q2K BHP
Black History Portal
THE BHP WIRE —
HIDDEN TRUTHS
What's New!
THE JOURNEY THROUGH TIME

Explore Black History

Explore the people, places, events, achievements, struggles and stories that shaped our journey.

✊🏾

Civil Rights

Movements, leaders, victories and the continuing fight for equality.

⚙️

Black Inventors

Innovation, patents, science, technology and world-changing contributions.

🏆

Sports

Pioneers, champions, Negro Leagues, records, activism and excellence.

♟️

People

Meet the people whose lives, choices and achievements shaped the journey.

📍

Places

Black towns, communities, institutions and places where history happened.

📜

Events

Moments that changed communities, movements, institutions and the nation.

Enter a person, place, event, or topic.
MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

MORE →
BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

MORE →
BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
← BACK TO RESULTS
NMAAHC

Blue Notes (Basquiat): Who's Who or a Pair of Aces #1

Date
2014
Description
A mixed media portrait titled Blue Notes (Basquiat): Who's Who or a Pair of Aces #1, by Carrie Mae Weems. The inkjet print features a blurred reproduction of Andy Warhol’s 1982 photographic portrait of Jean-Michel Basquiat printed in muted blue-gray tones. Basquiat is shown in bust pose from the shoulders up. He is wearing a medium tone jacket over a lighter dress shirt with a dark tie. Basquiat’s proper left fingers are slightly curled and raised to his jaw line. Half of his short dreadlocks have been pulled up and tied into two thick pigtails on the top of his head and the rest of his dreadlocks are loose and sticking out at various angles around the bottom half of his head. At the center of the portrait, covering Basquiat’s eyes and forehead, is a screen printed solid red, rectangular block. The print has a thick white border and is mounted directly to the white back of a shallow, white shadow box frame.
See more items in
National Museum of African American History and Culture Collection
Portfolio/Series
The Blue Notes Series
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2023.117.5
Type
portraits
inkjet prints
Restrictions & Rights
© Carrie Mae Weems, Courtesy of the artist and Gladstone Gallery, New York, Fraenkel Gallery, San Francisco, and Galerie Barbra Thumm, Berlin
Permission required for use. Proper usage is the responsibility of the user.
Medium
ink on paper (fiber product) with glass , wood , metal and mat board
Dimensions
H x W x D: 39 × 30 15/16 × 2 1/16 in. (99 × 78.6 × 5.2 cm)
Title
Title • Blue Notes (Basquiat): Who's Who or a Pair of Aces #1
Record ID
nmaahc_2023.117.5
Museum
NMAAHC
Title Sort
BLUE NOTES (BASQUIAT): WHO'S WHO OR A PAIR OF ACES #1
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2010s
Topic
Geo Location
State • New York • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

No preview image
NMAAHC

Photographic print of Jean-Michel Basquiat

Date: Date

Description

MORE →
No preview image
NMAAHC

Blue Notes (Basquiat): Who's Who or a Pair of Aces #1

Date: Date

Description

MORE →
No preview image
NMAAHC

Black Macho and the Myth of the Superwoman

Date: Date

Description

MORE →
NMAAHC

US Navy fatigues worn by Adm. Michelle Howard as rear admiral (lower half)

Date: Date

Caption

MORE →
TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

MORE →
TRIVIA QUESTION OF THE DAY

Which Supreme Court case ruled state-sponsored public-school segregation unconstitutional?

Brown v. Board of Education in 1954.