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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Tez and Marquise, Evisu Ball, Manhattan, NY, October 2010

Date
October 2010
Caption
"The balls are a celebration of black and Latino urban gay life. They were born in Harlem out of a need for black and Latino gays to have a safe space to express themselves. Balls are constructed like beauty and talent pageants. The participants work to redefine and critique gender and sexual identity through an extravagant fashion masquerade. Women and men become fluid, interchangeable points of departure and reference, disrupting the notion of a fixed and rigid gender and sexual self. My images try to show a more personal and intimate beauty, pride, dignity, courage, and grace that have been painfully challenged by mainstream society. All of this happens at night in small halls in cities all over the country. These photographs, taken in New York, Philadelphia, Richmond, and Washington, D.C., show us different views of these spaces as they are reflected in the eyes of house and ball members who perform what they wish these cities could be." – Gerard H. Gaskin
Tez (left) prepares to walk the category “Butch Queen Tall Boys Bizarre,” wearing an outfit made by his twin brother Marquise (right), at a House of Evisu ball in 2010.
Description
A color digital image portrait of Tez, with brother Marquise in the background, captured at the Evisu Ball in Manhattan in 2010 before walking the "Butch Queen Bizarre" category. Tez's face, neck and chest are painted blue and his bright blue eyes look directly at the camera. He wears an elaborate bright blue and white wig and a gown of clear plastic fashioned with an exaggerated high-stand collar and ruffle sleeves. The edges are tinged gold and gold and magenta buttons cover the chest and waist. Marquise is out of focus and stands in the background right of the frame, dressed in black and looking down.
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National Museum of African American History and Culture Collection
Portfolio/Series
Legendary
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Gerard H. Gaskin
Data Source
National Museum of African American History and Culture
Object number
2019.44.5
Type
portraits
digital images
digital media - born digital
Restrictions & Rights
© Gerard H. Gaskin
Permission required for use. Proper usage is the responsibility of the user.
Medium
digital
Dimensions
H x W: 5616 pixels × 7344 pixels
180.4 MB
Title
Title • Tez and Marquise, Evisu Ball, Manhattan, NY, October 2010
Record ID
nmaahc_2019.44.5
Museum
NMAAHC
Title Sort
TEZ AND MARQUISE, EVISU BALL, MANHATTAN, NY, OCTOBER 2010
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2010s
Geo Location
Locale • Manhattan • City • New York City • State • New York • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Marquise Foster

Date: Date

Description

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NMAAHC

Marquise, Manhattan, NY, 2018

Date: Date

Description

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NMAAHC

Tez and Marquise, Evisu Ball Manhattan, NY, October 2010

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Caption

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NMAAHC

Tez and Marquise, Evisu Ball, Manhattan, NY, October 2010

Date: Date

Caption

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who was the first African-American woman millionaire in the United States?

Madam C.J. Walker