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THE JOURNEY THROUGH TIME

Explore Black History

Explore the people, places, events, achievements, struggles and stories that shaped our journey.

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Movements, leaders, victories and the continuing fight for equality.

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Events

Moments that changed communities, movements, institutions and the nation.

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Blackface mask of a man wearing a top hat

Date
late 19th-mid 20th century
Created by
Caption
This mask contains holes for the eyes, nose, and mouth, and a cavity large enough for a head, suggesting that the mask could have been worn. Masks of this type were worn during Mardi Gras in New Orleans.
Description
Papier-mâché mask of a man in blackface wearing a gray top hat and a white dress shirt with popped collar and a blue necktie or neckerchief. The mask fits entirely over the wearer's head, resting on the wearer's shoulders. The face has brown eyes and red lips, with holes in the eyes, nostrils, and the open mouth. The bottom lip protrudes slightly further out that the top lip, and teeth are painted along the top inside the lip. The back of the head is molded into close-cropped curly hair and painted the same shade of true black as the face. The sides of the gray top hat are slightly upturned and there is shellac or another shiny finish painted around the bottom crown as a hat band. The neck of the man is covered up, with an upturned white dress shirt collar and a blue necktie or neckerchief at the center front of the bottom edge of the mask. The interior of the mask is not lined, so the plain brown paper used is visible. There is a piece of corrugated cardboard placed in the front of the interior brim of the hat between the interior forehead and the interior front crown of the hat. There are no labels or marks.
Statement
Objects depicting racist and/or stereotypical imagery or language may be offensive and disturbing, but the NMAAHC aims to include them in the Collection to present and preserve the historical context in which they were created and used. Objects of this type provide an important historical record from which to study and evaluate racism.
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National Museum of African American History and Culture Collection
Collection title
Liljenquist Family Collection
Classification
Racist and Stereotypical Objects
Clothing - Costume
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift from the Liljenquist Family Collection
Data Source
National Museum of African American History and Culture
Object number
2016.166.33
Type
masks (costume)
Restrictions & Rights
No Known Copyright Restrictions
Proper usage is the responsibility of the user.
Medium
paint, paper, and adhesive
Dimensions
H x W x D: 14 3/4 × 8 1/4 × 12 1/2 in. (37.5 × 21 × 31.8 cm)
Title
Object Name • Blackface mask of a man wearing a top hat
Record ID
nmaahc_2016.166.33
Museum
NMAAHC
Title Sort
BLACKFACE MASK OF A MAN WEARING A TOP HAT
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1960s • 1870s
Type
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Photograph of theatre production with blackface actors and Oliver Howard Horner

Date: Date

Description

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NMAAHC

Three blackface masks

Date: Date

Description

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NMAAHC

Blackface mask of a man wearing a top hat

Date: Date

Caption

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No preview image
NMAAHC

Painted blackface mask

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.