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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Shirley Chisholm — Unbought and Unbossed

In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Black boots with red applique and embroidery designed by Patrick Kelly

Date
1988
Caption
Patrick Kelly, a young, gay African American designer from Missisippi, became an international sensation in Paris during the mid-1980s for his bold and often whimsical designs. As the first American and person of color to be admitted as a member of the Chambre syndicale du prêt-à-porter, he broke barriers in the French fashion industry. Drawing on his childhood in the American South as inspiration, Kelly repurposed racial imagery and integrated elements of Black joy through bright colors, bows, and an extravagant use of buttons. Though his career lasted only from 1985 to 1990 before his death at 35 from AIDS complications, Kelly’s influence was profound—elevating African American designers and creating space for others, like Kerby Jean-Raymond, to playfully explore racial themes in fashion.
Description
A pair of black boots with red applique and embroidery designed by Patrick Kelly for his Fall/Winter 1988 collection. The black knee-high boots are made of suede. The boots have a center back seam which transitions into a slit along the top four inches. The top four inches of the boots are self-faced. The inside of the boots are lined with light brown leather. Applique and embroidery are on both outer sides of the boots. The text [love] is machine embroidered with zig zag stitch in cursive text. A heart made of red suede is machine sewn to the left of the text. Lipstick made of red suede applique, and metallic and red thread is sewn below the word [love]. Red lips made of red suede applique are zig zag machine sewn below the lipstick. The boots have a short heel that are covered in black suede. The base of the shoes is made of black leather. Multiple slashes have been placed along the toe and the ball of the shoe. A paper sticker is adhered to each shank which reads [38]. The letters [38] are debossed on the ball of each shoe. A wood heel tip is connected at the base of the heel with three metal nails.
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National Museum of African American History and Culture Collection
Classification
Clothing - Fashion and Historical
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Bjorn G. Amelan and William T. Jones
Data Source
National Museum of African American History and Culture
Object number
2018.9.5ab
Type
boots
Restrictions & Rights
© Estate of Patrick Kelly
Permission required for use. Proper usage is the responsibility of the user.
Medium
suede, leather, metal, wood, cotton thread, metallic thread, paper, and adhesive
Dimensions
L x W (each shoe): 25 × 3 in. (63.5 × 7.6 cm)
L x W (heel only): 2 × 3 in. (5.1 × 7.6 cm)
Title
Object Name • Black boots with red applique and embroidery designed by Patrick Kelly
Record ID
nmaahc_2018.9.5ab
Museum
NMAAHC
Title Sort
BLACK BOOTS WITH RED APPLIQUE AND EMBROIDERY DESIGNED BY PATRICK KELLY
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1980s
Place
Geo Location
City • Paris • Country • France • Continent • Europe
Type
Online Media Type
Images
Online Media Rights
Use Restricted

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Black boots with red applique and embroidery designed by Patrick Kelly

Date: Date

Caption

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NMAAHC

Table used at Club Harlem, Atlantic City

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Description

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NMAAHC

Upright acoustic double bass owned by Stanley Clarke

Date: Date

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NMAAHC

Ivory double bed sheet

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.