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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Katherine Johnson — Mathematics to the Moon

Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Faena 2 - The Killing of Clifford Glover

Date
April, 16, 1976
Created by
Caption
Ed Love created monuments in chrome and steel, inspired by African masks and African American and African diaspora traditions. He dedicated artworks to Egyptian gods and goddesses, jazz musicians, and heroes of the Civil Rights Movement. Here, Love’s work takes a critical turn, honoring Clifford Glover, a 10-year-old boy who was killed by undercover police officers in Queens, New York, in 1973. Love welded chrome into an abstracted representation of a bull’s head and titled the piece Faena. In the Spanish bullfighting tradition, this word indicates the final wounds inflicted by the matador on the bull prior to its death. This language and imagery symbolize the violence and tragedy of race-related killings in the United States.
Description
A welded metal sculpture consisting of a top section in the form of an abstracted bull’s head, mounted atop a single, bent steel pillar. The figural portion is composed of chrome or a chrome-plated metal and has six appendages emanating from a bisected shield shape. The two center appendages, forming the base of the head, are rectangular, mounted one over the other, and have a zig-zag welding marks. Above this base are two curved appendages, the horns, that extend from overhead and protrude forward. The bottom two appendages, representing the bull’s shoulders, extend out from the sides and curve downwards. The abstracted bull’s head is welded to a long, rectangular steel post. The post bends just below center where a second piece of rectangular steel intersects and extends forward to meet the floor just in front of the main post, which attaches to a square base. Etched into the metal at the proper right “shoulder” is an inscription with the title, date, and artist’s signature: [Maximum Security Series / Faena 2 -The Killing of Clifford Glover / 4/16/76 / Love].
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National Museum of African American History and Culture Collection
Classification
Visual Arts
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Joel and Zoë Dictrow
Data Source
National Museum of African American History and Culture
Object number
2023.18
Type
sculpture
Restrictions & Rights
© Estate of Ed Love, Courtesy the Kravets Wehby Gallery
Permission required for use. Proper usage is the responsibility of the user.
Medium
chrome and steel
Dimensions
H x W x D: 67 × 21 × 38 in. (170.2 × 53.3 × 96.5 cm)
Title
Title • Faena 2 - The Killing of Clifford Glover
Record ID
nmaahc_2023.18
Museum
NMAAHC
Title Sort
FAENA 2 - THE KILLING OF CLIFFORD GLOVER
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1970s
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Faena 2 - The Killing of Clifford Glover

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Printing plate for the Prince Hall Grand Lodge of Massachusetts

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Grandmaster Flash - musician

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who was the first African-American woman millionaire in the United States?

Madam C.J. Walker