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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Ruler of the Mali Empire in the 14th century

Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

I am in all creation and all creation is in me

Date
2004
Description
A framed artwork titled “I am in all creation and all of creation is in me” by Victor Ekpuk. Against a white background, the work depicts a center circle, half beige, half blue, bisected by a single line. The line extends above the circle, where it becomes a tree or leaf, and below the circle, where it wraps around in a rectilinear fashion to form the figure of a person. The continuous line forms curved head and shoulders above the circle, and then continues below the circle to form first a knee and then a foot and toes.
The artist signed the work below the curvature that makes the knee in the bottom right [Victor Ekpuk 04]. The title is written along the bottom, underneath the artwork ["i am in all creation and all creation is in me].
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National Museum of African American History and Culture Collection
Classification
Visual Arts
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of the Estate of Carroll Parrott Blue
Data Source
National Museum of African American History and Culture
Object number
2023.39.12ab
Type
works on paper
Restrictions & Rights
© Victor Ekpuk
Permission required for use. Proper usage is the responsibility of the user.
Medium
ink on paper
Dimensions
H x W (unframed): 31 × 22 in. (78.7 × 55.9 cm)
H x W (framed): 40 1/2 × 28 in. (102.9 × 71.1 cm)
Title
Title • I am in all creation and all creation is in me
Record ID
nmaahc_2023.39.12ab
Museum
NMAAHC
Title Sort
I AM IN ALL CREATION AND ALL CREATION IS IN ME
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2000s
Topic
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Father Victor Cohea blesses the sacrament during the Holy Eucharist at St. Francis de Sales Catholic Church, New Orleans, Louisiana, 2005

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NMAAHC

Red-Lining, 1962, #1

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NMAAHC

I am in all creation and all creation is in me

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NMAAHC

Parade Thrills!

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who was the first African-American woman millionaire in the United States?

Madam C.J. Walker