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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Shirley Chisholm — Unbought and Unbossed

In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Yet Do I Marvel (Countee Cullen)

Date
2016
Description
Five panels in an abstract design of bright colors and smooth, hard surfaces. The center panel is a solid bright yellow and hung slightly above the other panels. The far left panel is a solid deep red. The left middle panel is blue with a black rectangle at the bottom left side and a lighter blue abstract square at the top right corner. Just to the right of the center yellow panel is a blue panel with a large geometric burst of orange from the top right corner and extending along the top and right sides. The far right panel is a deep green with a golden yellow geometric shape extending across the center from the left side. Each panel is composed of acrylic paint on birch wood and weighs over 90 pounds.
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National Museum of African American History and Culture Collection
Classification
Visual Arts
On View
NMAAHC (1400 Constitution Ave NW), National Mall Location, First Floor, 1 050
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2016.147
Type
acrylic paintings
Restrictions & Rights
© Sam Gilliam, 2016
Permission required for use. Proper usage is the responsibility of the user.
Medium
acrylic paint on birch
Dimensions
H x W x D (Each panel): 96 × 48 × 4 1/2 in. (243.8 × 121.9 × 11.4 cm)
H x W x D (Overall): 96 × 258 × 4 1/2 in. (243.8 × 655.3 × 11.4 cm)
Title
Title • Yet Do I Marvel (Countee Cullen)
Record ID
nmaahc_2016.147
Museum
NMAAHC
Title Sort
YET DO I MARVEL (COUNTEE CULLEN)
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2010s
Topic
Exhibition
NMAAHC
On Physical Exhibit
Yes
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Letter to Mr. Carroll Wilson from Countee Cullen

Date: Date

Description

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NMAAHC

Yet Do I Marvel (Countee Cullen)

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NMAAHC

The Black Christ and Other Poems

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NMAAHC

Black Poetry: a Supplement to Anthologies Which Exclude Black Poets

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who was the first African-American woman millionaire in the United States?

Madam C.J. Walker