Civil Rights
Movements, leaders, victories and the continuing fight for equality.
Explore the people, places, events, achievements, struggles and stories that shaped our journey.
Movements, leaders, victories and the continuing fight for equality.
Innovation, patents, science, technology and world-changing contributions.
Pioneers, champions, Negro Leagues, records, activism and excellence.
Meet the people whose lives, choices and achievements shaped the journey.
Black towns, communities, institutions and places where history happened.
Moments that changed communities, movements, institutions and the nation.
In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
Chromatic adaptation is the human visual system's ability to adjust to changes in illumination in order to preserve the appearance of object colors. It is responsible for the stable appearance of object colors despite the wide variation of light which might be reflected from an object and observed by our eyes. A chromatic adaptation transform (CAT) function emulates this important aspect of color perception in color appearance models.
An object may be viewed under various conditions. For example, it may be illuminated by sunlight, the light of a fire, or a harsh electric light. In all of these situations, human vision perceives that the object has the same color: a red apple always appears red, whether viewed during the day or at night (if the red apple is illuminated as rods in our eyes do not see red). On the other hand, a camera with no adjustment for light may register the apple as having varying color. This feature of the visual system is called chromatic adaptation, or color constancy; when the correction occurs in a camera it is referred to as white balance.
Though the human visual system generally does maintain constant perceived color under different lighting, there are situations where the relative brightness of two different stimuli will appear reversed at different illuminance levels. For example, the bright yellow petals of flowers will appear dark compared to the green leaves in dim light while the opposite is true during the day. This is known as the Purkinje effect, and arises because the peak sensitivity of the human eye shifts toward the blue end of the spectrum at lower light levels.
The von Kries chromatic adaptation method is a technique that is sometimes used in camera image processing. The method is to apply a gain to each of the human cone cell spectral sensitivity responses so as to keep the adapted appearance of the reference white constant. The application of Johannes von Kries's idea of adaptive gains on the three cone cell types was first explicitly applied to the problem of color constancy by Herbert E. Ives,[1][2] and the method is sometimes referred to as the Ives transform[3] or the von Kries–Ives adaptation.[4]
The von Kries coefficient rule rests on the assumption that color constancy is achieved by individually adapting the gains of the three cone responses, the gains depending on the sensory context, that is, the color history and surround. Thus, the cone responses from two radiant spectra can be matched by appropriate choice of diagonal adaptation matrices D1 and D2:[5]
where is the cone sensitivity matrix and is the spectrum of the conditioning stimulus. This leads to the von Kries transform for chromatic adaptation in LMS color space (responses of long-, medium-, and short-wavelength cone response space):
This diagonal matrix D maps cone responses, or colors, in one adaptation state to corresponding colors in another; when the adaptation state is presumed to be determined by the illuminant, this matrix is useful as an illuminant adaptation transform. The elements of the diagonal matrix D are the ratios of the cone responses (Long, Medium, Short) for the illuminant's white point.
The more complete von Kries transform, for colors represented in XYZ or RGB color space, includes matrix transformations into and out of LMS space, with the diagonal transform D in the middle.[6]
The International Commission on Illumination (CIE) has published a set of color appearance models, most of which included a color adaptation function. CIE L*a*b* (CIELAB) performs a "simple" von Kries-type transform in XYZ color space,[7] while CIELUV uses a Judd-type (translational) white point adaptation.[8] Two revisions of more comprehensive color appearance models, CIECAM97s and CIECAM02, each included a CAT function, CMCCAT97 and CAT02 respectively.[7] CAT02's predecessor[9] is a simplified version of CMCCAT97 known as CMCCAT2000.[10]
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Chromatic adaptation is the human visual system's ability to adjust to changes in illumination in order to preserve the appearance of object colors. It is responsible for the stable appearance of object colors despite the wide variation of light which might be reflected from an object and observed by our eyes. A chromatic adaptation transform (CAT) function emulates this important aspect of color perception in color appearance models. An object may be viewed under various conditions. For example, it may be illuminated by sunlight, the light of a fire, or a harsh electric light. In all of these situations, human vision perceives that the object has the same color: a red apple always appears red, whether viewed during the day or at night (if the red apple is illuminated as rods in our eyes do not see red). On the other hand, a camera with no adjustment for light may register the apple as having varying color. This feature of the visual system is called chromatic adaptation, or color constancy; when the correction occurs in a camera it is referred to as white balance. Though the human visual system generally does maintain constant perceived color under different lighting, there are situations where the relative brightness of two different stimuli will appear reversed at different illuminance levels. For example, the bright yellow petals of flowers will appear dark compared to the green leaves in dim light while the opposite is true during the day. This is known as the Purkinje effect, and arises because the peak sensitivity of the human eye shifts toward the blue end of the spectrum at lower light levels.
LMS (long, medium, short), is a color space which represents the response of the three types of cone cells of the human eye, named for their responsivity (sensitivity) peaks at long, medium, and short wavelengths. The numerical range is generally not specified, except that the lower end is generally bounded by zero. It is common to use the LMS color space when performing chromatic adaptation (estimating the appearance of a sample under a different illuminant). It is also useful in the study of color blindness, when one or more cone types are defective.
In colorimetry, CIECAM02 is the color appearance model published in 2002 by the International Commission on Illumination (CIE) Technical Committee 8-01 (Color Appearance Modelling for Color Management Systems) and the successor of CIECAM97s. It has since been superseded by CIECAM16. The two major parts of the model are its chromatic adaptation transform, CIECAT02, and its equations for calculating mathematical correlates for the six technically defined dimensions of color appearance: brightness (luminance), lightness, colorfulness, chroma, saturation, and hue. Brightness is the subjective appearance of how bright an object appears given its surroundings and how it is illuminated. Lightness is the subjective appearance of how light a color appears to be. Colorfulness is the degree of difference between a color and gray. Chroma is the colorfulness relative to the brightness of another color that appears white under similar viewing conditions. This allows for the fact that a surface of a given chroma displays increasing colorfulness as the level of illumination increases. Saturation is the colorfulness of a color relative to its own brightness. Hue is the degree to which a stimulus can be described as similar to or different from stimuli that are described as red, green, blue, and yellow, the so-called unique hues. The colors that make up an object’s appearance are best described in terms of lightness and chroma when talking about the colors that make up the object’s surface, and in terms of brightness, saturation and colorfulness when talking about the light that is emitted by or reflected off the object. CIECAM02 takes for its input the tristimulus values of the stimulus, the tristimulus values of an adapting white point, adapting background, and surround luminance information, and whether or not observers are discounting the illuminant (color constancy is in effect). The model can be used to predict these appearance attributes or, with forward and reverse implementations for distinct viewing conditions, to compute corresponding colors. The Windows Color System introduced in Windows Vista uses Canon's Kyuanos (キュアノス) technology for mapping image gamuts between output devices, which in turn uses CIECAM02 for color matching.
The von Kries coefficient law in color adaptation describes the relationship between the illuminant and the human visual system sensitivity. The law accounts for the approximate color constancy in the human visual system. It is the oldest and most widely used law to quantify color adaptation, and is used widely in the field of vision and chromatic adaptation. The von Kries coefficient law compensates for the illumination change using a purely diagonal scaling of the cone absorptions. While the law does not provide a precise indication of the correction, it typically provides a reasonable approximation.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →Mae Jemison, aboard Space Shuttle Endeavour in 1992.