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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Esquire, Volume LXIX, No. 4

Date
April 1968
Caption
This 1968 cover of Esquire magazine, conceptualized by art director George Lois and photographer Carl Fischer, features polarizing heavyweight boxer Muhammad Ali posed as the patron saint of athletes, Saint Sebastian. Still lauded as one of the most artful and impactful magazine covers in American history, the cover photograph references a 15th century painting of Sebastian by Francesco Bottecini, which depicts the third century Christian martyr shot with six arrows as a death sentence for practicing his Christian faith.
The comparison to St. Sebastian was apt for Ali, who paid a high price for his religious convictions and refusal to be inducted into the Army. His 1964 announcement that he had converted to Islam, and Ali's commitment at the time to the Nation of Islam, stoked angst among the public and the media. In 1967, Ali was met with still more controversy when he refused induction into the Army to serve in the Vietnam War, objecting on political and spiritual grounds. In response, his professional boxing license was suspended for three and half years, from 1967–1971 during the prime of his fighting years. He was fined $10,000, sentenced to five years in prison, and stripped of his heavyweight title.
Ali’s high-profile conscientious objection inspired anti-war activism across racial lines with his refusal to waver on his convictions—at great personal cost—propelling him to status of an international hero and symbol of resistance, as demonstrated by this cover. The April 1968 Esquire happened to hit newsstands on April 4, the same day the Rev. Dr. Martin Luther King, Jr. was assassinated. This grim coincidence gave the image even more gravitas as it highlighted the vitriol faced by African American male leaders who dared dissent—whether religiously or politically.
Description
One (1) copy of the April 1968 issue of Esquire magazine featuring Muhammad Ali on the cover. The cover is fully white, with the Esquire masthead at the top in black and a color photograph of Ali at center, standing shirtless in white boxing shorts and shoes. He has been shot with six arrows. Five pierce his chest while the sixth arrow punctures the upper thigh of his proper right leg, each creating a bloody wound. His hands are behind his back and his head is thrown back so that he looks up and slightly to his proper right. In small black text near his proper left shoe is [The Passion of Muhammad Ali], the title of the feature article written by Leonard Shecter found on page 128. Other interior contents of the issue include a multistory feature on soul music by Claude Brown and a feature on writer Norman Podhoretz along with sections on golf, fiction, photo essays, travel and fashion. The back cover has a full-page, color advertisement for the Worsted-Tex line of men's suits.
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National Museum of African American History and Culture Collection
Classification
Books and Published Materials
Exhibition
Sports: Leveling the Playing Field
On View
NMAAHC (1400 Constitution Ave NW), National Mall Location, Community/Third Floor, 3 052
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture.
Data Source
National Museum of African American History and Culture
Object number
2024.67
Type
magazines (periodicals)
Restrictions & Rights
© Esquire
Permission required for use. Proper usage is the responsibility of the user.
Medium
ink on short-fibered paper
Dimensions
H x W x D: 13 × 10 × 5/16 in. (33 × 25.4 × 0.8 cm)
Title
Title • Esquire, Volume LXIX, No. 4
Record ID
nmaahc_2024.67
Museum
NMAAHC
Title Sort
ESQUIRE, VOLUME LXIX, NO. 4
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1960s
Exhibition
NMAAHC • Sports: Leveling the Playing Field
Geo Location
City • New York City • State • New York • Country • United States • Continent • North and Central America
On Physical Exhibit
Yes
Online Media Type
Images
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Photograph of Etta Moten Barnett with signed note to Claude Barnett

Date: Date

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NMAAHC

Photograph of Etta Moten Barnett with signed note to her husband Claude Barnett

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NMAAHC

Black Journal: Color Us Black! (Part I)

Date: Date

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NMAAHC

Esquire, Volume LXIX, No. 4

Date: Date

Caption

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.