Civil Rights
Movements, leaders, victories and the continuing fight for equality.
Explore the people, places, events, achievements, struggles and stories that shaped our journey.
Movements, leaders, victories and the continuing fight for equality.
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Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
This article relies on a single source. (September 2026) |
The Carracci (/kəˈrɑːtʃi/ kə-RAH-chee, UK also /kəˈrætʃi/ kə-RATCH-ee, Italian: [karˈrattʃi]) were a family of Italian artists. Art historians have studied their works individually and collectively.[1]
Notable members include:

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The Carracci ( kə-RAH-chee, UK also kə-RATCH-ee, Italian: [karˈrattʃi]) were a family of Italian artists. Art historians have studied their works individually and collectively. Notable members include: the three members who worked together and are known collectively as the Carracci, i.e.: Agostino Carracci (1557–1602), Italian painter and printmaker Annibale Carracci (1560–1609), Italian Baroque painter and brother of Agostino Carracci Ludovico Carracci (1555–1619), Italian painter, etcher, printmaker, and cousin of Agostino and Annibale Carracci Antonio Marziale Carracci (1583–1618), Italian painter and son of Agostino Carracci Baldassare Aloisi (1578–1638), painter and engraver whose mother, Elena Zenzanini, was a cousin of Agostino and Annibale Carracci Francesco Carracci (1595–1622), Italian painter and engraver, nephew of Agostino and Annibale Carracci Giovanni Francesco Grimaldi (1606–1680), painter, whose common law wife was Baldassare Aloisi's daughter
Agostino Carracci ( kə-RAH-chee, UK also kə-RATCH-ee, Italian: [aɡoˈstiːno karˈrattʃi]; also Caracci; 16 August 1557 – 22 March 1602) was an Italian painter, printmaker, tapestry designer, and art teacher. He was, together with his brother, Annibale Carracci, and cousin, Ludovico Carracci, one of the founders of the Accademia degli Incamminati (Academy of the Progressives) in Bologna. Intended to devise alternatives to the Mannerist style favoured in the preceding decades, this teaching academy helped propel painters of the School of Bologna to prominence.
Annibale Carracci ( kə-RAH-chee, UK also kə-RATCH-ee, Italian: [anˈniːbale karˈrattʃi]; November 3, 1560 – July 15, 1609) was an Italian painter and instructor, active in Bologna and later in Rome. Along with his younger brother Agostino Carracci and elder cousin Ludovico Carracci (with whom he also worked collectively), Annibale was one of the progenitors, if not founders of a leading strand of the Baroque style, borrowing from styles from both north and south of their native city, and aspiring for a return to classical monumentality, but adding a more vital dynamism. Painters working under Annibale at the gallery of the Palazzo Farnese would be highly influential in Roman painting for decades.
Ludovico (or Lodovico) Carracci ( kə-RAH-chee, UK also kə-RATCH-ee, Italian: [ludoˈviːko karˈrattʃi, lod-]; 21 April 1555 – 13 November 1619) was an Italian early-Baroque painter, etcher, and printmaker from Bologna. His works are characterized by a strong mood invoked by broad gestures and flickering light that create spiritual emotion and are credited with reinvigorating Italian art, especially fresco art, which was subsumed with formalistic Mannerism. He died in Bologna in 1619.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →Brown v. Board of Education in 1954.