q2K BHP
Black History Portal
THE BHP WIRE —
HIDDEN TRUTHS
What's New!
THE JOURNEY THROUGH TIME

Explore Black History

Explore the people, places, events, achievements, struggles and stories that shaped our journey.

✊🏾

Civil Rights

Movements, leaders, victories and the continuing fight for equality.

⚙️

Black Inventors

Innovation, patents, science, technology and world-changing contributions.

🏆

Sports

Pioneers, champions, Negro Leagues, records, activism and excellence.

♟️

People

Meet the people whose lives, choices and achievements shaped the journey.

📍

Places

Black towns, communities, institutions and places where history happened.

📜

Events

Moments that changed communities, movements, institutions and the nation.

Enter a person, place, event, or topic.
MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

MORE →
BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

MORE →
BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
← BACK TO RESULTS
NMAAHC

Lorraine Hansberry: The Black Experience in the Creation of Drama

Date
1975
Caption
This documentary, narrated by actress Claudia McNeil, examines the life and work of playwright Lorraine Hansberry. The film focuses on Hansberry's life and how it influenced her most famous work, Raisin in the Sun. It also makes extensive use of clips from the 1961 film version of the play to showcase the ideas being presented.
This film was a part of the Washington D.C. Public Library's circulating 16mm film collection housed at the Martin Luther King Jr. Central Library. The collection is particularly noted for the wide variety of African American and African diaspora content.
Description
A documentary film with the title Lorraine Hansberry: The Black Experience in the Creation of Drama. It consists of a single reel of color 16mm acetate film with optical sound.
Narrated by actress Claudia McNeil, the documentary examines the life and work of playwright Lorraine Hansberry. The film focuses on Hansberry's life and how it influenced her most famous work, "Raisin in the Sun." It also makes extensive use of clips from the 1961 film version of the play to showcase the ideas being presented.
The film begins with a television interview clip of Hansberry describing the role of the dramatist in depicting conflict. This is followed by a clip from the film version of "Raisin in the Sun" featuring Sidney Poitier. Next, the title cards appear over shots of people arriving for a performance of "Raisin in the Sun." Unidentified African drumming plays in the background. In another clip from the same television interview, Hansberry describes what attracted her to playwriting. Claudia McNeil's introductory narration begins over a freeze frame of Hansberry. Over shots of Chicago's South Side taken from the L and a moving car, McNeil details Hansberry's upbringing in the area. As further shots of the South Side are shown, Hansberry herself describes her upbringing and its influence on her work. The focus then turns to the Supreme Court case (Hansberry vs. Lee) won by her father to allow her family to live in a whites-only neighborhood. Shots of Hansberry's childhood apartment are shown as McNeil describes the terrible treatment the Hansberry's experienced in response to their efforts.
The subsequent sequence focuses on Hansberry's relationship with other children and her education. McNeil reads from Hansberry's writings on the subject as shots of children and her high school are shown. Next, McNeil, in Hansberry's words, recounts how she decided to become a playwright while attending the University of Wisconsin. A montage of shots depicting Christian symbols and violence in Northern Ireland are shown during the narration. McNeil's narration then moves on to explain how in 1950 Hansberry decided to leave university and move to New York City where she became a reporter for Paul Robeson's newspaper Freedom. Wide shots of Manhattan and historical photographs are shown. The section concludes with her marriage to Robert Nemiroff.
As contemporary shots of life in Harlem are shown, McNeil describes how New York City influenced Hansberry's ideas. The origin of the title "Raisin in the Sun" is then described and McNeil compares Hansberry's influence on theater to Langston Hughes' influence on poetry. An audio clip of Hansberry describing the importance of the very specific setting of the play on the South Side of Chicago plays over contemporary footage of the area and historical photographs of the play's staging. Hansberry then discusses her special connection to the character Beneatha Younger. This is followed by a scene from the film version prominently featuring Beneatha. Over images of historical photographs, Hansberry discusses her reaction to the play's success. In a clip from a television interview, she talks about her interest in dramatizing the lives of ordinary people. This is followed by another clip from the film version.
Hansberry then describes the message of the play: the importance of human dignity. Over a shot of a woman scrubbing the floor of a long hallway, Hansberry describes the significance of the mother in the play. In another clip from the television interview, Hansberry expounds on the difference between a naturalistic work and a realistic work, like her play. Shots of Hansberry's home movies from her home in Croton-on-Hudson are shown as McNeil describes her activities after the success of "Raisin in the Sun." Her role in the Civil Rights Movement is then discussed by McNeil and by Hansberry herself. As images of Hansberry's home office are shown, McNeil reads from Hansberry's journal as she describes progress on her various plays. Next, an audio recording captures Hansberry reciting the spiritual "Steal Away to Jesus." Shots from her home movies play during the recording. McNeil's narration then turns to Hansberry's next play, "The Sign in Sidney Brustein's Window" and the end of her life during its run on Broadway. Reflecting upon Hansberry's death, McNeil reads a poem Hansberry wrote about the black experience. A clip from filmed version of her play "Les Blancs" is shown. McNeil then describes Hansberry's posthumous success. Historical photographs and multilingual play bills are shown, as well as a filmed clip from the musical "Raisin." The film concludes with an audio clip of Hansberry discussing art and her role in it. The credits roll over a clip from "Raisin."sound.
See more items in
National Museum of African American History and Culture Collection
Collection title
DC Public Library Film Collection
Classification
Time-based Media - Moving Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Transferred from the DC Public Library
Data Source
National Museum of African American History and Culture
Object number
2017.55.64.1a
Type
sound films
color films (visual works)
16mm (photographic film size)
Restrictions & Rights
Restrictions likely apply. Proper usage is the responsibility of the user.
Medium
acetate film
Dimensions
Duration: 37 Minutes
Length (Film): 1300 Feet
Title
Title • Lorraine Hansberry: The Black Experience in the Creation of Drama
Record ID
nmaahc_2017.55.64.1a
Museum
NMAAHC
Title Sort
LORRAINE HANSBERRY: THE BLACK EXPERIENCE IN THE CREATION OF DRAMA
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1970s
Geo Location
City • Chicago • County • Cook County • State • Illinois • Country • United States • Continent • North and Central America • City • Croton-on-Hudson • County • Westchester County • State • New York • City • New York City
Online Media Rights
Restrictions Likely

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

No preview image
NMAAHC

Home on the Hudson

Date: Date

Caption

MORE →
NMAAHC

Views of West Point. Hudson River Scenery.

Date: Date

Description

MORE →
No preview image
NMAAHC

Hudson Valley Toile

Date: Date

Description

MORE →
No preview image
NMAAHC

Lorraine Hansberry: The Black Experience in the Creation of Drama

Date: Date

Caption

MORE →
TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

MORE →
TRIVIA QUESTION OF THE DAY

Who became the first Black woman to travel into space?

Mae Jemison, aboard Space Shuttle Endeavour in 1992.