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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

View of Lake Okanagan, British Columbia

Date
1882
Caption
Prior to becoming a painter, Grafton Tyler Brown was a lithographer, cartographer, draftsman, and business owner of print firm G. T. Brown & Co. in San Francisco. In 1879 Brown sold his business and in 1882 moved from the Bay Area to Victoria, British Columbia, where he joined a geological survey party.
Brown believed that the landscape of the western Canadian province could "challenge the world for magnificent and picturesque scenery." View of Lake Okanagan was part of a series of watercolor and oil paintings drawn from this experience. Positively received, Brown’s paintings garnered the following commentary in The Daily British Colonist: "the exquisite tints of autumn on the foliage … give the landscapes a rich warm coloring that must be seen to be appreciated."
Description
This is an oil painting of a landscape showing a lake in a valley. Surrounded by pine trees, rolling hills, and mountains, the lake stretches from the lower left corner of the scene to its disappearing point slightly right of the center scene. To the right of the lake shore are fields, crossed by a wooden fence, along which are two haystacks. There are clusters of pine trees in the foreground and at intervals along the lake shore. More trees and wooded hills are visible in the distance. The painting is signed by the artist in the lower left corner "G.T. Brown."
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National Museum of African American History and Culture Collection
Classification
Visual Arts
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Curtis E. Ransom in memory of Julia Turner Ransom
Data Source
National Museum of African American History and Culture
Object number
2012.161ab
Type
oil paintings
Restrictions & Rights
Public domain
Proper usage is the responsibility of the user.
Medium
oil on canvas
Dimensions
H x W (unframed): 16 1/8 × 26 × 1 in. (41 × 66 × 2.5 cm)
H x W x D (frame): 23 9/16 × 33 3/8 × 2 3/4 in. (59.8 × 84.7 × 7 cm)
Title
Title • View of Lake Okanagan, British Columbia
Record ID
nmaahc_2012.161ab
Museum
NMAAHC
Title Sort
VIEW OF LAKE OKANAGAN, BRITISH COLUMBIA
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1880s
Topic
Geo Location
State • British Columbia • Country • Canada • Continent • North and Central America
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Media

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Alvin "Red" Tyler, 1992

Date: Date

Description

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NMAAHC

Indoor Wedding Group shot of Eldred C. Marshall Jr. and Dorothy Tyler Marshall

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NMAAHC

Studio portrait of Dorothy Tyler Marshall

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NMAAHC

View of Lake Okanagan, British Columbia

Date: Date

Caption

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who became the first Black woman to travel into space?

Mae Jemison, aboard Space Shuttle Endeavour in 1992.