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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Photograph of Hazel Scott performing with Teddy Wilson and His Orchestra

Date
ca. 1941
Photograph by
Description
A black-and-white photograph of Hazel Scott performing with Teddy Wilson and His Orchestra. Scott is depicted at the center of the photograph. She is shown standing in full length, singing into a microphone. She is wearing a light tone gown, off the shoulders, with black lace detailing at the neckline and over the front and side panels of the skirt, and has a white flower tucked into her hair. She is facing the audience and looking towards the viewer. She is holding the microphone stand with her proper left hand, and her proper right hand is balled at her side. Behind her are four members of Teddy Wilson and His Orchestra. All four men are wearing matching black tuxedos with white dress shirts and small black bowties. Al Hall stands on the far left side of the image, playing a double base. The man on his proper left side, Benny Morton, is playing a trombone. Bill Coleman stands next to him playing a trumpet, and Jimmy Hamilton stands on the far right side of the image, playing a clarinet. The men are standing behind plain, rectangular, hip level bandstands. Playing piano in the foreground is Teddy Wilson, shown in profile. He is wearing a light tone, tuxedo, white dress shirt, and bowtie. His elbows are bent and his hands are in playing position on the piano's keyboard. In the background is a plain, light tone fabric curtain.
On the verso of the photograph are newspaper clippings from 1940 about Hazel Scott and her performances printed in English and German adhered to a piece of cream colored paper. A German language Aufbau article titled [Hazel aus Trinidad] from July 26, 1940, is adhered to the top left quadrant. Adhered to the bottom left corner is a New York World-Telegram column titled [Without Worrying Over Cover Charges], from August 17, 1940, that mentions her performances at Café Society in Greenwich Village. Adhered to the right edge of the verso are three additional newspaper clippings with unknown sources. The clipping adhered to the top right edge is an advertisement for a Scott performance at the Golden Gate Ballroom on September 6, 1940 with [Aug 31st 1940] written in black in above. The undated article titled [Café Society Stars Take / The Air on Chain Program] adhered to the center right edge notes Scott’s guest star role on the radio show, “We, the People,” from WABC-CBS along with other Café Society performers. Adhered to the bottom right corner is an article titled, [Hazel Scott To / Café Society], that notes that Scott is the new headliner at the Café Society in Greenwich Village with [Aug 28th 1940] written in black in above.
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National Museum of African American History and Culture Collection
Classification
Photographs and Still Images
Exhibition
Musical Crossroads
On View
NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 053
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Adam Clayton Powell III
Data Source
National Museum of African American History and Culture
Object number
2023.101.1
Type
gelatin silver prints
portraits
Restrictions & Rights
Unknown – Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
silver and photographic gelatin on photographic paper with newsprint and adhesive on paper (fiber product) and cardboard
Dimensions
H x W (Sheet): 14 9/16 × 10 5/8 in. (37 × 27 cm)
H x W (Image): 11 1/8 × 10 1/16 in. (28.2 × 25.5 cm)
Title
Object Name • Photograph of Hazel Scott performing with Teddy Wilson and His Orchestra
Record ID
nmaahc_2023.101.1
Museum
NMAAHC
Title Sort
PHOTOGRAPH OF HAZEL SCOTT PERFORMING WITH TEDDY WILSON AND HIS ORCHESTRA
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1940s
Exhibition
NMAAHC • Musical Crossroads
Geo Location
City • New York City • State • New York • Country • United States • Continent • North and Central America
On Physical Exhibit
Yes
Online Media Type
Images
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Ticket for 2004 Summer Olympics tennis event owned by Carl Lewis

Date: Date

Description

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NMAAHC

Ticket for 2004 Summer Olympics athletics event owned by Carl Lewis

Date: Date

Description

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NMAAHC

Photographic print of Ethel Waters as Carmen

Date: Date

Description

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NMAAHC

Photograph of Hazel Scott performing with Teddy Wilson and His Orchestra

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Black woman became the first elected to the United States Congress?

Shirley Chisholm, elected in 1968.