swing coat with full-length straight sleeves and a hood. It closes at the center front with three (3) oversized round black plastic buttons and one (1) metal snap at the neck. An additional panel of self-fabric is sewn across the back yoke and wraps over the shoulders to the front yoke. Self-fabric deep patch pockets are sewn at each front waist. The coat hangs just below the hip. The body and sleeves are lined in black satin, while the hood is lined in the faux fur. There are no labels.
The belt (.2b) is wide, narrowing at each end where a black leather strap and buckle are attached to the faux fur cow print fabric. The faux fur is used as the facing and lining. There are no labels.
See more items in
National Museum of African American History and Culture Collection
Collection title
Ebony Fashion Fair Collection
Classification
Clothing - Fashion and Historical
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2015.141.36.1-.2
Type
coats
belts (costume accessories)
skirts
turtleneck sweaters
Restrictions & Rights
© Estate of Patrick Kelly
Permission required for use. Proper usage is the responsibility of the user.
Medium
.1.1: wool;
.1.2: wool;
.2a: synthetic fur and satin with plastic and metal fasteners;
.2b: synthetic fur and leather with metal buckle
Dimensions
H x W (.1.1 flat): 33 × 20 1/4 in. (83.8 × 51.4 cm)
H x W (.1.2 flat): 26 1/2 × 17 3/4 in. (67.3 × 45.1 cm)
H x W (.2a flat): 49 1/2 × 22 in. (125.7 × 55.9 cm)
H x W (.2b flat): 5 × 33 in. (12.7 × 83.8 cm)
Title
Object Name • Cow print turtleneck and skirt by Patrick Kelly with belted coat by Scaasi
Record ID
nmaahc_2015.141.36.1-.2
Museum
NMAAHC
Title Sort
COW PRINT TURTLENECK AND SKIRT BY PATRICK KELLY WITH BELTED COAT BY SCAASI
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1990s • 1980s
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Cow print turtleneck and skirt by Patrick Kelly with belted coat by Scaasi

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Description

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NMAAHC

Canadian National Exhibition Athletic Day medal

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Canadian Clergy Entering Montgomery, Selma to Montgomery March

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Jackie Shane Live

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which heavyweight champion was known as the “Brown Bomber”?

Joe Louis.