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Movements, leaders, victories and the continuing fight for equality.
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In August 1908, a white mob attacked Springfield, Illinois’s Black community, destroying homes and businesses and lynching two Black men. National outrage over the violence helped spur the movement that created the NAACP the following year.
MORE →Reflects the personal views, recollections, and perspective of the author, Mike Davis.
This is a personal recollection on the Move fire on May 13, 1985
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| Type | Graduate School |
|---|---|
| Established | 1993 |
| Affiliations | Bard College |
| Director | Susan Weber |
| Location | 38 West 86th Street , New York, NY United States New York , New York , United States |
| Campus |
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| Website | www.bgc.bard.edu |
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The Bard Graduate Center: Decorative Arts, Design History, Material Culture is a graduate research institute and gallery located in New York City. It is affiliated with Bard College, located in Annandale-on-Hudson, New York. The gallery occupies a six-story townhouse at 18 West 86th Street while the academic building and library are located at 38 West 86th Street.[1]
Students at Bard Graduate Center focus on the study of the cultural history of the material world.[2]
Bard Graduate Center offers two programs of study, one leading to a Masters of Arts degree and the other to a Doctor of Philosophy degree. Students in these programs can select courses dealing with various aspects of the cultural history of the material world. Bard Graduate Center also has a Gallery presenting regular exhibitions relating to the history of the decorative arts,[3] design and material culture, as well as Focus Project exhibitions, small-scale academically rigorous exhibitions and publications that are developed and executed by Bard Graduate Center faculty and postdoctoral fellows in collaboration with students in the MA and PhD programs.[4]
Students in the MA and PhD programs take the same courses. The curriculum for the master's degree includes a number of required courses, tutorials, independent studies, travel, and internships.
Students otherwise construct their own program of study. The BGC is known for its focus on New York and American Material Culture; History and Theory of Museums; Modern Design History; Early Modern Europe; and Comparative Medieval Material Culture (China, Islam, Europe).
In addition to formal classes, Bard Graduate Center runs a series of evening colloquia designed to function in a kind of polyphony with the "for credit" course offerings. Regular evening seminars, which are open to the academic public, serve as foci. In addition, the History and Theory of Museums program brings in speakers affiliated with current exhibitions, and the Medieval, Renaissance, and Early Modern Europe group cosponsors two annual events with the Columbia University interdepartmental group on Medieval and Renaissance studies.
The endowed lecture series bring in a regular sequence of speakers on eighteenth- and nineteenth-century France and on the history of glass. Every May the BGC participates, as the founding organizer, in the Consortium for American Material Culture, along with Yale University, Boston University, the University of Delaware, the University of Wisconsin—Madison, the Smithsonian Institution, and our local partners at the Metropolitan Museum of Art and the New-York Historical Society.
The hands-on examination of objects is an essential feature of study at Bard Graduate Center. Incorporated into the first-year Survey of the Decorative Arts, Design History, and Material Culture course are "Materials Days," events that focus on the making of things, so that students can experience materiality from the maker's perspective.
Bard Graduate Center Gallery present exhibitions and a broad range of exhibition-related programs including exhibition lectures, curatorial conversations, gallery talks, films, and exhibition catalogues devoted to enhancing knowledge and awareness of the material world.
Notable graduates of the Bard Graduate Centre include:
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Source: Wikipedia. Article content is retrieved live through the MediaWiki API.
The Bard Graduate Center: Decorative Arts, Design History, Material Culture is a graduate research institute and gallery located in New York City. It is affiliated with Bard College, located in Annandale-on-Hudson, New York. The gallery occupies a six-story townhouse at 18 West 86th Street while the academic building and library are located at 38 West 86th Street. Students at Bard Graduate Center focus on the study of the cultural history of the material world.
The Harvard Graduate Center, also known as "the Gropius Complex" (including Harkness Commons), is a group of buildings on Harvard University's Cambridge, MA campus designed by The Architects Collaborative in 1948 and completed in 1950. They comprise the first modern building on the campus. For The Architects Collaborative (TAC), an important modernist firm headed by seven Harvard graduates and Walter Gropius (then chair of the University's Department of Architecture within the Graduate School of Design), the Center was one of their first important works. The building contains work from avant-garde Surrealist or Bauhaus artists Joan Miró, Josef Albers, Jean Arp and Herbert Bayer. A sculpture by Richard Lippold is in a nearby courtyard. The buildings are now primarily used as a student center and as a dormitory complex for Harvard Law School.
The Lowcountry Graduate Center (LGC) is a public higher education consortium located in North Charleston, South Carolina and established in 2001 to expand opportunities in graduate-level education to the Charleston, SC region.
The Graduate School and University Center of the City University of New York (CUNY Graduate Center) is a public research institution and postgraduate university in New York City. Formed in 1961 as Division of Graduate Studies at City University of New York, it was renamed to Graduate School and University Center in 1969. Serving as the principal doctorate-granting institution of the City University of New York (CUNY) system, CUNY Graduate Center is classified as "R1: Doctoral University–Very High Spending and Doctorate Production". CUNY Graduate Center is located at the B. Altman and Company Building at 365 Fifth Avenue in Midtown Manhattan. It offers 32 doctoral programs, 18 master's programs, and operates over 30 research centers and institutes. The Graduate Center employs a core faculty of approximately 130 professors, in addition to over 1,700 faculty members appointed from other CUNY colleges throughout New York City. As of fall 2025, the Graduate Center enrolls over 3,100 students, of which 2,600 are doctoral students. For the fall 2025 semester, the average acceptance rate across all doctoral programs at the CUNY Graduate Center was 13.5%. The Graduate Center's primary library, named after the American mathematician Mina Rees, is part of the CUNY library network of 31 colleges that collectively holds over 6.2 million volumes. Since 1968, the CUNY Graduate Center has maintained an agreement with the New York Public Library, which gives faculty and students increased borrowing privileges at NYPL's research collections at the Stephen A. Schwarzman Building. The Graduate Center building also houses the James Gallery, which is an independent exhibition space open to the public, and television studios for NYC Media and CUNY TV. The faculty of the CUNY Graduate Center include recipients of the Nobel Prize, the Abel Prize, Pulitzer Prize, the National Humanities Medal, the National Medal of Science, the National Endowment for the Humanities, the Rockefeller Fellowship, the Schock Prize, the Bancroft Prize, the Wolf Prize, Grammy Awards, the George Jean Nathan Award for Dramatic Criticism, Guggenheim Fellowships, the New York City Mayor's Award for Excellence in Science and Technology, the Presidential Early Career Awards for Scientists and Engineers, Presidential Award for Excellence in Science, Mathematics and Engineering Mentoring, and memberships in the American Academy of Arts and Sciences, the National Academy of Sciences, and the National Academy of Education.
Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.
MORE →Joe Louis.
