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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Violencia y Esperanza en Colombia

Date
ca. 2006-2008
Caption
In 2006, a group of women in Mampuján, Colombia formed a textile collective in the aftermath of a devastating paramilitary attack. The collective draws upon Afro-Caribbean storytelling and local textile art traditions, to create tapestries that document their history and the atrocities their community has suffered, past and present. The community Mampuján, one of 20 historical Palenques or maroon settlements formed by escapees in Colombia, has faced violence throughout its existence, from colonial extermination campaigns in the 16th and 17th centuries to the paramilitary attack. Sewing tapestries is one method women from this community have used to address and heal from trauma.
This tapestry, Violencia en Colombia y Esperanza (Violence and Hope in Colombia), depicts the paramilitary attack perpetrated against the Mampujá community by the Colombian army in 2000 as well as the hope of the community and for the future through the welcoming of new life. From the artist's statement:
[This tapestry] shows the testimonies of the victims of violence in Colombia during the years 2000 to 2005. Armed men burned the houses to force the peasants to abandon their lands, and raped and tortured women as a form of intimidation...
The weavers of Mampuján regret all the violence suffered by our people, beginning with the trafficking from Africa. The memory that is captured here is so that the new generations know from our hands and feelings the events.... It is necessary to know the reality of painful events from the truth to achieve catharsis, heal wounds, forgive offenses... and achieve reparation, justice, and peace. — Juana Alicia Ruiz Hernández, Mampuján weaver
The Mampuján tapestries have been displayed in museums in Colombia, including a piece on permanent display at the National Museum of Bogota and in the Mampuján museum newly opened in 2023. In 2015, the weaving collective won the Premio Nacional de la Paz award, an important peace prize in Colombia for their community organization and projects around the sewing collective.
Description
One (1) cotton quilt tapestry, Violencia y Esperanza en Colombia (Violence and Hope in Colombia), crafted by Mujeres Tejedoras de Mampuján (The Weavers of Mampuján), circa 2006 to 2008.
The tapestry is vertically oriented and has a lavender cotton border around a white cotton background. It is constructed of colorful pieces of cloth shaped and sewn together in a storytelling display. At the top is the title [VIOLENCIA / EN COLOMBIA Y ESPERANZA] with “Violencia” appearing in green camouflage cloth and the rest in peach, yellow, blue, red, pink, and bright green. Several violent scenes are depicted centering around a blue, curving river that flows from top to bottom along the right side of the tapestry. Just below the title and at the mouth of the source of the river are three small houses or huts that have been set on fire with cloth strips of red, white, yellow, and black flames. All around the houses and leading into the other scenes are many small red and yellow flowers.
In the midground is a large tree with a yellow floral-patterned canopy. A Black woman in a purple dress with orange yarn hair gives birth while hiding within the tree. To the left, the body of another woman is hanged from one of the branches. Beneath the tree are chickens, and a girl in a green dress with pink embroidery thread hair clutches a hen. To the right, another tree, this one with a black and white trunk and large, three-dimensional pink and black flowers, falls into the river. Some of the pink flowers drift downstream amidst corpses thrown into the water to be eaten by fish. At bottom center, figures of children flee a red schoolhouse with a grey plaid roof and “Escuela” embroidered above the doorway. One child lies bleeding in front of the schoolhouse. The reverse of the tapestry is lavender cotton.
See more items in
National Museum of African American History and Culture Collection
Classification
Textiles and Quilts
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Juana Alicia Ruiz Hernandez, Mujeres Tejedoras de mampujan
Data Source
National Museum of African American History and Culture
Object number
2024.2.2
Type
tapestries
Restrictions & Rights
© Women Weavers of Mampujan
Permission required for use. Proper usage is the responsibility of the user.
Medium
cotton and linen with batting and thread
Dimensions
H x W x D: 58 × 51 × 1/8 in. (147.3 × 129.5 × 0.3 cm)
Title
Title • Violencia y Esperanza en Colombia
Record ID
nmaahc_2024.2.2
Museum
NMAAHC
Title Sort
VIOLENCIA Y ESPERANZA EN COLOMBIA
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2010s • 2000s
Geo Location
City • Mampuján • County • Montes de María • State • Bolívar • Country • Colombia • Region • Latin America • Continent • South America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Violencia y Esperanza en Colombia

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Caption

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NMAAHC

Bazurto 1

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NMAAHC

Braids

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NMAAHC

Palenque

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who was the first African-American woman millionaire in the United States?

Madam C.J. Walker