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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Brown pin-striped suit worn by Sammy Davis Jr.

Date
1970s
Description
A brown pin-striped suit jacket (.1) and pants (.2) with tan and blue accents worn by Sammy Davis Jr. The jacket is made from a heavy wool with a design of wide brown and tan marled stripes with thin brown and light blue marled stripes. It has a wide notched lapel and closes at the center front with one (1) brown faux tortoise shell button. One (1) welted pocket is sewn at the proper left breast. There is one (1) pocket with a flap closure at the proper left front waist, and two (2) pockets with flap closures stacked on the proper right front waist, with the top pocket having a smaller opening. The sleeves are cut straight with short slits at each cuff that are sewn closed and one (1) decorative brown faux tortoise shell button sewn over decorative stitching mimicking a button hole. The back of the jacket has one very wide center back vent, reaching almost to the side seams. The jacket is fully lined in tan synthetic fabric. There are two (2) interior breast pockets and one (1) additional pocket on the proper left front interior. A black fabric label with white text reading "CERTO" is sewn below the proper right interior breast pocket. A cream fabric label with brown and cream embroidered text is sewn with a decorative stitch in red thread below the proper left breast pocket that reads "STYLED FOR / SAMMY DAVIS JR."
The pants (.2) are bellbottoms with an angled hemline that is shorter in the front. They are made from the same brown striped wool as the jacket. A crease is ironed down the center front of each leg, then stitched in place at the hem. The pants close at the center front waist with a metal zipper, one (1) round black plastic button over an interior self-fabric tab, and two (2) flat metal hook-and-eyes, with the second hook fastening a long self-fabric tab that extends across the waist band to the proper right side. There are two (2) welt pockets, one at each front side, with diagonal tops sloping downward from the center. There are no back pockets or labels. The pants are lined only at the waistband and pockets with black twill, with a hanger loop at the interior center back waistband made from the twill.
See more items in
National Museum of African American History and Culture Collection
Classification
Clothing - Costume
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2015.118.5.1-.2
Type
suits
jackets
trousers
Restrictions & Rights
No Known Copyright Restrictions
Proper usage is the responsibility of the user.
Medium
.1: wool, synthetic fiber, and plastic buttons;
.2: wool, cotton, and plastic and metal fasteners
Dimensions
H x W x D (.1 flat): 28 3/4 × 25 3/4 × 1 in. (73 × 65.4 × 2.5 cm)
H x W x D (.2 flat): 39 1/2 × 16 3/4 × 1 in. (100.3 × 42.5 × 2.5 cm)
Title
Object Name • Brown pin-striped suit worn by Sammy Davis Jr.
Record ID
nmaahc_2015.118.5.1-.2
Museum
NMAAHC
Title Sort
BROWN PIN-STRIPED SUIT WORN BY SAMMY DAVIS JR.
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1970s
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Media

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Ensemble associated with Marian Anderson's 1939 Lincoln Memorial concert

Date: Date

Caption

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NMAAHC

Photograph of six people standing at a tailor shop’s front counter

Date: Date

Description

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NMAAHC

Photographic print of Custom Craft Studio

Date: Date

Description

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NMAAHC

Brown pin-striped suit worn by Sammy Davis Jr.

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.