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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Rough Surf Crashing Ashore

Date
ca. 1970
Caption
Harold Newton was a member of the Florida Highwaymen, a group of self-taught artists who worked in Florida starting in the 1950s. The Highwaymen leveraged their entrepreneurial spirit to create an independent artistic tradition during the era of segregation. The group was made up of twenty-five men and one woman. Their art provided an alternative livelihood to the regional agricultural and factory work. Though he had no formal training, Newton was informally mentored by the successful artist A.E. “Bean” Backus from Fort Pierce, Fl. Harold’s brothers, Sam and Lemuel, were also painters.
The group created a great quantity of work, often dozens of paintings per day, which would be sold inexpensively. The paintings depict Florida landscapes and are renowned for their vibrant colors and serene scenes. Like other Highwaymen, Newton sold his paintings door to door and out of his car along roadways. This practice led Jim Finch, a Sebring Florida gallery owner, to name the group the “Highwaymen” in a 1995 essay, prompting a renewed public interest. In 2004, they were inducted into the Florida Artists Hall of Fame.
Fort Pierce and the Florida Humanities Council. “The Highwaymen Trail.” 2012. https://thehighwaymentrail.com/bibliography/.
Description
Oil painting of breaking surf. The right side of the painting (a) has rocks in the foreground with crashing waves and ocean spray. The waves are shown in shades of green with some white-caps. There is a band of grey clouds on the horizon. Sunlight is reflected on the water and lightens the sky from just out of the frame. The work is signed at the bottom right.
The wooden frame (b) is made from repurposed construction materials. The front of the frame is painted white with gold-colored paint lightly applied on top. The board is secured to the frame with small nails. A metal wire anchored with a screw eye on each side is strung across the upper back. There are paint marks on the back of the board and frame.
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National Museum of African American History and Culture Collection
Classification
Visual Arts
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Robert and Flory Kahn in memory of Wolf and Tybe Kahn
Data Source
National Museum of African American History and Culture
Object number
2014.185.13ab
Type
oil paintings
Restrictions & Rights
© Harold Newton
Permission required for use. Proper usage is the responsibility of the user.
Medium
oil paint on fiberboard
Dimensions
H x W x D (framed): 27 7/8 × 51 1/2 × 2 in. (70.8 × 130.8 × 5.1 cm)
Title
Title • Rough Surf Crashing Ashore
Record ID
nmaahc_2014.185.13ab
Museum
NMAAHC
Title Sort
ROUGH SURF CRASHING ASHORE
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1960s • 1970s
Geo Location
City • Fort Pierce • County • Saint Lucie County • State • Florida • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Rough Surf Crashing Ashore

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NMAAHC

Moonlit Beach, Two Palm Trees

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NMAAHC

Orange Sky, Breaking Surf, 3 Birds

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NMAAHC

Dock at the Bay

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who became the first Black woman to travel into space?

Mae Jemison, aboard Space Shuttle Endeavour in 1992.