Civil Rights
Movements, leaders, victories and the continuing fight for equality.
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Movements, leaders, victories and the continuing fight for equality.
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Meet the people whose lives, choices and achievements shaped the journey.
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Moments that changed communities, movements, institutions and the nation.
Mansa Musa was the ruler of the Mali Empire in West Africa. Details recorded here should be sourced; unknown information is left blank.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
Walter Gilbert "Gil" Fuller (April 14, 1920, Los Angeles, California[1] – May 26, 1994, San Diego, California)[2] was an American jazz arranger. He is no relation to the jazz trumpeter and vocalist Walter "Rosetta" Fuller.[2]
In the 1930s and 1940s, Fuller did extensive work writing and arranging for bandleaders such as Les Hite, Jimmie Lunceford, Billy Eckstine, and Tiny Bradshaw; he also worked with Benny Carter, Benny Goodman, Woody Herman, Count Basie, Machito, and Tito Puente.[1] After World War II, he found himself increasingly in demand as a bebop arranger,[1] along with fellow modern arrangers Tadd Dameron, Gil Evans, and George Russell. Fuller's work with Dizzy Gillespie was of particular note,[1] yielding the tunes "Manteca",[1] "Swedish Suite", "Tin Tin Deo", and "One Bass Hit". He is the composer of the jazz standard ballad "I Waited For You", co-credited with Dizzy Gillespie.
Fuller started his own publishing company in 1957, and while he continued to work with some jazz musicians (including Stan Kenton in 1955 and again in the 1960s), he also branched out into film music and pop (with Ray Charles, among others).
Source: Wikipedia. Article content is retrieved live through the MediaWiki API.
Walter Gilbert "Gil" Fuller (April 14, 1920, Los Angeles, California – May 26, 1994, San Diego, California) was an American jazz arranger. He is no relation to the jazz trumpeter and vocalist Walter "Rosetta" Fuller. In the 1930s and 1940s, Fuller did extensive work writing and arranging for bandleaders such as Les Hite, Jimmie Lunceford, Billy Eckstine, and Tiny Bradshaw; he also worked with Benny Carter, Benny Goodman, Woody Herman, Count Basie, Machito, and Tito Puente. After World War II, he found himself increasingly in demand as a bebop arranger, along with fellow modern arrangers Tadd Dameron, Gil Evans, and George Russell. Fuller's work with Dizzy Gillespie was of particular note, yielding the tunes "Manteca", "Swedish Suite", "Tin Tin Deo", and "One Bass Hit". He is the composer of the jazz standard ballad "I Waited For You", co-credited with Dizzy Gillespie. Fuller started his own publishing company in 1957, and while he continued to work with some jazz musicians (including Stan Kenton in 1955 and again in the 1960s), he also branched out into film music and pop (with Ray Charles, among others).
Gil Fuller & the Monterey Jazz Festival Orchestra featuring Dizzy Gillespie is an album by composer, arranger and conductor Gil Fuller featuring trumpeter Dizzy Gillespie recorded in 1965 and originally released on the Pacific Jazz label. The album was rereleased on CD combined with Fuller's Night Flight (Pacific Jazz, 1965) on the Blue Note label as Gil Fuller & the Monterey Jazz Festival Orchestra featuring Dizzy Gillespie & James Moody in 2008.
Night Flight is an album by composer, arranger and conductor Gil Fuller featuring saxophonist James Moody recorded in 1965 and originally released on the Pacific Jazz label. The album was rereleased on CD combined with Gil Fuller & the Monterey Jazz Festival Orchestra featuring Dizzy Gillespie (Pacific Jazz, 1965) on the Blue Note label as Gil Fuller & the Monterey Jazz Festival Orchestra featuring Dizzy Gillespie & James Moody in 2008.
Walter "Rosetta" Fuller (February 15, 1910 in Dyersburg, Tennessee – April 20, 2003 in San Diego, California) was an American jazz trumpeter and vocalist. He is no relation to Gil Fuller, whose birth name is also Walter.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →Brown v. Board of Education in 1954.
