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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

De la Littérature des Nègres, ou recherches sur leurs facultés intellectuelles, leurs qualités morales et leur littérature; suivi de Notices sur la vie et les ouvrages des nègres qui se sont distingués dans les Sciences, les Lettres et les Arts

Date
1808
Caption
Phillis Wheatley Peters (c. 1753 – 1784) was born in West Africa and captured by slave traders as a child, whereupon she was sold to John and Susanna Wheatley of Boston, Massachusetts. She was named after the slave ship on which she was transported to the Americas and the name of her enslavers, but her surname of Peters is that of the man she married in 1778—John Peters, a free man of color.
The story of the discovery of her talent by the Wheatley family is oft told—they taught her to read and write, and by age fourteen, she had begun to write poetry that was soon published and circulated amongst the elites of late eighteenth century America and Great Britain. Her first and only volume of poetry, Poems on Various Subjects, Religious and Moral (1773), was published in London with the assistance of wealthy abolitionists. Peters’ poetry brought her renown in abolitionist circles as proof of the humanity of those of African descent and the inhumanity of the institution of slavery.
The Wheatleys manumitted Peters in 1773 under pressure from critics who saw the hypocrisy in praising Peters’ talent while keeping her enslaved. They died within a few years of this decision, and Peters soon met and married grocer John Peters. Her life afterwards was indicative of the troubled freedom of African Americans of the period, who were emancipated but not fully integrated into the promise of American citizenship. Peters was also affected by the loss of all three of her children—the birth of the last of whom caused her premature death at age 31 In 1784. Despite being feted as a prodigy while enslaved, the emancipated Peters struggled to find the support necessary for producing a second volume of poetry and her husband’s financial struggles forced her to find work as a scullery maid—the lowest position of domestic help. Posthumous publications of Peters’ poetry in various anthologies and periodicals solidified her image as a child poet for the benefit of abolitionist activism and African American cultural pride in the nineteenth and twentieth centuries. In the twenty-first century, the accumulation of this collection is a restoration of Peters the woman and the influence of her poetry and activism today.
Description
A first edition of De la Littérature des Nègres by Henri Grégoire, printed in 1808 in Paris, France, for bookseller Chez Maradan. The text contains biographical portraits of fifteen prominent Black individuals, including Francis Williams, Phillis Wheatley, Jean-Baptiste Lislet Geoffroy, Ignatius Sancho, Thomas Fuller, Jacobus Capitein, Ottobah Cugoan, Benjamin Bannaker, and Olaudah Equiano. Three of Wheatley's poems are printed in English with French translations on pages 260 through 272. Grégoire critiques Thomas Jefferson's Notes on Virginia, his false sympathy towards Africans, and his grudging acknowledgement of the talent and potential of individuals of African descent. Foxing is visible on interior pages. Spine has abrasions on the head and tail. Covers are bent inwards towards the text block. 287 numbered pages.
Title
Book with poems by Phillis Wheatley and a biographical portrait
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National Museum of African American History and Culture Collection
Collection title
Phillis Wheatley Peters Collection
Classification
Books and Published Materials
Movement
Anti-slavery movements
Abolitionist movement
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
A2021.113.1.16
Type
hardcover books
Restrictions & Rights
Public domain
Proper usage is the responsibility of the user.
Medium
ink on paper with leather and cardboard
Dimensions
H x W x D: 8 1/8 × 5 1/4 × 13/16 in. (20.6 × 13.4 × 2.1 cm)
Title
Title • De la Littérature des Nègres, ou recherches sur leurs facultés intellectuelles, leurs qualités morales et leur littérature; suivi de Notices sur la vie et les ouvrages des nègres qui se sont distingués dans les Sciences, les Lettres et les Arts
Record ID
nmaahc_A2021.113.1.16
Museum
NMAAHC
Title Sort
DE LA LITTÉRATURE DES NÈGRES, OU RECHERCHES SUR LEURS FACULTÉS INTELLECTUELLES, LEURS QUALITÉS MORALES ET LEUR LITTÉRATURE; SUIVI DE NOTICES SUR LA VIE ET LES OUVRAGES DES NÈGRES QUI SE SONT DISTINGUÉS DANS LES SCIENCES, LES LETTRES ET LES ARTS
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1800s
Place
Geo Location
City • Paris • Country • France • Continent • Europe
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

De la Littérature des Nègres, ou recherches sur leurs facultés intellectuelles, leurs qualités morales et leur littérature; suivi de Notices sur la vie et les ouvrages des nègres qui se sont distingués dans les Sciences, les Lettres et les Arts

Date: Date

Caption

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NMAAHC

Carte-de-visite of a woman in Martinique

Date: Date

Description

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NMAAHC

Photographic postcard of soldiers in World War I at Verdun

Date: Date

Description

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NMAAHC

"A close shave" - 317th Supply Train, Belleville, Meuse Oct. 12, 1918

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Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Supreme Court case ruled state-sponsored public-school segregation unconstitutional?

Brown v. Board of Education in 1954.