q2K BHP
Black History Portal
THE BHP WIRE —
HIDDEN TRUTHS
What's New!
THE JOURNEY THROUGH TIME

Explore Black History

Explore the people, places, events, achievements, struggles and stories that shaped our journey.

✊🏾

Civil Rights

Movements, leaders, victories and the continuing fight for equality.

⚙️

Black Inventors

Innovation, patents, science, technology and world-changing contributions.

🏆

Sports

Pioneers, champions, Negro Leagues, records, activism and excellence.

♟️

People

Meet the people whose lives, choices and achievements shaped the journey.

📍

Places

Black towns, communities, institutions and places where history happened.

📜

Events

Moments that changed communities, movements, institutions and the nation.

Enter a person, place, event, or topic.
MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

MORE →
BLACK FACTS
The Truths They Never Taught You...

Shirley Chisholm — Unbought and Unbossed

In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.

MORE →
BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
← BACK TO RESULTS
NMAAHC

Me and Mom's Boyfriend Mr. Art

Date
2005
Description
A gelatin silver print depicting two individuals in two rooms of a house. On the right side is a young woman, the photographer LaToya Ruby Frazier, sitting on a bed and leaning against the wall. She is in profile to the viewer, wearing a white tank and plaid shorts. Her hands are resting in her lap and she gazes straight ahead. There is a baby doll underneath the bed where she is sitting, and a white towel hangs from the doorknob of the open door next to her. On the other side of the wall and the image is the figure of a man, "Mr. Art." His back is to the viewer as he leans on his left elbow atop a bed with floral-patterned bedding. He wears a black tank top with white text graphic. Both of the bedrooms are bright white, divided by the dark door and doorframes between them at the center of the image. There are no marks or inscriptions, front or back.
See more items in
National Museum of African American History and Culture Collection
Portfolio/Series
The Notion of Family Series
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, purchased through the American Women's History Initiative Acquisitions Pool, administered by the Smithsonian American Women's History Initiative
Data Source
National Museum of African American History and Culture
Object number
2021.60.1
Type
gelatin silver prints
Restrictions & Rights
Copyright © LaToya Ruby Frazier
Permission required for use. Proper usage is the responsibility of the user.
Medium
silver and photographic gelatin on photographic paper on polyvinyl chloride
Dimensions
H x W (image): 16 × 20 in. (40.6 × 50.8 cm)
H x W x D (board): 20 × 24 in. (50.8 × 61 cm)
Title
Title • Me and Mom's Boyfriend Mr. Art
Record ID
nmaahc_2021.60.1
Museum
NMAAHC
Title Sort
ME AND MOM'S BOYFRIEND MR. ART
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2000s
Geo Location
City • Braddock • County • Allegheny County • State • Pennsylvania • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

No preview image
NMAAHC

Photograph of Jesse Owens with a man and two boys at Allegheny County Airport

Date: Date

Description

MORE →
No preview image
NMAAHC

Me and Mom's Boyfriend Mr. Art

Date: Date

Description

MORE →
No preview image
NMAAHC

Photographic print of miners in Library, Pennsylvania

Date: Date

Description

MORE →
NMAAHC

Photographic postcard of a seated man holding a bowler hat

Date: Date

Description

MORE →
TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

MORE →
TRIVIA QUESTION OF THE DAY

Which heavyweight champion was known as the “Brown Bomber”?

Joe Louis.