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THE JOURNEY THROUGH TIME

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Events

Moments that changed communities, movements, institutions and the nation.

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Skirt worn by an enslaved ancestor of Janett Sharee Galloway

Date
1850-1875
Created by
Caption
Janett Sharee Galloway inherited this skirt in 1977 from her grandmother, Mary Lizzie (Hunt) Galloway. The story given to Janett with the skirt was that it originally belonged to the “mother’s mother’s grandmother’s mother’s mother” who was enslaved in or near Macon, Georgia, or neighboring Jones County. Tracing back Mary Lizzie's maternal line, it is likely the skirt's second owner and wearer was her grandmother, a woman born as Mollie Johnson about 1862. Mollie Johnson Hunt’s unidentified mother is the likely original maker and owner, though alterations consistent with the silhouette of the early to mid-1870s suggest Mollie may also have worn the skirt.
Description
Printed floral skirt worn by an enslaved ancestor of Janett Sharee Galloway. The skirt is made from cotton with a small-scale print in faded brown of a single flower surrounded by a stippled frame. Two bias brown tapes are machine stitched along the bottom with a pleated ruffle between them. The silhouette is flat in the front with a tightly gathered back waist and a center back closure with a hand sewn buttonhole and one (1) round black button. A loop of cotton string is tied through the buttonhole. An inset pocket with self-fabric lining is sewn at the proper right waist. The skirt is both hand and machine sewn, with later alterations being the machine stitched areas. The wide ruffled panel along the bottom of the skirt creates two layers along the bottom because it is sewn directly on top of the body of the skirt, with the same small floral print underneath the ruffle. A triangular shaped patch of faded blue cotton is hand sewn near the center front waist to add girth. The skirt has been taken up near the waist with a hand sewn tuck, which was sewn before the blue patch was added. The hem of both layers of fabric at the bottom is machine sewn.
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National Museum of African American History and Culture Collection
Classification
Slavery and Freedom Objects
Clothing - Fashion and Historical
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2011.52
Type
skirts
Restrictions & Rights
No Known Copyright Restrictions
Proper usage is the responsibility of the user.
Medium
cotton
Dimensions
H x W: 38 1/2 x 114 in. (97.8 x 289.6 cm)
On Form: 39 1/2 x 21 x 1/4 in. (100.3 x 53.3 x 0.6 cm)
Title
Object Name • Skirt worn by an enslaved ancestor of Janett Sharee Galloway
Record ID
nmaahc_2011.52
Museum
NMAAHC
Title Sort
SKIRT WORN BY AN ENSLAVED ANCESTOR OF JANETT SHAREE GALLOWAY
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1850s • 1870s
Geo Location
State • Georgia • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Media

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Skirt worn by an enslaved ancestor of Janett Sharee Galloway

Date: Date

Caption

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NMAAHC

Payment receipt to Eliza Noel for "attendance on a negro woman named Janet"

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NMAAHC

Roxanne Shante NYC 1990

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NMAAHC

Photograph of Salt-N-Pepa with Hurby "Luvbug" Azor

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which heavyweight champion was known as the “Brown Bomber”?

Joe Louis.