Civil Rights
Movements, leaders, victories and the continuing fight for equality.
Explore the people, places, events, achievements, struggles and stories that shaped our journey.
Movements, leaders, victories and the continuing fight for equality.
Innovation, patents, science, technology and world-changing contributions.
Pioneers, champions, Negro Leagues, records, activism and excellence.
Meet the people whose lives, choices and achievements shaped the journey.
Black towns, communities, institutions and places where history happened.
Moments that changed communities, movements, institutions and the nation.
Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
| Genre | Dramatic anthology |
|---|---|
| Running time | 30 minutesSunday mornings |
| Home station | WMAQ |
| Starring | Oscar Brown Jr., Vernon Jarrett, Janice Kingslow, Fred Pinkard, Studs Terkel, Wezlyn Tilden; also, Maurice Copeland, Tony Parrish, Jack Gibson, Harris Gaines, Louise Pruitt, Arthur Peterson, Norma Ransom, Forrest Lewis, Hope Summers, Boris Apion, Jess Pugh, Ted Liss, Don Gallagher, Harry Elders, Everett Clarke, Jack Lester, Art Hern, Les Spears, Dean Olmquist, Russ Reed |
| Announcer | Hugh Downs |
| Created by | Richard Durham |
| Written by | Richard Durham, Ray Derby, William Hodapp, Bob Ecklund, Madeline Peters, Billie McKee, Bob McKee, Christine Squires, Martin Maloney, Charles Flynn |
| Directed by | Homer Heck, Dick Loughran, Norman Felton, Bob Wambold, John Cowan, Larry Auerbach |
| Produced by | Homer Heck[1] Donnie L Betts[2] |
| Executive producer | Judith Waller |
| Recording studio | Chicago |
| Original release | June 27, 1948 – November 19, 1951 |
| Opening theme | "Oh, Freedom" |
| Sponsored by | The Chicago Defender, Chicago Urban League (1950), United Negro College Fund |
Destination Freedom was a series of weekly radio programs that was produced by WMAQ in Chicago. The first set ran from 1948 to 1950 and it presented the biographical histories of prominent African Americans such as George Washington Carver, Satchel Paige, Frederick Douglass, Harriet Tubman, and Lena Horne.[3][4] The scripts for those shows were written by Richard Durham.[4] Studs Terkel voiced some of the radio characters.[5] Hugh Downs also served as an announcer in both the initial and 1950 series.[6]
The second series of shows ran from 1950 to 1951, and it was produced without Durham. This second series featured patriotic themed dramas that were largely based on Americanism and anti-Communism.
The show was the brainchild of African-American journalist and author Richard Durham.[7][8] In cooperation with The Chicago Defender, he began this series over NBC Chicago outlet WMAQ in June 1948, with scripts emphasizing the progress of African Americans from the days of slavery to the ongoing struggle for racial justice. Airing in Sunday-morning public-service time, the series built a steady audience in the Midwest, with inspirational stories of social progress, earning strong support from Civil Rights organizations, and offering employment to a wide range of African-American performers. Episodes began with a stanza from the spiritual "Oh, Freedom".[9]
Destination Freedom premiered on June 27, 1948, on Chicago radio WMAQ. Durham's vision was to re-educate the masses on the image of African-American society, since he believed that it was tainted with inaccurate and derogatory stereotypes. Week after week, Durham would challenge these stereotypes by illustrating the lives of prominent African Americans. For two years, Durham wrote script after script for Destination Freedom, receiving no financial compensation for his effort. In 1950, Durham's financial needs forced him to accept an offer by Don Ameche to write material for him. It is also said that Durham's relationship with NBC and WMAQ was not entirely harmonious. Continuing without Durham, the final year of the program turned to general themes of "American freedom", without the sharp focus on the African-American experience. This, WMAQ hoped, would create a show to rival Paul Revere Speaks, a popular show at the time. For about 50 years, the show was long forgotten until some transcripts were found, and the characters voiced by Fred Pinkard,[10][11] Oscar Brown Jr.,[12] Wezlyn Tilden,[13] and Janice Kingslow,[14][15] were heard once more.
Two early recordings, "A Garage in Gainesville" and "Execution Awaited", are listed in National Recording Registry.[16] In 1949, it received a first-place commendation from the Ohio State University Institute for Education by Radio.[17]
Includes a June 30, 1948 review of 'The Knock-Kneed Man' episode
Kinzie Blueitt, 1900–1971
Source: Wikipedia. Article content is retrieved live through the MediaWiki API.
Destination Freedom was a series of weekly radio programs that was produced by WMAQ in Chicago. The first set ran from 1948 to 1950 and it presented the biographical histories of prominent African Americans such as George Washington Carver, Satchel Paige, Frederick Douglass, Harriet Tubman, and Lena Horne. The scripts for those shows were written by Richard Durham. Studs Terkel voiced some of the radio characters. Hugh Downs also served as an announcer in both the initial and 1950 series.
The CBS Radio Workshop was an experimental dramatic radio anthology series that aired on CBS from January 27, 1956, until September 22, 1957. Subtitled “radio’s distinguished series to man’s imagination,” it was a revival of the earlier Columbia Experimental Laboratory (1931), Columbia Experimental Dramatic Laboratory (1932) and Columbia Workshop broadcasts by CBS from 1936 to 1943. The CBS Radio Workshop was one of American network radio's last attempts to hold on to, and perhaps recapture, some of the demographics they had lost to television in the post-World War II era. The premiere broadcast was a two-part adaptation of Aldous Huxley's Brave New World, introduced and narrated by Huxley. It took a unique approach to sound effects, as described in a Time (February 6, 1956) review that week: It took three radio sound men, a control-room engineer and five hours of hard work to create the sound that was heard for less than 30 seconds on the air. The sound consisted of a ticking metronome, tom-tom beats, bubbling water, air hose, cow moo, boing! (two types), oscillator, dripping water (two types) and three kinds of wine glasses clicking against each other. Judiciously blended and recorded on tape, the effect was still not quite right. Then the tape was played backward with a little echo added. That did it. The sound depicted the manufacturing of babies in the radio version of Aldous Huxley's Brave New World.Time, February 6, 1956 Music for the series was composed by Bernard Herrmann, Jerry Goldsmith, Amerigo Moreno, Ray Noble and Leith Stevens. Writers whose work was adapted for the series included John Cheever, Robert A. Heinlein, Sinclair Lewis, H. L. Mencken, Edgar Allan Poe, Christopher Isherwood, Frederik Pohl, James Thurber, Mark Twain and Thomas Wolfe. Two episodes, "Sweet Cherries in Charleston" and "Heart of the Man," were remakes of scripts by Richard Durham for the anthology series Destination Freedom (1948–1950). William N. Robson, who had directed on Columbia Workshop, worked on CBS Radio Workshop as well, and the Archibald MacLeish radio play "Air Raid" (which premiered on Columbia Workshop) was remade.
The Chicago Star was a weekly publication, founded in 1946 and financed by trade unions. The board of directors were Ernest De Maio, Frank Marshall Davis, William L. Patterson, Grant Oakes, and William Sennett. Davis was the executive editor, Sennett the general manager, and Carl Hirsch managing editor. Howard Fast was a columnist, and Rockwell Kent a contributing editor. In an introduction to a book about Davis, John Edgar Tidwell indicated that the first issue was launched on July 4th to "[wrap] itself in the holiday's symbolic meaning." The paper carried Davis's weekly editorial "Frank-ly Speaking". The newspaper has been described as "openly leftist". In 1947, the Spokane Daily Chronicle called the paper "a red weekly" saying that it "has most of the markings of a Communist front publication." The Chicago Star had a goal to "promote a policy of cooperation and unity between Russia and the United States" seeking to "[avoid] the red-baiting tendencies of the mainstream press." One of its writers was Richard Durham, who would later produce the notable radio series Destination Freedom.
Frederick Douglass (born Frederick Augustus Washington Bailey, c. February 14, 1818 – February 20, 1895) was an American social reformer, abolitionist, orator, writer, and statesman. He was "the most important leader of the movement for African-American civil rights in the 19th century". After escaping from slavery in Maryland in 1838, Douglass became a national leader of the abolitionist movement in Massachusetts and New York and gained fame for his oratory and incisive antislavery writings. Accordingly, he was described by abolitionists in his time as a living counterexample to claims by supporters of slavery that enslaved people lacked the intellectual capacity to function as independent American citizens. Northerners at the time found it hard to believe that such a great orator had once been enslaved. It was in response to this disbelief that Douglass wrote his first autobiography. Douglass wrote three autobiographies, describing his experiences as an enslaved person first in his Narrative of the Life of Frederick Douglass, an American Slave (1845), which became a bestseller and was influential in promoting the cause of abolition, as was his second book, My Bondage and My Freedom (1855). Following the Civil War, Douglass was an active campaigner for the rights of freed slaves and wrote his last autobiography, Life and Times of Frederick Douglass. First published in 1881 and revised in 1892, three years before his death, the book covers his life up to those dates. Douglass also actively supported women's suffrage, and he held several public offices. In 1872, without his knowledge or consent, Douglass became the first African American nominated for vice president of the United States, as the running mate of Victoria Woodhull on the Equal Rights Party ticket. Douglass believed in making alliances across racial and ideological divides, as well as in the anti-slavery interpretation of the U.S. Constitution, after he had broken with William Lloyd Garrison. When radical abolitionists, under the motto "No Union with Slaveholders", criticized Douglass's willingness to engage in dialogue with slave owners, he replied: "I would unite with anybody to do right and with nobody to do wrong."
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →Mae Jemison, aboard Space Shuttle Endeavour in 1992.