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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Katherine Johnson — Mathematics to the Moon

Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Architectural illustration of the new Student Center at UDC by Michael Marshall

Date
2011
Caption
Michael Marshall is an accomplished architect and the founder, Design Director and Principal of Michael Marshall Design (MMD). At MMD Marshall oversees construction development at project sites and leads each of the firm’s design projects. After completing his master’s in architecture at the Yale School of Architecture, Marshall decided to return to his native Washington, D.C. He founded his own firm Michael Marshall Design in 1989, previously known as Michael Marshall Architecture and Marshall Moya Design.
The Student Center project at The University of the District of Columbia’s Van Ness Campus was a collaboration between Cannon Design as Architect of Record and Marshall Moya Design as Associate Architect. As a UDC alumnus, Marshall was especially pleased to be a part of the legacy of the university. The design goal for the Student Center was to create a building that serves as a figural place-maker to identify the university as well as adhere to the university’s high standards for sustainability. The three-story structure houses administrative offices, a student lounge, a ballroom, a fitness center, and offices for student government and student organizations.
Description
Architectural drawing of the new Student Center at the University of the District of Columbia (UDC) by architect Michael Marshall. This rendering is done in ink and watercolor on translucent paper. The drawing shows a colorful view of the new student center at UDC which opened in 2016. The building is depicted on the right side of the image with outlined figures shown around the center. On the left is a sidewalk with an elevator and row of trees along the curb. A grassy area is shown between the sidewalk and the building, separated by a low wall. The wall has two (2) flagpoles with the American and D.C. flags depicted. The exterior staircases and large windows are visible in the drawing. There is a multi-story clock tower next to the glass atrium in the center of the image. The reverse is blank. The work is signed in the lower right corner.
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National Museum of African American History and Culture Collection
Collection title
Michael Marshall Architecture Collection
Classification
Decorative Arts, Craft, and Design
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift from Architectural Design Archives, Michael Marshall, Architect
Data Source
National Museum of African American History and Culture
Object number
2018.24.14.1
Type
architectural drawings
Restrictions & Rights
© Michael Marshall
Permission required for use. Proper usage is the responsibility of the user.
Medium
ink and watercolor on tracing paper
Dimensions
H x W: 10 1/4 × 8 1/2 in. (26 × 21.6 cm)
Title
Object Name • Architectural illustration of the new Student Center at UDC by Michael Marshall
Record ID
nmaahc_2018.24.14.1
Museum
NMAAHC
Title Sort
ARCHITECTURAL ILLUSTRATION OF THE NEW STUDENT CENTER AT UDC BY MICHAEL MARSHALL
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2010s
Geo Location
City • Washington • State • District of Columbia • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Architectural illustration of the new Student Center at UDC by Michael Marshall

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NMAAHC

Certificate of appreciation from the University of Maryland owned by Jim Vance

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NMAAHC

Program for the Black in Design 2015 conference

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NMAAHC

Black Journal: Color Us Black! (Part I)

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.