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Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
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Cable-ready is a designation which indicates that a TV set or other television-receiving device (such as a VCR or DVR) is capable of receiving cable TV without a set-top box.[1]
The term originated with analog TV, which uses different frequencies for cable versus over-the-air. This gives more channels, and at lower frequencies, so that early systems did not have to be so broadband and were therefore less expensive to build.
For North American cable television frequencies,[2] the VHF channels 2 to 13 are the same, while an extra 51 cable channels exist between there and over-the-air UHF channel 14. Thus, over-the-air channel 14 can be seen on cable channel 65. Conversely, those 51 extra channels (plus an additional five inserted at 95 to 99) cannot be seen at all on a device which is not cable-ready. A "181-channel tuner" receives 125 on cable (1 to 125), plus 10 (126 to 135) more for digital cable ready TVs, plus the 56 (14 to 69) which are not identical in both (2 to 13). Other cable channels, 0, 00 and 1, which along with channels 136-158 are ill-defined and thus rarely used, and often not included in otherwise cable-ready tuners. Those "lowest numbered" channels often reside between VHF channels four and five on HRC (harmonically related carrier) and IRC (incrementally related carrier) systems where the normally four MHz gap is increased to six MHz, wide enough for one NTSC channel. Similar situations exist in the rest of the world as well.
Another use of a cable-ready tuner is for receiving amateur television (ATV) in North America, where the main ATV band appears on cable channels 56 to 59, 57 being the most popular. Most repeaters output on these channels, while input from amateur operators is often in another band.[3]
Digital cable-ready or DCR is a label used by manufacturers on new televisions which feature built-in technology that allows consumers to receive SDTV and HDTV digital cable programs.[4] Usually this is a QAM tuner, since over-the-air broadcasts are either COFDM (DVB-T and ISDB-T) or 8VSB (ATSC-T). Some cable TV systems in North America use 16VSB instead of 256QAM, for which there are no cable-ready devices. Only channels that are left unencrypted can be received using this method, however encrypted channels can be viewed without a set-top-box using systems such as a CableCard or using a Downloadable Conditional Access System.
Interactive digital cable ready or iDCR extends DCR. Unlike the DCR standard, iDCR supports interactive customer features such as electronic program guides, pay-per-view and video on demand. Consumer devices which support iDCR also support the new OpenCable Application Platform (OCAP) standard developed by CableLabs.
In practice however, the rental of cable converter boxes (or since the late 2010s, the rent-to-own arrangement of digital media players with a provider's app if the customer prefers) has remained a lucrative business line for most cable providers, and they have preferred to phase out support of analog or digital cable-ready televisions which are not CableCard compliant and rent converter boxes out instead, with prevention of cable theft another reason for the arrangement.
Source: Wikipedia. Article content is retrieved live through the MediaWiki API.
Cable-ready is a designation which indicates that a TV set or other television-receiving device (such as a VCR or DVR) is capable of receiving cable TV without a set-top box. The term originated with analog TV, which uses different frequencies for cable versus over-the-air. This gives more channels, and at lower frequencies, so that early systems did not have to be so broadband and were therefore less expensive to build. For North American cable television frequencies, the VHF channels 2 to 13 are the same, while an extra 51 cable channels exist between there and over-the-air UHF channel 14. Thus, over-the-air channel 14 can be seen on cable channel 65. Conversely, those 51 extra channels (plus an additional five inserted at 95 to 99) cannot be seen at all on a device which is not cable-ready. A "181-channel tuner" receives 125 on cable (1 to 125), plus 10 (126 to 135) more for digital cable ready TVs, plus the 56 (14 to 69) which are not identical in both (2 to 13). Other cable channels, 0, 00 and 1, which along with channels 136-158 are ill-defined and thus rarely used, and often not included in otherwise cable-ready tuners. Those "lowest numbered" channels often reside between VHF channels four and five on HRC (harmonically related carrier) and IRC (incrementally related carrier) systems where the normally four MHz gap is increased to six MHz, wide enough for one NTSC channel. Similar situations exist in the rest of the world as well. Another use of a cable-ready tuner is for receiving amateur television (ATV) in North America, where the main ATV band appears on cable channels 56 to 59, 57 being the most popular. Most repeaters output on these channels, while input from amateur operators is often in another band.
Television's Greatest Hits: Cable Ready, prefaced with "TeeVee Toons Presents", is a 1996 compilation album of television theme songs from the 1980s and early 1990s released by TVT Records as the seventh volume of the Television's Greatest Hits series. The album catalog was later acquired by The Bicycle Music Company. In September 2011, Los Angeles–based Oglio Records announced they were releasing the Television's Greatest Hits song catalog after entering into an arrangement The Bicycle Music Company. A series of 9 initial "6-packs" including some of the songs from the album has been announced for 2011.
A cable converter box or television converter box is an electronic tuning device that transposes/converts channels from a cable television service to an analog RF signal on a single channel, usually VHF channel 3 or 4, or to a different output for digital televisions such as HDMI. The device allows a television set that is not "cable ready" to receive cable channels. While later televisions were "cable ready" with a standard converter built-in, the existence of premium television (aka pay per view) and the advent of digital cable have continued the need for various forms of these devices for cable television reception. While not an explicit part of signal conversion, many cable converter boxes include forms of descrambling to manage carrier-controlled access restriction to various channels. Cable-ready televisions and other cable-aware A/V devices such as video recorders can similarly convert cable channels to a regular television set, but these do not include advanced capabilities such as descrambling or digital downconversion. The task of a cable box is to convert a television channel from those transmitted over the CATV wire.
The Macintosh TV is a personal computer with integrated television capabilities released by Apple Computer in 1993. It was Apple's first attempt at computer–television integration. It shares the external appearance of the Macintosh LC 500 series, but in black. The Macintosh TV is essentially a Performa 520 that can switch its built-in 14" Sony Trinitron CRT from being a computer display to a cable-ready television. It is incapable of showing television in a desktop window, although it can capture still frames to PICT files. It comes with a small credit card-sized remote control that is also compatible with Sony televisions. It was the first Macintosh to be made in black and comes with a matching black keyboard and mouse. Later Apple would issue a custom black Performa 5420 in markets outside the United States with many of the features of the Mac TV. Apple's similar TV tuner card was a popular option for later LC, Performa series, and select models of Power Macintosh G3 beige computers. Only 10,000 were made in the model's short time on the market.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →Shirley Chisholm, elected in 1968.