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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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NMAAHC

Malcolm X’s Daughters

Date
2009; printed 2019
Description
A black-and-white photograph of Malcolm X’s Daughters, by Platon. Shown from left to right are five of Malcolm X’s six daughters including: Qubilah Shabazz, Gamilah Lumumba Shabazz, Malaak Shabazz, Attallah Shabazz, and Ilyasah Shabazz. All of the sisters are depicted from the knees up, looking directly at the viewer, and with serious expressions on their faces.. Malaak stands at the center with her four sisters gathered closely together in pairs on either side of her. She is wearing a floral-patterned caftan and bracelets on both wrists. Her long, braided hair has cowry shells woven in. Her thin braids at the top of her head are pulled up and back and the lower half drapes over her shoulders. Her chin is slightly lifted, and her fingers are laced together and held loosely at her waist. Standing behind her proper right shoulder is Qubilah on the far left and Gamilah Lumumba directly behind Malaak’s shoulder, just left of center. Gamilah Lumumba is wearing a dark, uniform-style jacket with a standing collar and trimmed with light tone, braided buttons and closures down the front center. Her hair is pulled back and she has her proper right hand curled around Malaak’s right bicep. On the far left is Qubilah. She is standing partially behind Gamilah Lumumba, with her chin resting on Gamilah Lumumba’s proper right shoulder and her right arm wrapped around her sister’s waist. She is wearing a medium tone, patterned, woven shirt with thin black bands at the shoulder and cuff and black trousers. Standing behind Malaak’s proper right shoulder is Ilyasah on the far right and Attallah directly behind Malaak’s shoulder, just right of center. Attallah is almost completely behind Malaak, looking over her shoulder. She is wearing a leather kufi-style hat and a white collared shirt with swirl pattern embellishments at the collar. On the far right is Ilyasah. She is standing partially behind Attallah with her proper left arm wrapped around her sister’s proper left shoulder and her chin resting on top of her hand. She is wearing a black, long sleeve dress with sheer sleeves and a beaded cuff. The background of the photograph is white. The photograph has a thick white border. The edition number, [5/12], is printed in the bottom left corner. The photographer’s signature and date, [Platon 19], is handwritten in the bottom right corner. Inside the border, at the bottom center, is the photographer’s embossed mark: [PLATON ? / EDITIONED ? / PRINT ?[encircled between two bands of embossed dots]]. The back of the photograph is plain and white.
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National Museum of African American History and Culture Collection
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Platon
Data Source
National Museum of African American History and Culture
Object number
2021.33.4
Type
pigment prints
portraits
Restrictions & Rights
© Platon
Permission required for use. Proper usage is the responsibility of the user.
Medium
pigment on paper
Dimensions
H x W (image): 17 1/16 × 24 in. (43.3 × 61 cm)
H x W (sheet): 20 × 24 in. (50.8 × 61 cm)
H x W (matted): 22 × 28 in. (55.9 × 71.1 cm)
Title
Title • Malcolm X’s Daughters
Record ID
nmaahc_2021.33.4
Museum
NMAAHC
Title Sort
MALCOLM X’S DAUGHTERS
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2000s
Geo Location
City • New York City • State • New York • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Masters of Ceremony: DJ Shabazz, Grand Puba Maxwell, Dr. Who, Don Barron

Date: Date

Description

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NMAAHC

Napkin from the Shabazz Restaurant

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NMAAHC

Malcolm X’s Daughters

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NMAAHC

Flying High

Date: Date

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who was the first African-American woman millionaire in the United States?

Madam C.J. Walker