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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Miniature dress inspired by First Lady Garfield made by Ann Lowe

Date
late 1960s - early 1970s
Description
Miniature taupe satin dress inspired by First Lady Garfield made by Ann Lowe. The dress has a fitted bodice with a standard collar and a faux-button front that has a keyhole above the center bust. The dress is made from taupe silk satin with cream floral lace detailing. The bodice has pre-tied taupe satin bows sewn at the center front neck, below the center of the keyhole, at the center front waist, and at each outer cuff. The keyhole is filled in with the cream floral lace and metallic floral lace is used to embellish the standard collar. Cream lace also trims the sleeve cuffs, which end with deep cut-out detailing at the hemline of the satin similar to petals. Seven (7) self-fabric covered buttons are sewn down the center front of the bodice for decoration. The skirt is full-length with a back train and a peplum. It is also made from the taupe satin. Three (3) ruffled flounces of the cream floral lace are sewn down the center front of the skirt with two (2) additional flounces trimming the front side edges of the peplum. A strip of the satin with a pre-tied bow in the middle is sewn along the top edge of each skirt flounce. A self-fabric strip pleated into ruffles is sewn along the bottom of the skirt across the back where it trains on the floor. At each front side of the bottom skirt there are two (2) deep cut-outs similar to petals like on the bottom of the sleeves. Behind them and continuing across the back is a pleated ruffle of the satin that is sewn on the underside of the skirt. The dress closes at the center back with a zipper and one (1) hook-and-eye.
The interior bodice is lined in pink silk faille with interior shoulder straps also made from the pink faille. There is an attached interior under skirt made from the pink faille that extends nearly to the hemline of the center front portion of the skirt. The skirt and the peplum are lined in cream synthetic fabric that is light weight but slightly stiff. There are no labels.
See more items in
National Museum of African American History and Culture Collection
Collection title
Black Fashion Museum Collection
Classification
Clothing - Fashion and Historical
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Black Fashion Museum founded by Lois K. Alexander-Lane
Data Source
National Museum of African American History and Culture
Object number
2007.3.32
Type
dresses
Restrictions & Rights
No Known Copyright Restrictions
Proper usage is the responsibility of the user.
Medium
silk satin, lace, silk faille, synthetic fiber, and metal fasteners
Dimensions
H x W (flat): 55 × 37 1/2 in. (139.7 × 95.3 cm)
Title
Object Name • Miniature dress inspired by First Lady Garfield made by Ann Lowe
Record ID
nmaahc_2007.3.32
Museum
NMAAHC
Title Sort
MINIATURE DRESS INSPIRED BY FIRST LADY GARFIELD MADE BY ANN LOWE
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1960s • 1970s
Online Media Rights
No Known Copyright Restrictions

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Blue and white jockey silks worn by Marlon St. Julien

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Caption

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NMAAHC

Miniature dress inspired by First Lady Coolidge made by Ann Lowe

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Description

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NMAAHC

Miniature dress inspired by First Lady Garfield made by Ann Lowe

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Description

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NMAAHC

Custom Mapex hanging 12-inch tom drum owned by Will Calhoun

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which heavyweight champion was known as the “Brown Bomber”?

Joe Louis.