q2K BHP
Black History Portal
THE BHP WIRE —
HIDDEN TRUTHS
What's New!
THE JOURNEY THROUGH TIME

Explore Black History

Explore the people, places, events, achievements, struggles and stories that shaped our journey.

✊🏾

Civil Rights

Movements, leaders, victories and the continuing fight for equality.

⚙️

Black Inventors

Innovation, patents, science, technology and world-changing contributions.

🏆

Sports

Pioneers, champions, Negro Leagues, records, activism and excellence.

♟️

People

Meet the people whose lives, choices and achievements shaped the journey.

📍

Places

Black towns, communities, institutions and places where history happened.

📜

Events

Moments that changed communities, movements, institutions and the nation.

Enter a person, place, event, or topic.
MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

MORE →
BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

MORE →
BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
← BACK TO RESULTS
NMAAHC

Asante

Date
2003
Description
Quilt in mostly red and purple made for Dr. Gladys-Marie Fry by the African American Quilt Circle in 2003. It is comprised of several blocks both pieced and appliqued, with strips sewn in some places to create evenness in the block sizes. The fabrics are mostly red and purple tones in cotton, synthetic, and blended fabrics. The pieced blocks include a pinwheel, star variations, a sixteen-patch, four-patch variations, and strip block variations. At the top near the center is a block in a crazy quilt pieced style with hand embroidered and bead decorations. There is one hand-appliqued block of a stylized flower design in the second row center. In the third row is a machine-appliqued block of a black woman dancing with a three-dimensional streamer flying behind her upheld arms. Several blocks feature the printed designs fussy cut, including several of African people, one with an elephant, and one at the bottom center right of two black figures in top hats and suits dancing. The blocks are surrounded by a dark purple border, except on the left facing side which has a red border. Each corner is a square of red ground fabric featuring a different element. In the upper left facing corner is a machine-appliqued continent of Africa in purple. The upper right and lower right facing corners have fussy cut pieces of printed fabrics featuring African people dancing and in conversation. The lower left facing corner has two African figures from a printed fabric fussy cut and then machine-appliqued to the red ground. The quilt is backed in a multi-colored batik with dark blue leopard spots, with a thin layer of batting between the top and back. It is machine quilted in an allover abstract continuous pattern of both sharp and rounded corners. One hand-appliqued stylized flower block is sewn on the back at the lower right facing corner. Below it is a label that is pieced into the backing made from plain muslin with machine-printed black text identifying the makers and date. The label reads: "ASANTE / Stitched with appreciation by members of / the African American Quilt Circle / for Dr. Gladys-Marie Fry / for her inspiration, scholarship, and support of the heritage / and legacy of African American quilts and quilters. / Blocks created by Edna Alston, Annette Bailey, Marjorie Barner, Shirley Bullock, / Teena Crawshaw, Delores Benton Evans, Marjorie Freeman, Doretha Hamidullah, / Bertie Howard, Wilma Liverpool, Joan McCoy, Jacqueline Richardson, / Joyce Roland, Iris Simmons, Armedia Stubbs, Selena Sullivan, / Candace Thomas, Winifred Williams, Sauda Zahra. / The setting was designed by Bertie Howard. / The top was quilted by Stephanie Pennington Grant. / July-August 2003 / Durham, North Carolina / [Asante is the Swahili word for 'thank you'.]"
Title
Quilt made by the African American Quilt Circle for Dr. Gladys-Marie Fry
See more items in
National Museum of African American History and Culture Collection
Classification
Decorative Arts, Craft, and Design
Textiles and Quilts
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Dr. Gladys-Marie Fry
Data Source
National Museum of African American History and Culture
Object number
2013.215.3
Type
quilts
Restrictions & Rights
No Known Copyright Restrictions
Proper usage is the responsibility of the user.
Medium
cotton cloth, synthetic fiber cloth, cotton and synthetic blend cloth, batting, thread, and beads
Dimensions
H x W x D: 74 × 65 × 1/8 in. (188 × 165.1 × 0.3 cm)
Title
Title • Asante
Record ID
nmaahc_2013.215.3
Museum
NMAAHC
Title Sort
ASANTE
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2000s
Geo Location
City • Durham • State • North Carolina • Country • United States • Continent • North and Central America
Type
Online Media Type
Images
Online Media Rights
No Known Copyright Restrictions

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

No preview image
NMAAHC

Photographic print of Maxine Sullivan standing at a microphone

Date: Date

Description

MORE →
No preview image
NMAAHC

Asante

Date: Date

Description

MORE →
No preview image
NMAAHC

Photographic print of Maxine Sullivan

Date: Date

Description

MORE →
No preview image
NMAAHC

Costume headpiece for Tin Man in The Wiz on Broadway

Date: Date

Description

MORE →
TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

MORE →
TRIVIA QUESTION OF THE DAY

Which Black woman became the first elected to the United States Congress?

Shirley Chisholm, elected in 1968.