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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Flower Memorial Pee Chee

Date
2017
Caption
Flower Memorial for Pee Chee illustrates the tragic effects of police brutality for three individuals—Jordan Edwards, Joaquina Valencia, and Justine Ruszczyk.
Edwards was 15 when he was killed by a police officer in Balch Springs, Texas, while sitting unarmed in a car with four friends. The officer was sentenced to 15 years in prison. Valencia was wrestled to the ground in Riverside County, California, and arrested for selling flowers without a vendor’s license. She sued the County Sheriff’s Department, claiming she was unlawfully targeted because of her race. Ruszczyk, an Australian American, was shot and killed by a police officer after she called 911 to report the possible assault of a woman in an alley behind her house. The officer was found guilty of third-degree murder and second-degree manslaughter.
Description
A painting depicting the scene of the violent arrest of flower vendor Joaquina Valencia in the center, with vignette portrafits of 15-year-old Jordan Edwards and Justine Ruszczyk. In separate incidences, police officers shot and killed both Edwards and Ruszczyk in 2017.
Against an orange background, the center scene depicts an armed and uniformed officer violently kneeling on Valencia as she lays on the sidewalk amid scattered rose flower petals. There is blue pen ink on top of the flower petals. At top left, a smiling Edwards is depicted from the shoulders up with a garland of pink and red roses around his neck. Just below him is a red circle with lettering reading [Pee Chee / ALL SEASON /PORT-]. At bottom right is a smiling Ruszczyk encircled by a garland of red and pink roses. Both flower garlands are composed of rose stickers adhered to the painting. Thin red lines run along the left side of the painting from top to bottom, behind the image of Edwards and the Pee Chee sign. On the verso is the artist’s signature [Martinez/17] in black paint.
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National Museum of African American History and Culture Collection
Portfolio/Series
Pee Chee
Classification
Visual Arts
Movement
Black Lives Matter
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Anonymous Gift
Data Source
National Museum of African American History and Culture
Object number
2019.100
Type
collages
portraits
Restrictions & Rights
© Patrick Martinez
Permission required for use. Proper usage is the responsibility of the user.
Medium
acrylic with ink and stickers on wood panel
Dimensions
H x W: 60 1/16 × 47 5/8 × 2 5/8 in. (152.6 × 121 × 6.7 cm)
Title
Title • Flower Memorial Pee Chee
Record ID
nmaahc_2019.100
Museum
NMAAHC
Title Sort
FLOWER MEMORIAL PEE CHEE
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2010s
Geo Location
State • California • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Aerial photograph of the Waccamaw, Great Pee Dee and Black Rivers

Date: Date

Caption

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NMAAHC

"Pee Dee," Georgetown

Date: Date

Caption

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NMAAHC

Please, Please, Please / In the Wee Wee Hours (Of the Nite)

Date: Date

Description

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NMAAHC

Flower Memorial Pee Chee

Date: Date

Caption

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.