Civil Rights
Movements, leaders, victories and the continuing fight for equality.
Explore the people, places, events, achievements, struggles and stories that shaped our journey.
Movements, leaders, victories and the continuing fight for equality.
Innovation, patents, science, technology and world-changing contributions.
Pioneers, champions, Negro Leagues, records, activism and excellence.
Meet the people whose lives, choices and achievements shaped the journey.
Black towns, communities, institutions and places where history happened.
Moments that changed communities, movements, institutions and the nation.
Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985

Behemoth (/bɪˈhiːməθ, ˈbiːə-/; Hebrew: בְּהֵמוֹת, bəhēmōṯ) is a beast from the biblical Book of Job, and is a form of the primeval chaos-monster created by God at the beginning of creation. Metaphorically, the name has come to be used for any extremely large or powerful entity.
The Hebrew word behemoth (Biblical Hebrew: בְ֭הֵמוֹת, romanized: bəhēmoṯ) has the same form as the plural of Biblical Hebrew: בְּהֵמָה, romanized: bəhēmā, lit. 'beast', suggesting an augmentative form meaning "great beast". Despite its plural form, it takes singulative adjectives, much like other pluralised augmentative forms such as Elohim "God".
Some theorize that the word might originate from an Egyptian word of the form pꜣ jḥ mw "the water-ox", meaning "hippopotamus", altered by folk etymology in Hebrew to resemble bəhēmā.[1] However, this phrase with this meaning is unattested at any stage of Egyptian.[2] Even before the decipherment of Ancient Egyptian in the early 19th century, there was widespread identification of the biblical behemoth with the hippopotamus. The word for "hippopotamus" in Russian remains derivative of behemoth (бегемот), a meaning that entered the language in the mid-18th century.[3][4]


The Hebrew word behemoth is mentioned only once in Biblical text, in a speech from the mouth of God in the Book of Job. It is a primeval creature created by God and so powerful that only God can overcome him:[5]
Take now behemoth, whom I made as I did you;
He eats grass, like the cattle.
His strength is in his loins,
His might in the muscles of his belly.
He makes his tail stand up like a cedar;
The sinews of his thighs are knit together.
His bones are like tubes of bronze,
His limbs like iron rods.
He is the first of God’s works;
Only his Maker can draw the sword against him.
The mountains yield him produce,
Where all the beasts of the field play.
He lies down beneath the lotuses,
In the cover of the swamp reeds.
The lotuses embower him with shade;
The willows of the brook surround him.
He can restrain the river from its rushing;
He is confident the stream will gush at his command.
Can he be taken by his eyes?
Can his nose be pierced by hooks?
— Job 40:15–24[6]
The passage later pairs Behemoth with the sea-monster Leviathan, both composite mythical creatures with enormous strength that humans could not hope to control, yet both are reduced to the status of divine pets.[7]
In Jewish apocrypha and pseudepigrapha, such as the 2nd century BC Book of Enoch (60:7–10), Behemoth is the unconquerable male land-monster living in Duidain, an invisible desert east of the Garden of Eden, Leviathan is the primeval female sea-monster, dwelling in the Abyss, and Ziz is the primordial sky-monster.
Similarly, in the most ancient section of Second Esdras 6:47–52, written around the 1st century, after the destruction of the Second Temple, the two are described as inhabiting the mountains and the seas, respectively, after being separated from each other, due to the sea's insufficiency to contain them both. Likewise, in the contemporaneous 2 Baruch 29:4, it is stated that Behemoth will come forth from his seclusion on land, and Leviathan out of the sea, and that the two gigantic monsters, created on the fifth day, will serve as food for the elect, who will survive in the days of the Messiah.[8]
A Jewish rabbinic legend describes a great battle that will take place between them at the end of time: "they will interlock with one another and engage in combat, with his horns the Behemoth will gore with strength, the fish [Leviathan] will leap to meet him with his fins, with power. Their Creator will approach them with his mighty sword [and slay them both];" then, "from the beautiful skin of the Leviathan, God will construct canopies to shelter the righteous, who will eat the meat of the Behemoth and the Leviathan amid great joy and merriment." In the Haggadah, Behemoth's strength reaches its peak on the summer solstice of every solar year (around 21 June). At this time of year, Behemoth lets out a loud roar that makes all animals tremble with fear and thus renders them less ferocious for a whole year. As a result, weak animals live in safety away from the reach of wild animals. This mythical phenomenon is shown as an example of divine mercy and goodness. Without Behemoth's roar, traditions say, animals would grow wilder and more ferocious and would go around butchering each other and humans.[9]
Modern interpretations of Behemoth tend to fall into several categories:
This section includes a list of general references but lacks sufficient corresponding inline citations. (April 2024) |
The 17th-century political philosopher Thomas Hobbes named the Long Parliament 'Behemoth' in his book Behemoth. It accompanies his book of political theory that draws on the lessons of English Civil War, the rather more famous Leviathan.
The Dictionnaire Infernal version of Behemoth is a demon that resembles a round-bellied humanoid elephant. He works as the infernal watchman for Satan and oversees the banquets in Hell while having a good singing voice.
The Behemoth is also mentioned in the opera, Nixon in China, composed by John Adams, and written by Alice Goodman. At the beginning of the first act, the chorus sings "The people are the heroes now, Behemoth pulls the peasants' plow" several times.[12]
The Russian writer Mikhail Bulgakov used a demonic cat with the name Behemoth as a character in his novel The Master and Margarita. In the book the cat could speak and walk on two legs and was part of the entourage of Woland, who represented Satan.
The webnovel Worm features the Endbringers, a trio of city-destroying monsters named Behemoth, Leviathan and the Simurgh.
Source: Wikipedia. Article content is retrieved live through the MediaWiki API.
Behemoth (; Hebrew: בְּהֵמוֹת, bəhēmōṯ) is a beast from the biblical Book of Job, and is a form of the primeval chaos-monster created by God at the beginning of creation. Metaphorically, the name has come to be used for any extremely large or powerful entity.
Behemoth! is a 2026 American drama film written and directed by Tony Gilroy. It stars Pedro Pascal, Olivia Wilde, Eva Victor, and Will Arnett. The film premiered at the 64th New York Film Festival on October 2, 2026, and received positive reviews from critics for Pascal's performance, Gilroy's direction, and the musical score but received criticism for its writing and structure. It is scheduled to be released in the United States by Searchlight Pictures on December 4, 2026.
Behemoth is a Polish blackened death metal band from Gdańsk, formed in 1991. They are considered important in establishing the Polish extreme metal underground with Vader and Hate. Behemoth have been referred to as "a leading light in the Polish metal scene." The band's releases have received acclaim from major publications. In 2016, the staff of Loudwire named them the 50th-best metal band of all time.
The Giant Behemoth (originally titled Behemoth the Sea Monster) is a 1959 monster film directed by Eugène Lourié and Douglas Hickox, with special effects by Willis H. O'Brien, Pete Peterson, Irving Block, Jack Rabin, and Louis de Witt. The film stars Gene Evans and André Morell. The screenplay was written by blacklisted author Daniel Lewis James (under the name "Daniel Hyatt") with director Lourié. Originally a story about an amorphous blob of radiation, the script was changed at the distributor's insistence to a style similar to The Beast from 20,000 Fathoms (1953), though elements of the original concept remain in the early parts of the film and in the "nuclear-breathing" power of the titular monster.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →Joe Louis.