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In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
Gustave Wappers | |
|---|---|
Self-portrait (1871) | |
| Born | 23 August 1803 |
| Died | 16 December 1874 (aged 71) Paris, France |
| Education | Royal Academy of Fine Arts Antwerp |
| Known for | Painting |
| Movement | Romanticism |
Egide Charles Gustave, Baron Wappers (23 August 1803 – 6 December 1874) was a Belgian painter. His work is generally considered to be Flemish and he signed his work with the Dutch form of his name, Gustaaf Wappers.[1][2]

He studied at the Royal Academy of Fine Arts in Antwerp, and during 1826 in Paris. The Romantic movement with its new ideas about art and politics was astir in France. Wappers was the first Belgian artist to take advantage of this state of affairs, and his first exhibited painting, "The Devotion of the Burgomaster of Leiden," appeared at the appropriate moment and had great success in the Brussels Salon in 1830, the year of the Belgian Revolution. While political, this remarkable work revolutionized the direction of Flemish painters.[3]
Wappers was invited to the court at Brussels, and was favoured with commissions. In 1832 the city of Antwerp appointed him Professor of Painting.[3]
He exhibited his masterpiece, "Episode of the Belgian Revolution of 1830" or rather "Episode of the September Days of 1830 on the Grand Place of Brussels", (Royal Museum of Fine Arts of Belgium, Brussels) at the Antwerp Salon in 1834. He was subsequently appointed painter to Leopold, King of the Belgians. At the death of Matthieu-Ignace Van Brée in 1839 he was elevated to director of the Antwerp Academy. As a teacher at the Antwerp Academy he trained a great number of pupils including Ford Madox Brown, Jozef Van Lerius, Lawrence Alma-Tadema, William Duffield, Emil Hünten, the Czech history painter Karel Javůrek, Jaroslav Čermák, Ludwig von Hagn, Josephus Laurentius Dyckmans, Eugene van Maldeghem, Ferdinand Pauwels and Jacob Jacobs.[3]
His works are numerous. Some of them depict traditional devotional subjects ("Christ Entombed"), while others illustrate the Romantic view of history: "Charles I taking leave of his Children", "Charles IX", "Camoens", "Peter the Great at Saardam", and "Boccaccio at the Court of Joanna of Naples".[3]
Louis Philippe gave him a commission to paint a large painting for the gallery at Versailles, "The Defence of Rhodes by the Knights of St John of Jerusalem".[3] He finished the work in 1844, the same year that he received the title of baron from Belgian king Leopold I.[citation needed] After retiring as director of the Antwerp Academy, he settled in 1853 in Paris, where he died in 1873.

Gustave Wappers a été sans doute l'un des porte-étendards les plus talentueux du Romantisme en Belgique.
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Egide Charles Gustave, Baron Wappers (23 August 1803 – 6 December 1874) was a Belgian painter. His work is generally considered to be Flemish and he signed his work with the Dutch form of his name, Gustaaf Wappers.
Egide or Égide is a masculine given name which may refer to: Égide de Boeck (1875–1944), Belgian Catholic priest, bishop, Apostolic Vicar and linguist in the then Belgian Congo Egide Duny or Egidio Duni (1708–1775), Italian opera composer Egide Fologne (1830–1919), Belgian entomologist Egide François Leemans (1839–1883), Belgian painter, draughtsman and engraver Egide Linnig (1821–1860), Belgian painter, draughtsman and engraver Egide Ntakarutimana (born 1997), Burundian long-distance runner Egide Nzojibwami, Burundian geologist and academic, first Burundian member of the Church of Jesus Christ of Latter-day Saints Égide Rombaux (1865–1942), Belgian sculptor Egide Walschaerts (1820–1901), Belgian mechanical engineer and inventor Egide Charles Gustave, Baron Wappers or Gustave Wappers (1803–1874), Belgian painter
Romanticism (also known as the Romantic movement or Romantic era) was an artistic and intellectual movement that originated in Europe towards the end of the 18th century. The purpose of the movement was to advocate for the importance of subjectivity, imagination, and appreciation of nature in society and culture in response to the Age of Enlightenment and the Industrial Revolution. Romanticists rejected the social conventions of the time in favour of a moral outlook known as individualism. They argued that passion and intuition were crucial to understanding the world, and that beauty is more than merely an affair of form, but rather something that evokes a strong emotional response. With this philosophical foundation, the Romanticists elevated several key themes to which they were deeply committed: a reverence for nature and the supernatural, an idealization of the past as a nobler era, a fascination with the exotic and the mysterious, and a celebration of the heroic and the sublime. The Romanticist movement had a particular fondness for the Middle Ages, which to them represented an era of chivalry, heroism, and a more organic relationship between humans and their environment. This idealization contrasted sharply with the values of their contemporary industrial society, which they considered alienating for its economic materialism and environmental degradation. The movement's illustration of the Middle Ages was a central theme in debates, with allegations that Romanticist portrayals often overlooked the downsides of medieval life. The consensus is that Romanticism peaked from 1800 until 1850. However, a "Late Romantic" period and "Neoromantic" revivals are also discussed. These extensions of the movement are characterized by a resistance to the increasingly experimental and abstract forms that culminated in modern art, and the deconstruction of traditional tonal harmony in music. They continued the Romantic ideal, stressing depth of emotion in art and music while showcasing technical mastery in a mature Romantic style. By the time of World War I, though, the cultural and artistic climate had changed to such a degree that Romanticism essentially dispersed into subsequent movements. Final Late Romanticist figures to maintain the Romantic ideals (i.e. Rachmaninoff) died in the 1940s. Though they were still widely respected, they were seen as anachronisms at that point. Romanticism was a complex movement with a variety of viewpoints that permeated Western civilization across the globe. The movement and its opposing ideologies mutually shaped each other over time. After its end, Romantic thought and art exerted a sweeping influence on art and music, speculative fiction, philosophy, politics, and environmentalism that has endured to the present day, although the modern notion of "romanticization" and the act of "romanticizing" something often has little to do with the historical movement.
For most of its history, what is today Belgium was either a part of a larger territory, such as the medieval Carolingian Empire, or was divided into a number of smaller states. For much of the Middle Ages, the territory of present-day Belgium was fragmented into several feudal principalities, including the Duchy of Brabant, the County of Flanders, the Prince-Bishopric of Liège, the County of Namur, the County of Hainaut and the County of Luxembourg. Belgium's modern shape can be traced back at least as far as the Spanish Netherlands during the Eighty Years' War (1568–1648), which is when the Dutch Republic in the north split from the Southern Netherlands from which Belgium and Luxembourg developed. The area briefly came under Bourbon control during the War of the Spanish Succession. The resulting Peace of Utrecht transferred the area back to Habsburg control, creating the Austrian Netherlands. The French Revolutionary wars led to Belgium becoming part of France in 1795. After the defeat of the French in 1814, the Congress of Vienna created two new states, the United Kingdom of the Netherlands and the Grand Duchy of Luxembourg, which were placed in dynastic union under the House of Orange-Nassau. The Southern Netherlands rebelled during the 1830 Belgian Revolution, establishing the modern Belgian state, officially recognized at the London Conference of 1830. The first King of Belgium, Leopold I, assumed the throne in 1831. The first half of the twentieth century was tumultuous. Its historic neutrality was violated in each of the World Wars. During World War I, frustrated German invaders launched the Rape of Belgium. During the 1940 invasion, the quick surrender by Leopold III of Belgium to German forces drove a wedge between the King and his people. The King's attempt to return led to a constitutional crisis in 1950, which led to his abdication in favor of his son Baudouin. Belgium entered the second half of the twentieth century showing an unprecedented era of economic growth, as Belgium took an active role in the formation of the Benelux customs union with its neighbors. Ultimately, the Benelux union would serve as a model for the European Economic Community, a precursor to the European Union; to this day Brussels serves as the seat of many of the European Union institutions. Domestically, the country has faced divisions over differences of language and unequal economic development. This ongoing antagonism has caused far-reaching reforms since the 1970s. It is now divided into three regions: Dutch-speaking Flanders in the north, French-speaking Wallonia in the south, and bilingual Brussels in the middle. Since the 1990s, Belgium has become involved in several international conflicts, under the aegis of various United Nations peacekeeping forces, including the Rwandan Civil War, the ongoing civil wars in Somalia, the Kosovo War, and several others. Environmental concerns came to a head in the Dioxin affair, bringing down the Belgian government of Jean-Luc Dehaene's premiership. Since then, the Belgian political landscape has become increasingly politically fragmented; after the 2010 Belgian federal election, it took nearly a year to form a government, and in more recent elections a growing right-wing Flemish nationalist movement has had a strong influence over domestic politics.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →Brown v. Board of Education in 1954.