Civil Rights
Movements, leaders, victories and the continuing fight for equality.
Explore the people, places, events, achievements, struggles and stories that shaped our journey.
Movements, leaders, victories and the continuing fight for equality.
Innovation, patents, science, technology and world-changing contributions.
Pioneers, champions, Negro Leagues, records, activism and excellence.
Meet the people whose lives, choices and achievements shaped the journey.
Black towns, communities, institutions and places where history happened.
Moments that changed communities, movements, institutions and the nation.
In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
| Blood Money | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | May 2, 2006 | |||
| Recorded | 2005–2006 | |||
| Studios |
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| Genre | Hip-hop | |||
| Length | 59:55 | |||
| Labels | ||||
| Producers |
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| Mobb Deep chronology | ||||
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| Singles from Blood Money | ||||
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Blood Money is the seventh studio album by American hip-hop duo Mobb Deep. Originally scheduled for a March 21, 2006 release, it was released on May 2, 2006 via Prodigy's Infamous Records, 50 Cent's G-Unit Records and Jimmy Iovine's Interscope Records, making it their only studio album for the latter labels.
The recording sessions took place at Bass Clef Studios in Ozone Park, at Right Track Recording and Sound On Sound in New York, at LiveWire Remote Recorders in Toronto, at Digital Insight Recording Studios in Las Vegas, at Record Plant, Nate's Crib and Record One in Los Angeles. The album was produced by Havoc, Sha Money XL, Ky Miller, Chad Beatz, Exile, J. R. Rotem, K-Lassik Beats, Product & Whitton, Profile, and the Alchemist, as well as Dr. Dre, Fredwreck and Mike Elizondo, who produced bonus tracks. It features guest appearances from Mary J. Blige and G-Unit members 50 Cent, Lloyd Banks, Tony Yayo and Young Buck, with Nate Dogg on one of the bonus tracks.
The album was supported with singles and accompanying music videos for "Put Em in Their Place", "Give It to Me" and "Creep". Blood Money is the only Mobb Deep studio album to not feature their frequent collaborator Big Noyd.
Fellow Queens-bred rapper 50 Cent had a personal connection to Mobb Deep, with member Havoc providing production on G-Unit tracks, such as Lloyd Banks' "Ain't No Click", The Game's "Don't Need Your Love", and Tony Yayo's "Dear Suzie". In June 2005, Mobb Deep announced they had signed with G-Unit Records. The same year, under their new label, the duo were featured on the special edition of 50 Cent's The Massacre on the track "Outta Control (Remix)" and contributed to Get Rich or Die Tryin': Music from and Inspired by the Motion Picture, including the song "Have a Party".
They set to work on their new album, Blood Money, due March 21, 2006.[1] It was re-scheduled for an April 11, 2006 release, but was postponed to finish sample clearance.[2]
| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 55/100[3] |
| Review scores | |
| Source | Rating |
| AllMusic | |
| Blender | |
| Entertainment Weekly | A−[6] |
| Now | |
| Pitchfork | 4.6/10[8] |
| PopMatters | 5/10[9] |
| Spin | B[10] |
| Stylus | D[11] |
| USA Today | |
| XXL | 4/5 (XL)[13] |
Blood Money was met with mixed or average reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, the album received an average score of 55 based on seventeen reviews.[3]
Margeaux Watson of Entertainment Weekly praised the album, calling it "the duo's finest body of work since their 1995 masterpiece, The Infamous".[6] Noah Callahan-Bever, in a review for Vibe, expanded with "although there remains a sheen throughout, the body of the set showcases the Mobb in darker, more familiar territory".[14] Sean Fennessey of Spin stated: "instead of the poppy makeover many anticipated, the Mobb's seventh album is a curious blend of gunz-money anthems, G-Unit-ized sex romps, and visions of the great beyond".[10] Josh Eells of Blender found "their new boss's hooks are often slicker and less arresting than the minor-key grit they thrive on".[5] Steve 'Flash' Juon of RapReviews resumed: "in terms of their long career of certified bangers it comes as a slight disappointment".[15]
In mixed reviews, Jason Richards of Now saw "not surprisingly, the resulting cameo-plugged record sounds more like a G-Unit album than an Infamous one".[7] AllMusic's Andy Kellman stated: "the flashes of brilliance that were once routinely delivered by Havoc and Prodigy are few and fleeting here".[4] Quentin B Huff of PopMatters wrote: "if Mobb Deep didn't have their own history, their own discography, and their own mythos, contributions from 50 and friends wouldn't be a hindrance. But here, those contributions become intrusions that keep the Mobb from telling their own stories, flashing their own green, getting their own groupies".[9] Tom Breihan of Pitchfork found "too much of Blood Money represents something sad and fascinating-- two demons domesticated, two artists who have willfully transformed themselves into hucksters".[8] Azeem Ahmad of musicOMH concluded: "the album is a 60 minute blur, and while there are brief moments of clarity there's just nothing special about Blood Money".[16]
In negative reviews, Ian Cohen of Stylus Magazine reported that "it's hard to imagine another album in 2006 doing a worse job of justifying its existence than Blood Money".[11]
In the United States, the album debuted at number three on the Billboard 200 and number-one on the Top Rap Albums charts with 106,000 copies sold in its first week of release.[17] As of August 2006, Blood Money had sold 250,000 copies in the US.[18] In his 2012 autobiography titled My Infamous Life, Prodigy claims the album went gold.[19]
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Smoke It" |
| 2:57 | |
| 2. | "Put Em in Their Place" |
|
| 4:00 |
| 3. | "Stole Something" (featuring Lloyd Banks) |
| Havoc | 3:57 |
| 4. | "Creep" (featuring 50 Cent) |
| Havoc | 4:01 |
| 5. | "Speaking So Freely" |
| Havoc | 3:11 |
| 6. | "Backstage Pass" |
| K-Lassik Beats | 3:05 |
| 7. | "Give It to Me" (featuring Young Buck) |
| Profile | 3:08 |
| 8. | "Click Click" (featuring Tony Yayo) |
| Havoc | 4:25 |
| 9. | "Pearly Gates" (featuring 50 Cent) |
| Exile | 4:16 |
| 10. | "Capital P, Capital H" |
| Product & Whitton | 4:15 |
| 11. | "Daydreamin'" |
| Chad Beatz | 3:15 |
| 12. | "The Infamous" (featuring 50 Cent) |
| The Alchemist | 3:53 |
| 13. | "In Love with the Moula" |
| J. R. Rotem | 3:13 |
| 14. | "It's Alright" (featuring 50 Cent and Mary J. Blige) |
| Havoc | 4:25 |
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 15. | "Have a Party" (featuring 50 Cent and Nate Dogg) |
| Fredwreck | 3:56 |
| 16. | "Outta Control (Remix)" (featuring 50 Cent) |
| 4:07 | |
| Total length: | 59:55 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 17. | "So Ill" |
| Ky Miller | 3:02 |
Weekly charts[edit]
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Year-end charts[edit]
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Source: Wikipedia. Article content is retrieved live through the MediaWiki API.
Digital Insight was an American provider of online banking software for banks and credit unions, headquartered in California. Founded in 1995 by Paul Fiore and Daniel Jacoby, the company grew rapidly during the late 1990s, went public during the dot-com boom in 1999, and expanded through a series of acquisitions. In 2007, it was purchased by Intuit and rebranded as Intuit Financial Services. The business was later sold to private equity firm Thoma Bravo in 2013, restored to the Digital Insight name, and acquired by NCR Corporation in 2014 as part of its digital banking division. In August 2024, NCR Voyix agreed to sell the division to Veritas Capital, after which it became part of Candescent.
Blood Money is the seventh studio album by American hip-hop duo Mobb Deep. Originally scheduled for a March 21, 2006 release, it was released on May 2, 2006 via Prodigy's Infamous Records, 50 Cent's G-Unit Records and Jimmy Iovine's Interscope Records, making it their only studio album for the latter labels. The recording sessions took place at Bass Clef Studios in Ozone Park, at Right Track Recording and Sound On Sound in New York, at LiveWire Remote Recorders in Toronto, at Digital Insight Recording Studios in Las Vegas, at Record Plant, Nate's Crib and Record One in Los Angeles. The album was produced by Havoc, Sha Money XL, Ky Miller, Chad Beatz, Exile, J. R. Rotem, K-Lassik Beats, Product & Whitton, Profile, and the Alchemist, as well as Dr. Dre, Fredwreck and Mike Elizondo, who produced bonus tracks. It features guest appearances from Mary J. Blige and G-Unit members 50 Cent, Lloyd Banks, Tony Yayo and Young Buck, with Nate Dogg on one of the bonus tracks. The album was supported with singles and accompanying music videos for "Put Em in Their Place", "Give It to Me" and "Creep". Blood Money is the only Mobb Deep studio album to not feature their frequent collaborator Big Noyd.
FinanceWorks was a financial management software tool developed by the financial technology company Digital Insight for distribution by banks to its clients. The software was designed to help consumers and small businesses manage their finances by offering a platform that allowed users to track spending, create budgets, monitor investments, and manage bills and other expenses. The software was discontinued in 2016 after the company that developed it was acquired.
EyeVerify, Inc. is a biometric security technology company based in Kansas City, Missouri owned by Ant Group. Its chief product, Eyeprint ID, provides verification using eye veins and other micro-features in and around the eye. Images of the human eye are used to authenticate mobile device users. EyeVerify licenses its software for use in mobile banking applications, such as those offered by Tangerine Bank, NCR/Digital Insight and Wells Fargo.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →Shirley Chisholm, elected in 1968.