Civil Rights
Movements, leaders, victories and the continuing fight for equality.
Explore the people, places, events, achievements, struggles and stories that shaped our journey.
Movements, leaders, victories and the continuing fight for equality.
Innovation, patents, science, technology and world-changing contributions.
Pioneers, champions, Negro Leagues, records, activism and excellence.
Meet the people whose lives, choices and achievements shaped the journey.
Black towns, communities, institutions and places where history happened.
Moments that changed communities, movements, institutions and the nation.
In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
| Clerical script | |
|---|---|
Stele of Huashan Temple, written in the clerical script from the late Eastern Han dynasty | |
| Script type | |
Period | Bronze Age China, Iron Age China |
| Direction | Vertical writing |
| Languages | Old Chinese, Eastern Han Chinese |
| Related scripts | |
Parent systems | Oracle bone script
|
Child systems | Regular script |
| Clerical script | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Chinese characters for 'clerical script' in regular (left) and clerical script (right). | |||||||||||||||
| Chinese name | |||||||||||||||
| Traditional Chinese | 隸書 | ||||||||||||||
| Simplified Chinese | 隶书 | ||||||||||||||
| Literal meaning | clerical script | ||||||||||||||
| |||||||||||||||
| Vietnamese name | |||||||||||||||
| Vietnamese | lệ thư, chữ lệ | ||||||||||||||
| Hán-Nôm | 隸書, 𡨸隸 | ||||||||||||||
| Korean name | |||||||||||||||
| Hangul | 예서 | ||||||||||||||
| Hanja | 隸書 | ||||||||||||||
| |||||||||||||||
| Japanese name | |||||||||||||||
| Kanji | 隷書体 | ||||||||||||||
| Kana | れいしょたい | ||||||||||||||
| |||||||||||||||
The clerical script (traditional Chinese: 隸書; simplified Chinese: 隶书; pinyin: lìshū), sometimes also chancery script, is a style of Chinese writing that evolved from the late Warring States period to the Qin dynasty. It matured and became dominant in the Han dynasty, and remained in active use through the Six Dynasties period.[1][2][3] In its development, it departed significantly from the earlier scripts in terms of graphic structures (a process known as libian),[4] and was characterized by its rectilinearity, a trait shared with the later regular script.
Although it was succeeded by the later scripts, including the regular script, the clerical script is preserved as a calligraphic practice. In Chinese calligraphy, the term clerical often refers to a specific calligraphic style that is typical of a subtype of the clerical script, the Han clerical (汉隶; 漢隸) or bafen (八分) script. This style is characterized by the squat character shapes, and its "wavy" appearance due to the thick, pronounced and slightly downward tails that are up-tilted at the ends.
Historical accounts, including the Book of Han (111 CE) and the postface of Shuowen Jiezi (c. 100 CE), mistakenly attribute the clerical script to Qin dynasty clerks, claiming that the clerks had devised the script to cope with the heavy workload.[5] There are also historical traditions dating back to the Han dynasty which attributed the creation of clerical script specifically to a Qin-dynasty prison officer, Cheng Miao (程邈), who was said to have invented it at the behest of Qin Shi Huang.[6] However, archaeological findings have shown that the clerical script was not the invention by a certain person or certain people, but was evolved naturally from the earlier scripts.[7] It has also been argued that, rather than being established by government scribes, clerical script was already in popular use, and its use by clerks in the Qin dynasty merely reflects this trend.[8]
The clerical script was developed from the local script varieties in the state of Qin in the Warring States period. These scripts are said to belong to the Qin-state script system (秦系文字; 'Qin-branch scripts'), and were the basis on which the Qin small seal script was standardized.[9] The folk varieties of the Qin-state scripts can be seen to already have employed shapes that are more rectilinear than in the more orthodox scripts, with less long, sinuous lines and more readily segmented strokes, and are closer to the later clerical script than to the small seal script in both style and structure. In particular, some scripts discovered on bamboo and wooden slips are stylistically distinct from the earlier and even contemporary Qin-state scripts, and thus are often seen as a form of early clerical script.[10] Examples include the Shuihudi Qin bamboo texts (c. 217 BCE), and the Qingchuan wooden slips (c. 309 BCE).[11]
In the Qin dynasty, the official script was the small seal script. The clerical script was associated with low social status, and, although allowed as a sort of auxiliary writing style for clerks, was generally not used in formal occasions. However, it gradually assumed dominance over the small seal script over time, and had become the main script in use in the Han dynasty.[12] Over the course of the Han dynasty, the clerical scripts continued to mature and stabilize, finally arriving at a visually unique style. This style is characterized by the following points:
The last two features above are sometimes called the 'wavy propensity' (simplified Chinese: 波势; traditional Chinese: 波勢) or 'wavy downward strokes' (波磔). Additionally, the leftward-falling strokes and anticlockwise curves also tend to have upward tilted ends.[13]
Clerical scripts before the formation of these features are often called Qin clerical script (秦隶; 秦隸) or 'old script' (古隶; 古隸), which include the early clerical scripts from the late Warring States period to the early Han dynasty. Clerical scripts with these features are called 'Han script' (汉隶; 漢隸) or bafen (八分) script. The style of bafen script is the basis of most of the later clerical-style calligraphy.[14]
The most mature form of the bafen script can be found in the late Eastern Han dynasty, with "carefully and neatly executed"[15] inscriptions on stelae. These stelae are regarded as calligraphic works of great significance, and are often used as models of clerical-style calligraphy.[16] Some important inscriptions include:
A new type of clerical script, for which Chinese palaeographer Qiu Xigui termed the name "neo-clerical" (simplified Chinese: 新隶体; traditional Chinese: 新隸體), arose in the Eastern Han dynasty. The script, for convenience, abandoned the heavy tails present in the bafen script, while taking influence from the contemporaneous cursive script. Influenced by this new script style, the semi-cursive script would then arise, which would in turn give rise to the regular script. The neo-clerical form, or an intermediate form of the neo-clerical and the semi-cursive forms, is said to have become the way the common people wrote by the Six Dynasties period. By the Northern and Southern dynasties, the regular script had succeeded the clerical script and become the principal script in use.[17]
After the Northern and Southern dynasties, the clerical script was no longer actively in use,[citation needed] but its style survived in calligraphy.
In the Tang dynasty, calligraphers including Han Zemu (韓擇木), Shi Weize (史惟則), Li Chao (李潮) and Cai Youlin (蔡有鄰) were renowned for their clerical calligraphy.[18] From the Tang to the Ming dynasties, calligraphers occasionally wrote in clerical style as well.[19]
The Qing dynasty saw a revival in clerical-style calligraphy, with notable calligraphers such as Jin Nong, Deng Shiru, Yi Bingshou (伊秉綬) and Zheng Fu (鄭簠).[20]
Due to its high legibility to modern readers, the clerical-style calligraphy is still used for artistic flavor in a variety of functional applications such as headlines, logos, signboards, and advertisements.[21][22]
There are a number of computer fonts that display CJK characters in the clerical style.[citation needed]
The etymology of the Chinese name for the clerical script (隸書) is uncertain. 隸 has been explained as 徒隸 ('prisoner-in-servitude") or Chinese: 隸人 'convict', 'official of a low rank'. Some infer that the script was used in recording the affairs related to such prisoners, while others infer that it was used by prisoners conscripted as scribes.[23]
Clerical script is also known as 'clerical characters' (隸字), 'assistant writing' (佐書), 'historical writing' (史書),[24] and "official script".[25]
From the Northern and Southern dynasties to the Tang dynasty, the regular script was still sometimes referred to as 隸書 instead of 楷書. To distinguish from the Han-dynasty clerical script proper, it was also referred to as the 'recent clerical script' (今隶; 今隸). The Han-dynasty clerical script might accordingly be called the 'old clerical script' (古隸), which is now also the name for the early clerical scripts before the bafen development.[26]
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Source: Wikipedia. Article content is retrieved live through the MediaWiki API.
The clerical script (traditional Chinese: 隸書; simplified Chinese: 隶书; pinyin: lìshū), sometimes also chancery script, is a style of Chinese writing that evolved from the late Warring States period to the Qin dynasty. It matured and became dominant in the Han dynasty, and remained in active use through the Six Dynasties period. In its development, it departed significantly from the earlier scripts in terms of graphic structures (a process known as libian), and was characterized by its rectilinearity, a trait shared with the later regular script. Although it was succeeded by the later scripts, including the regular script, the clerical script is preserved as a calligraphic practice. In Chinese calligraphy, the term clerical often refers to a specific calligraphic style that is typical of a subtype of the clerical script, the Han clerical (汉隶; 漢隸) or bafen (八分) script. This style is characterized by the squat character shapes, and its "wavy" appearance due to the thick, pronounced and slightly downward tails that are up-tilted at the ends.
Cursive script (simplified Chinese: 草书; traditional Chinese: 草書; pinyin: cǎoshū; Japanese: 草書体, sōshotai; Korean: 초서, choseo; Vietnamese: thảo thư), often referred to as grass script, is a script style used in Chinese and East Asian calligraphy. It is an umbrella term for the cursive variants of the clerical script and the regular script. The cursive script functions primarily as a kind of shorthand script or calligraphic style and is faster to write than other styles, but it can be difficult to read for those unfamiliar with it because of its abstraction and alteration of character structures. People who can read only standard or printed forms of Chinese or related scripts may have difficulty reading the cursive script.
The term large seal script traditionally refers to written Chinese dating from before the Qin dynasty—now used either narrowly to the writing of the Western and early Eastern Zhou dynasty (c. 1046 – 403 BCE), or more broadly to also include the oracle bone script (c. 1250 – c. 1000 BCE). The term deliberately contrasts the small seal script, the official script standardized throughout China during the Qin dynasty, often called merely 'seal script'. Due to the term's lack of precision, scholars often prefer more specific references regarding the provenance of whichever written samples are being discussed. During the Han dynasty (202 BCE – 220 CE), when clerical script became the popular form of writing, the small seal script was relegated to limited, formal usage, such as on signet seals and for the titles of stelae (inscribed stone memorial tablets which were popular at the time), and as such the earlier Qin dynasty script began to be referred to as 'seal script'. At that time, there remained knowledge of even older, often more complex glyphs dating to the middle-to-late Zhou dynasty, directly ancestral to the Qin forms—which resembled the Qin forms in their rounded style, as opposed to the rectilinear clerical script style prominent during the Han. As a result, the 'large' and 'small' terms emerged to refer to the respective scripts. The Han-era Shuowen Jiezi dictionary (c. 100 CE) credits sometimes traditionally identified with a group of characters from the Shizhoupian (c. 800 BCE), preserved by their inclusion within the Shuowen Jiezi. Xu Shen, the latter text's author, included the variants differing from the structures of small seal script, and labelled the examples as zhòuwén (籀文), referring to the name of the original book, not the name of the dynasty or of a script
The Flat Brush script (simplified Chinese: 漆书; traditional Chinese: 漆書; pinyin: qī shū) is a writing style in Chinese calligraphy that was created by Jin Nong (simplified Chinese: 金农; traditional Chinese: 金農) during the Qing dynasty. The writing style is a mix of the clerical script of the Han dynasty and the regular script of the Wei dynasty; these two writing styles make the Flat Brush script a unique writing style in Chinese calligraphy. The technique used to write in the flat brush script is very different from the other writing styles. It has to be written using a flat brush and not the regular East Asian writing brush.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →Brown v. Board of Education in 1954.