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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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NMAAHC

Courthouse Steps

Date
1960-1969
Caption
Having lived through slavery, sharecropping, the Depression, and fierce segregation and restricted access to local resources, the residents of Gee’s Bend, Alabama, started the Freedom Quilting Bee in 1966 as a source of income and local empowerment.
Martha Jane Pettway and her fellow quilters of Gee’s Bend are known for their exceptional quilting skill and ingenuity. Pettway and her husband were leaders of the Gee’s Bend community, and she taught quilting to the next generation. Here, she sewed repurposed sugar sacks into the traditional Courthouse Steps quilting pattern. As is typical of Gee’s Bend quilts, Pettway includes an asymmetrical, improvisational section on the lower left.
The Courthouse pattern can also be interpreted as symbolizing the local courthouse’s significance to African American communities.
Description
A quilt titled, "Courthouse Steps," created by Martha Jane Pettway of Gee's Bend, Alabama. The red wool and undyed white cotton quilt is sewn with a Courthouse Steps block. The blocks feature a red center with six strips stacked on top of each other, with the longest strips in the middle and each set getting shorter to create a step design that gives the block its name. There are five complete blocks on the quilt. The top left and all three right side blocks are half the motif. The bottom left of the quilt features four half motif blocks that surround one complete motif block. The blocks are bordered by a single layer of strips of the red wools and undyed white cotton. It is hand quilted in off-white thread that is sewn in a curvilinear pattern.
The quilt is backed with a solid off-white plain-weave cotton. A casing of off-white plain-weave cotton is hand sewn along the back top that holds a display rod (b). At the center of the bottom edge of the quilt backing is faded printed blue text that reads [GRANULATED / MADE BY / HERSHEY CORPORATION / CENTRAL HERSHEY / CUBA]. In the bottom right corner is additional faded blue ink text that reads [3-58].
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National Museum of African American History and Culture Collection
Classification
Decorative Arts, Craft, and Design
Textiles and Quilts
Exhibition
Revelation: A Journey into Abstraction
On View
NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 052
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2023.65
Type
quilts
Restrictions & Rights
© Estate of Martha Jane Pettway
Permission required for use. Proper usage is the responsibility of the user.
Medium
cotton, synthetic, and wool
Dimensions
H x W (2023.65a): 77 × 70 in. (195.6 × 177.8 cm)
H x W x D (2023.65b): 2 × 68 1/2 × 11/16 in. (5.1 × 174 × 1.7 cm)
Title
Title • Courthouse Steps
Record ID
nmaahc_2023.65
Museum
NMAAHC
Title Sort
COURTHOUSE STEPS
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1960s
Exhibition
NMAAHC • Revelation: A Journey into Abstraction
Geo Location
City • Boykin • County • Wilcox County • State • Alabama • Country • United States • Continent • North and Central America
Type
On Physical Exhibit
Yes
Online Media Type
Images
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Sable Boykin and Sasha Boykin modeling Beth Richards Swimwear

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NMAAHC

Dirty Gertie from Harlem U.S.A.

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NMAAHC

Courthouse Steps

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NMAAHC

Untitled

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who became the first Black woman to travel into space?

Mae Jemison, aboard Space Shuttle Endeavour in 1992.