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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Beaded jacket and black pants by Stephen Burrows

Date
1979-1980
Description
Beaded jacket (.1) and black pants (.2) by Stephen Burrows.
The jacket (.1) is collarless with decorative lapels, full-length straight sleeves, and a hemline at the natural waist with a short slit at the center back. It is covered all over in glass bugle and seed beads, except on the undersides of the sleeves which are faced in black chiffon. The beaded design consists of oversized green grass blades running around the bottom of the jacket body and the bottom sleeves. A ground of silver and very pale pink swirling beads is above the grass on the sleeves and body. Six (6) abstract female figures in black beading stand in profile in the grass up to their waists, each with a large golden rhinestone at her posterior, a cluster of red seed beads at her breast, and a small cluster of blue seed beads to make her eye. Each woman wears a large crown of differing style depending on placement on the jacket. The women at each front side wear copper and silver striped crowns that extend up to the tops of the shoulders of the jacket. The women on each sleeve have gold and copper striped crowns that extend up to the shoulder seams of the sleeves. The two women on the back body wear smaller crowns that consist of gold oval shapes on a copper ground. The women on the front sides and on the back body are oriented so that they face each other. The decorative lapels have a design of stylized gold stems with long rounded leaves on a red ground. Two (2) black hook-and-eyes are sewn just below the lapels to close the jacket at the center front. The interior of the jacket is fully lined in black crepe, including underneath the black chiffon portions of the sleeves. A white fabric label with red embroidered text reading "stephen / burrows" is sewn at the interior center back neck that doubles as a hanger loop.
The pants (.2) are made from black crepe with a black satin tuxedo stripe running down the outer side of each of the flared legs. They close at the proper left side waist with a zipper and one (1) hook-and-eye. The pants do not have a waistband. A pocket with a black satin welt is sewn at each front side waist. The pants are not lined and there are no labels.
See more items in
National Museum of African American History and Culture Collection
Collection title
Ebony Fashion Fair Collection
Classification
Clothing - Fashion and Historical
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2015.141.38.1-.2
Type
jackets
trousers
Restrictions & Rights
No known copyright restrictions
Proper usage is the responsibility of the user.
Medium
.1: glass beads, rhinestones, chiffon, and crepe with metal fasteners;
.2: crepe and satin with metal and plastic fasteners
Dimensions
H x W (.1 flat): 23 1/2 × 19 in. (59.7 × 48.3 cm)
H x W (.2 flat): 46 × 22 in. (116.8 × 55.9 cm)
Title
Object Name • Beaded jacket and black pants by Stephen Burrows
Record ID
nmaahc_2015.141.38.1-.2
Museum
NMAAHC
Title Sort
BEADED JACKET AND BLACK PANTS BY STEPHEN BURROWS
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1980s • 1970s
Online Media Rights
No Known Copyright Restrictions

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Beaded jacket and black pants by Stephen Burrows

Date: Date

Description

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NMAAHC

Pink cowl neck halter dress by Stephen Burrows

Date: Date

Description

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NMAAHC

Color block jersey knit dress by Stephen Burrows

Date: Date

Description

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NMAAHC

Color block jacket, halter crop top, and pants by Stephen Burrows

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which heavyweight champion was known as the “Brown Bomber”?

Joe Louis.