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THE JOURNEY THROUGH TIME

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Events

Moments that changed communities, movements, institutions and the nation.

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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NMAAHC

History of Jazz with Willis Conover

Date
mid 20th century
Created by
Description
A motion picture film with the title History of Jazz with Willis Conover. It consists of a single reel of positive, black-and-white, 16mm acetate film with bilateral variable-area optical sound. It opens with host Willis Conover welcoming the audience to the show and recapping a previous program. Conover then starts the discussion with a conversation about the development of African American music from West African music as drummers play conga drums on screen. He then discusses New Orleans as a music hub for African Americans before the footage cuts to a street scene of the Eureka Brass Band leading a street parade with their audience dancing in tow.
In the next scene, he talks about the development of ragtime and describes how it is played as a pianist plays a ragtime tune on screen. In the next scene, he describes the development of jazz as a jazz band performs on a stage in front of an audience. After outlining the different genres, the narrator moves on to a discussion of various African American musicians: Buddy Bolden, King Oliver, and Jelly Roll Morten. As he talks, cameo shots of a Victor record playing on a gramophone and photographs of the musicians appear on the screen.
Conover then moves to a discussion of the 1920s and talks about how developments in transportation and the "new faster living" in the US impacted jazz's proliferation. There is also a scene with the Original Dixieland jazz band performing. After this, Conover says, "In Chicago, young, white musicians paid tribute to the great innovators of New Orleans: Bud Freeman, the McPartland Brothers, Bix Beiderbecke, Muggsy Spanier, Gene Krupa, Eddie Condon, these were the core of the Chicago school.” In the final scenes, images of numerous jazz venues appear on the screen. Conover also names some of the big jazz bands that sprung up after many musicians had fled to big cities like New York. He names individuals such as Fletcher Henderson, Don Redman, Luis Russell, Duke Ellington, and Louis Armstrong. At 00:11:43, Conover reappears on camera and delivers a conclusion to the episode, after which footage of the jazz band performing onstage from an earlier scene is played and the episode comes to an end.
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National Museum of African American History and Culture Collection
Classification
Time-based Media - Moving Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Anonymous Gift in memory of Ernest (Ernie) R. Smith, Jazz Historian
Data Source
National Museum of African American History and Culture
Object number
2015.275.10.1a
Type
sound films
black-and-white films (visual works)
16mm (photographic film size)
Medium
acetate film
Dimensions
Duration (digital file): 00:14:39
Physical extent (film): 500 ft
Title
Title • History of Jazz with Willis Conover
Record ID
nmaahc_2015.275.10.1a
Museum
NMAAHC
Title Sort
HISTORY OF JAZZ WITH WILLIS CONOVER
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1920s • 1970s
Geo Location
City • New Orleans • County • Orleans Parish • State • Louisiana • Country • United States • Continent • North and Central America • City • Chicago • County • Cook County • State • Illinois • City • New York City • State • New York
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Bill of sale for an enslaved woman named Nancy

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NMAAHC

History of Jazz with Willis Conover

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NMAAHC

Photograph of Nancy Sinatra and Lisa Glasberg

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NMAAHC

Nancy Wilson - Convention Hall, Atlantic City, N.J. - 1980

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who became the first Black woman to travel into space?

Mae Jemison, aboard Space Shuttle Endeavour in 1992.