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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

The Violence That Helped Spark the NAACP

In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Fear of a Black Planet

Date
1990; republished 2014
Description
A long-playing (LP) record album, Fear of A Black Planet, recorded by Public Enemy. The album consists of a vinyl record (a) with jacket cover (b) and paper sleeve (c).
The vinyl record has a black center label. [Def / Jam / recordings] is printed in the top half of the label, with the D and J almost interlocking. There is also an outline of a gramophone printed on the label. The tracks on either side are printed below the notched center hole. On side A they are "Contract On The World Love Jam," "Brothers Gonna Work It Out," "911 Is A Joke," "Incident At 66.6 FM," "Welcome To The Terrordome," "Meet The G That Killed Me," "Pollywanacraka," "Anti-Nigger Machine," "Burn Hollywood Burn" and "Power to the People." On side B they are "Who Stole the Soul?" "Fear of A Black Planet," "Revolutionary Generation," "Can't Do Nuttin’ for Ya Man," "War At 33 1/3," "Final Count of The Collision Between Us and The Damned," and "Fight the Power."
A gatefold album jacket (2015.195.36b) accompanies the vinyl record. The front cover has a blue space background, with [PUBLIC / ENEMY] printed on the top of the page. Below, an image of a black planet hovers next to the faded outline of another planet resembling Earth. The black planet has the Public Enemy logo (a target on a silhouette) etched on it in flaming orange. [FEAR OF A BLACK PLANET] is printed below the planets, in yellow, uppercase letters. White text printed along the bottom edge repeats: [THE COUNTERATTACK ON WORLD SUPREMACY]. The imagery from the front cover is repeated on the inside of the album jacket, albeit darkened; everything is faded except the black planet. On the next page, the entire painting has been darkened, except the black planet. The back cover has the same outer space background. At center is a color photograph of the members of Public Enemy with S1W members dressed in white and red Fruit of Islam uniforms. A map of the world and a globe are on the table in front of them.
A printed, white album sleeve (2015.195.36c) also accompanies the vinyl record. One side of the sleeve is divided into four (4) columns. In the first, [PUBLIC / ENEMY] is printed, followed by the Public Enemy logo, the album title, and finally a grayscale photograph. Underneath the photograph, the following is printed: ["BLACK POWER 1990 IS A COLLECTIVE MEANS OF SELF DEFENSE AGAINST THE WORLDWIDE CONSPIRACY TO DESTROY THE BLACK RACE. IT'S A MOVEMENT THAT ONLY PUTS FEAR IN THOSE THAT HAVE A VESTED INTEREST IN THE CONSPIRACY, OR THAT THINK THAT IT'S SOMETHING OTHER THAT WHAT IT ACTUALLY IS...."]. There are also numerous sections that list artists, activists, athletes etc. who have influenced them. On the other side of the sleeve, the lyrics to each track is printed.
See more items in
National Museum of African American History and Culture Collection
Classification
Record Albums
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2015.195.36abc
Type
record covers
long-playing records
Restrictions & Rights
© 2014 Def Jam Recordings
Permission required for use. Proper usage is the responsibility of the user.
Medium
vinyl with ink on paper and cardboard
Dimensions
Diameter (a. disc): 11 7/8 in. (30.2 cm)
H x W x D (b. album jacket): 12 1/4 × 12 3/8 × 1/8 in. (31.1 × 31.4 × 0.3 cm)
H x W (c. sleeve): 12 × 12 1/4 in. (30.5 × 31.1 cm)
Title
Title • Fear of a Black Planet
Record ID
nmaahc_2015.195.36abc
Museum
NMAAHC
Title Sort
FEAR OF A BLACK PLANET
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1990s
Geo Location
Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Photographic print of Mary and Warren Fearing

Date: Date

Description

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NMAAHC

Photographic print of Warren Fearing and Addison Fearing Scurlock

Date: Date

Description

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NMAAHC

Photographic print of Mamie and Addison Fearing Scurlock

Date: Date

Description

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NMAAHC

Fear of a Black Planet

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which Black woman became the first elected to the United States Congress?

Shirley Chisholm, elected in 1968.