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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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NMAAHC

Poster for the National Black Political Convention by artist Rod Ward

Date
1972
Illustrated by
Description
A framed black and white paper poster advertisement for the first National Black Political Convention of 1972. The poster features a large, mural-like illustration with multiple motifs and narratives. Foremost on the left is Dr. Martin Luther King, Jr. He is positioned in a profile view wearing a suit jacket with button sleeve detail. His mouth is open as if speaking passionately. His head is framed by the stars on a billowing American flag, the stripes of which extend across the top middle of the entire drawing. The word [PEACE], shaded in black and white, is written vertically from the middle of Dr. King’s suit sleeve, the ‘E’ replaced by the middle of a large group of individuals, marching alongside the last two black and white stripes of the flag. At the end of the top of the flag is a square frame showing the symbolic peace dove flying from outstretched hands; the hand on the left is white and the hand on the right is black. The doves’ wings extend beyond the frame. Below the last black stripe of the flag, to the right of the marchers, there is a flaming crucifix with robed and hooded figures surrounding it. They hold rifles and pitchforks.
Following the stretch of Dr. King’s proper right arm, beginning under his shoulder: the outline of the state of Tennessee covers the bottom of his arm to his elbow. The city of Memphis is marked at the lower left corner on Dr. King’s back. Following along the bottom of his sleeve is the lightly shaded outline of the southern United States, covering roughly from North Caroline, to Florida, and west or left to the south central-most of Texas. Written along the curve of Louisiana, Mississippi, and Alabama, is Rod Ward’s signature. [FREEDOM] is written in large block letters, below the outline of the states: the ‘REE’ without dark inner shading; the ‘D’ covered by the length of Florida, and the ‘M’ cut off by the border of the entire drawing. Five chained links connect to a fixed round hook atop the one cent Lincoln dangling from the dark lanyard in Dr. King’s fist, and which replaces the ‘O’.
[BLACK POLITICAL NATIONAL] reads horizontally above the drawing in large black bold text, and [CONVENTION], in even larger black bold text reads vertically besides the drawing, with the outline of the state of Indiana at the bottom right. Inside of the state outline is: [GARY, / IND. / MAR. / 1972]. The poster is framed in black wood and plastic with a glass facing.
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National Museum of African American History and Culture Collection
Classification
Memorabilia and Ephemera - Political and Activist Ephemera
Movement
Civil Rights Movement
Black Power (Black Pride)
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2019.28.35
Type
posters
Restrictions & Rights
Unknown – Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
ink on paper (fiber product) with cardboard , glass and wood
Dimensions
H x W x D (Framed): 17 5/8 × 22 3/4 × 13/16 in. (44.7 × 57.8 × 2.1 cm)
Title
Object Name • Poster for the National Black Political Convention by artist Rod Ward
Record ID
nmaahc_2019.28.35
Museum
NMAAHC
Title Sort
POSTER FOR THE NATIONAL BLACK POLITICAL CONVENTION BY ARTIST ROD WARD
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1970s
Geo Location
City • Gary • County • Lake County • State • Indiana • Country • United States • Continent • North and Central America
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

A color photograph of Gary Gregg Handing James Randall his flight helmet

Date: Date

Description

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NMAAHC

Pinback button for the Black National Political Convention

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NMAAHC

Poster for the National Black Political Convention by artist Rod Ward

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NMAAHC

Dance Black America

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who was the first African-American woman millionaire in the United States?

Madam C.J. Walker