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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

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NMAAHC

Piano from Pilgrim Baptist Church used by Thomas Dorsey

Date
1930s
Caption
This piano once resided in the historical Pilgrim Baptist Church of Chicago, Illinois, where it was used as a rehearsal piano by music director, Thomas A. Dorsey, the "Father of Gospel Music." Hired by influential pastor Junius C. Austin in the 1930s, Dorsey helped make Pilgrim one of the largest churches in the country. With Dorsey as its music director, the church became known as the birthplace of gospel music. Albertina Walker, Mahalia Jackson, Sallie Martin, Aretha Franklin, James Cleveland, The Staple Singers and The Edwin Hawkins singers are among those who have sung at the church. Famous members of the congregation include Bessie Coleman. When Pilgrim purchased new instruments for its music program, this piano was given to Pastor Austin. It would be played by Dorsey and others when they visited his home.
Description
This piano is paneled with wood and structured around a cast iron frame. When the piano's fallboard is open, the piano 'name' or maker is seen in the center of the fallboard's underside in stylized gold lettering which reads [Conover]. The piano has all 88 keys of its key board still in place. There is also a small locking mechanism in the center of the key bed. The cast iron frame is tinted gold with manufacturer and patent information stamped throughout in varying methods and sizes. On the second frame metal bar closest to the keyboard there is raised text which reads [CUPOLA CONSTRUCTON BELL METAL FRAME CAPO D'ASTRO BRIDGE]. In a small triangular depression in the frame on the right, close to the keyboard, is the manufacturer's stamp as well as the piano serial number [66/CONOVER/MFR'D BY/The/Cable/Company/Chicago/259608]. On the top right side of the plate are the patent dates stamped near the treble bridge [1 6 20/PAT. 11 23 20/5 3 21]. On the front right portion of the plate is the name of the frame style in script lettering surrounded in an oval of stylized foliage [FAIRY GRAND]. On the wood of the sound board, centered above the hammer rail, is the soundboard trademark logo in a dark green rectangle with square, gold corners. The letters inside the logo are gold [CROWNSTAY/REG. U.S. PAT. OFF.]. In the middle of the left edge of the frame is the stamped number [66]. At the back edge of the frame are additional stamped numbers [7-17]. The top board prop for the lid is located on the right side of the frame.
See more items in
National Museum of African American History and Culture Collection
Classification
Musical Instruments
Exhibition
Musical Crossroads
On View
NMAAHC (1400 Constitution Ave NW), National Mall Location, Culture/Fourth Floor, 4 053
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Rev. Richard C. Keller, Jr., Mr. Edward G. Keller and Ms. Paulene Austin Keller
Data Source
National Museum of African American History and Culture
Object number
2015.134.1a-g
Type
baby grand pianos
Restrictions & Rights
No Known Copyright Restrictions
Proper usage is the responsibility of the user.
Medium
wood, metal, wire and vinyl
Dimensions
H x W x D (piano main body): 38 × 55 1/2 × 57 in. (96.5 × 141 × 144.8 cm)
H x W (piano leg at wideset point): 24 × 17 in. (61 × 43.2 cm)
Title
Object Name • Piano from Pilgrim Baptist Church used by Thomas Dorsey
Record ID
nmaahc_2015.134.1a-g
Museum
NMAAHC
Title Sort
PIANO FROM PILGRIM BAPTIST CHURCH USED BY THOMAS DORSEY
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1930s
Exhibition
NMAAHC • Musical Crossroads
Geo Location
City • Chicago • County • Cook County • State • Illinois • Country • United States • Continent • North and Central America
On Physical Exhibit
Yes
Online Media Type
Electronic resource • Images
Online Media Rights
No Known Copyright Restrictions

Media

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Piano from Pilgrim Baptist Church used by Thomas Dorsey

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Caption

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NMAAHC

Piano bench from Pilgrim Baptist Church used by Thomas Dorsey

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NMAAHC

Blue t-shirt for Andrew Gillum gubernatorial campaign

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NMAAHC

Document announcing Connecticut's opposition to banning free Blacks

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Black woman became the first elected to the United States Congress?

Shirley Chisholm, elected in 1968.