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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Optimized-To Host Space

Date
May 2020
Caption
As Black residents are forced out of their neighborhoods by rising housing prices (a result of gentrification in Los Angeles), architectural designer Demar Matthews wanted to center his designs on what he dubs “Unearthing the Black Aesthetic.” This digital illustration is an extension of Matthews' project “R Cloud House.” Prospectively sited in Watts, the 700 square foot structure is imagined as a maker space to be shared, with a community kitchen with access to fresh fruit and vegetables. The form of R Cloud House is inspired by the “shotgun” style house used by Black residents of New Orleans and the project's façade takes pattern inspiration from box braids and waves. The roof itself, and its representations in Matthews' renderings like this one, resemble a crown, calling attention to the significance of the person who wears it - in this case, a Black person for whom the design is made.
Description
A digital image of an architectural rendering titled "Optimized-To Host Space." It consists of a single JPEG file (.jpg). The top half of the rendering features a grayscale image of the Watts Towers set against a cloudy sky. Below the towers is a digitally rendered image of an irregularly shaped building whose roof ascends and descends at sharp angles, reminiscent of the top of a crown. Some sides of the building feature concentric circles and squares. A gold symbol is repeated in the center of each circle. A man dressed in brown athletic wear is superimposed on the image of the building. Bending backwards, he looks ahead as he stretches his proper right arm above him and his proper left arm beneath him. Mully is printed on his sweater and joggers in white uppercase letters. He also wears a sneakers and black sunglasses. The bottom half of the image features the side of a building. Much of it is airbrushed in yellow and pink. Text on the roof of the building reads [MEAT / GROCERY] and [BEER /WINE / EAT]. A man and woman standing outside the building, beneath two surveillance cameras, look up at a spot the woman points to.
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National Museum of African American History and Culture Collection
Collection title
Rendering Visible
Classification
Decorative Arts, Craft, and Design
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Demar Matthews
Data Source
National Museum of African American History and Culture
Object number
2022.106.2
Type
renderings
digital images
digital media - born digital
Restrictions & Rights
© Demar Matthews
Permission required for use. Proper usage is the responsibility of the user.
Medium
digital
Dimensions
H x W: 2834 pixels × 2126 pixels
File size (Total): 4.79 MB
Title
Title • Optimized-To Host Space
Record ID
nmaahc_2022.106.2
Museum
NMAAHC
Title Sort
OPTIMIZED-TO HOST SPACE
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2020s
Geo Location
City • Los Angeles • County • Los Angeles County • State • California • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Black Elevation

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NMAAHC

Pocket watch likely carried by Matthew Henson in 1908-1909 Arctic expedition

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NMAAHC

Optimized-To Host Space

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NMAAHC

Section

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.