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Movements, leaders, victories and the continuing fight for equality.
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In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
Kamran N. Ince (spelled İnce in Turkish, born May 6, 1960) is a Turkish-American composer. He is the winner of many prestigious awards, including a Rome Prize, a Guggenheim Fellowship, the Lili Boulanger Memorial Prize, and various others. His work has been performed by the Chicago Symphony Orchestra, the BBC Symphony Orchestra, the Prague Symphony Orchestra, the Los Angeles Piano Quartet, the Borusan Istanbul Philharmonic Orchestra, the Netherlands Wind Ensemble, the Milwaukee Opera Theatre, the Arkas Trio, Evelyn Glennie, Lily Afshar, and others, and his recordings can be found on Naxos, EMI, Albany, and Archer Records.[1] He is known today as one of the leading composers of contemporary music.
Born in Glendive, Montana and raised in Turkey, Ince began his studies at age 10 studying cello, piano, and composition at the Ankara State Conservatory. Ince later moved to the United States to study at Oberlin College and Eastman School of Music.[2] His music is exclusively published by Schott Music. In addition to the music he has composed, he has received commissions from the Ford Foundation, the Irish Arts Council, the Fromm Foundation, the Koussevitzky Foundation, the Jerome Foundation, Reader’s Digest, Mavi Jeans, and the Pew Charitable Trust. Ince frequently travels to do exhibitions of his music, including at Rice University's Shepherd School of Music, the Schleswig-Holstein Musik Festival, and the Istanbul International Music Festival.
Ince is one of the most critically acclaimed living composers in the world today.[citation needed] He is currently based in Memphis, Tennessee. He is on the faculty of University of Memphis and Istanbul Technical University.
Ince was born in Glendive, Montana, United States and at the age of six moved with his family to Turkey. He entered the Ankara State Conservatory at the age of ten, in 1971, where he began studying cello and piano, and took composition lessons with İlhan Baran. In 1977 Ince entered the İzmir University where he studied composition with Muammer Sun,[3] but returned to the United States in 1978.[citation needed] He enrolled at the Oberlin College in Ohio in 1980, earning a Bachelor of Music degree in 1982, and went on to complete his master’s and doctoral degrees from the Eastman School of Music in 1984 and 1987. His teachers there included David Burge (piano), Joseph Schwantner, Christopher Rouse, Samuel Adler and Barbara Kolb (composition).[3]
Ince won a Rome Prize and a Guggenheim Fellowship in 1987, and the Lili Boulanger Memorial Prize in 1988. In 1990, he moved to Ann Arbor, Michigan to become a visiting professor at the University of Michigan, and in 1992 joined the faculty of the University of Memphis, where he teaches composition, co-directs the University of Memphis Imagine New Music Festival.[3][4] In addition, Kamran İnce was one of the founders of the Center for Advanced Studies in Music at the Istanbul Technical University, whose academic staff he has been in since 1999.[5][6]
Journalist Blair Dedrick described İnce’s music as[7]
characterized by its ability to pinpoint the sonorous strains present in the jagged dissonance of elements such as a smooth cello yearning suddenly broken by an incongruent spatter of drum beats.
His music has been described as post-minimalist, that is, it makes use of near repetition, tonal language, but avoiding traditional tonal functionality, and influence of world music.[citation needed] Indeed, his Concerto for Orchestra, Turkish Instruments and Voices uses an actual Turkish ensemble mixed with Western instruments.
His musical palette tends toward large-scale works, mainly for orchestra or ensemble; he has also composed several smaller works for either solo instrument (In Memoriam: 8/17/99 for piano) or solo instrument and piano (Lines for clarinet and piano).[citation needed]
Although several of his works display this sudden movement between slow chord movements and the nattering of percussion and / or instruments, such as Flight Box (2001) or Hammer Music (1990), other pieces use a more consistent texture, such as the energetic F E S T for New Music Ensemble and Orchestra (1998) or the subdued Curve (1998).[1]
His work has been performed by orchestras across the world to wide critical acclaim. A critic for the Los Angeles Times called him
that rare composer, able to sound connected with modern music and yet still seem exotic, Kamran Ince is a force on the cutting edge of contemporary composition, bridging the East and the West.[8]
The New Yorker hailed Ince as having
a confident, individual, arresting voice
and The Washington Post remarked Ince had
extraordinary vision and musical sophistication.[8]
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Source: Wikipedia. Article content is retrieved live through the MediaWiki API.
Kamran N. Ince (spelled İnce in Turkish, born May 6, 1960) is a Turkish-American composer. He is the winner of many prestigious awards, including a Rome Prize, a Guggenheim Fellowship, the Lili Boulanger Memorial Prize, and various others. His work has been performed by the Chicago Symphony Orchestra, the BBC Symphony Orchestra, the Prague Symphony Orchestra, the Los Angeles Piano Quartet, the Borusan Istanbul Philharmonic Orchestra, the Netherlands Wind Ensemble, the Milwaukee Opera Theatre, the Arkas Trio, Evelyn Glennie, Lily Afshar, and others, and his recordings can be found on Naxos, EMI, Albany, and Archer Records. He is known today as one of the leading composers of contemporary music. Born in Glendive, Montana and raised in Turkey, Ince began his studies at age 10 studying cello, piano, and composition at the Ankara State Conservatory. Ince later moved to the United States to study at Oberlin College and Eastman School of Music. His music is exclusively published by Schott Music. In addition to the music he has composed, he has received commissions from the Ford Foundation, the Irish Arts Council, the Fromm Foundation, the Koussevitzky Foundation, the Jerome Foundation, Reader’s Digest, Mavi Jeans, and the Pew Charitable Trust. Ince frequently travels to do exhibitions of his music, including at Rice University's Shepherd School of Music, the Schleswig-Holstein Musik Festival, and the Istanbul International Music Festival. Ince is one of the most critically acclaimed living composers in the world today. He is currently based in Memphis, Tennessee. He is on the faculty of University of Memphis and Istanbul Technical University.
David Froom (December 14, 1951 – June 19, 2022) was an American composer and college professor. Froom taught at the University of Utah, the Peabody Institute, and the University of Maryland, College Park, and he was on the faculty at St. Mary's College of Maryland from 1989 until his death in 2022. He has received awards and honors from the Guggenheim Foundation, the American Academy of Arts and Letters, (the Charles Ives Scholarship, the Academy Award), the Fromm Foundation at Harvard, the Koussevitzky Foundation of the Library of Congress, the Barlow Foundation, and was a five-time recipient of an Individual Artist Award from the State of Maryland.
The Bell Tower is a chamber opera in one act by Ernst Krenek, his Op. 153. The English libretto by the composer was inspired by the short story by Herman Melville (collected in The Piazza Tales), the events only mysteriously hinted at in the story becoming a point of departure for the explicit dramatic action of Krenek's piece. It was commissioned by the Fromm Foundation and written in 1955–56, receiving its premiere on 17 March 1957 at the University of Illinois (recorded on CRS 5).
Scott Wheeler is an American concert-music composer, born February 24, 1952, in Washington, D.C., now based in Boston, Massachusetts. Since 1989, he has been on the faculty of Emerson College in Boston, where he has co-directed the music theater program. Wheeler co-founded (with Rodney Lister and Ezra Sims) and for many years was artistic director of the Dinosaur Annex Music Ensemble, of which he remains artistic adviser. As an active conductor and an advocate for the music of his colleagues, he has led numerous world and local premieres and recorded several compact discs. Wheeler is on the board of directors of the Virgil Thomson Foundation, a composer advocacy group. He attended Amherst College, the New England Conservatory, and Brandeis University and counts Virgil Thomson among his teachers. He was also a Fellow of the Tanglewood Music Center and in 1988 was awarded a Guggenheim Fellowship. Scott Wheeler is best known as the composer of vocal and theater music. In February 2006, he was one of several composers selected as part of the Metropolitan Opera/Lincoln Center Theater commissioning project for a new operatic work. Wheeler collaborates with his librettist, the playwright Romulus Linney. This project is ongoing as of fall 2010. His major dramatic works include his opera Democracy, An American Comedy, written in collaboration with Linney on commission from Washington National Opera. Democracy premiered at Kennedy Center in 2005. His dramatic cantata The Construction of Boston (1988), setting a libretto by the poet Kenneth Koch (1925–2002), was recorded for the Naxos Records label by the Boston Cecilia. That piece was commissioned by the John Oliver Chorale and was premiered in 1989. Wheeler has written music in most concert genres from solo pieces to orchestral. Commissions have come from such groups and organizations as the Koussevitzky Foundation, the Fromm Foundation, the Minnesota Orchestra, Boston Cecilia, and Sequitur, among many others. His Sunday Songs, two songs on texts of Emily Dickinson, were premiered by soprano Renée Fleming in 2000 at New York's Alice Tully Hall. Recent works include his Heaven and Earth, settings of William Blake's works commissioned by the Marilyn Horne Foundation, which was premiered at Carnegie Hall's Weill Recital Hall in 2008, and the chamber symphony City of Shadows, commissioned by the Deutsches Symphonie-Orchester Berlin and Kent Nagano as part of a portrait concert of Wheeler's work. His piano trio The Granite Coast, commissioned by the Rockport Chamber Music Society (Rockport, MA) for the opening of their new Shalin Liu Performance Center, was premiered in Rockport in June 2010. A compact disc of song recordings, Wasting the Night, was released by Naxos in 2010. Wheeler's particular concern as a composer is vocal and dramatic music. As such, he has a wide knowledge of and interest in poetry, and in addition to Kenneth Koch, he has set texts from authors ranging from St. Theresa of Avila to Wallace Stevens and Mark Van Doren. His vocal settings evoke natural speech rhythms and contours, called by Boston Globe critic Jeremy Eichler "transparent and elegant."
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →Shirley Chisholm, elected in 1968.
