q2K BHP
Black History Portal
THE BHP WIRE —
HIDDEN TRUTHS
What's New!
THE JOURNEY THROUGH TIME

Explore Black History

Explore the people, places, events, achievements, struggles and stories that shaped our journey.

✊🏾

Civil Rights

Movements, leaders, victories and the continuing fight for equality.

⚙️

Black Inventors

Innovation, patents, science, technology and world-changing contributions.

🏆

Sports

Pioneers, champions, Negro Leagues, records, activism and excellence.

♟️

People

Meet the people whose lives, choices and achievements shaped the journey.

📍

Places

Black towns, communities, institutions and places where history happened.

📜

Events

Moments that changed communities, movements, institutions and the nation.

Enter a person, place, event, or topic.
MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

MORE →
BLACK FACTS
The Truths They Never Taught You...

Shirley Chisholm — Unbought and Unbossed

In 1968 Shirley Chisholm became the first Black woman elected to the United States Congress. In 1972 she launched a campaign for the Democratic presidential nomination, breaking another political barrier.

MORE →
BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
← BACK TO RESULTS
NMAAHC

Two Egrets in a swamp, Poinciana Trees

Date
ca. 2010
Caption
John Maynor was a member of the Florida Highwaymen, a group of self-taught artists who worked in Florida starting in the 1950s. The Highwaymen leveraged their entrepreneurial spirit to create an independent artistic tradition during the era of segregation. The group was made up of twenty-five men and one woman. Their art provided an alternative livelihood to the regional agricultural and factory work. Maynor moved into landscape painting after meeting another Highwaymen, Alfred Hair. Maynor was informally mentored by painters Sam Newton and Livingston Roberts. Maynor was also a commercial artist, particularly in sign painting.
The group created a great quantity of work, often dozens of paintings per day, which would be sold inexpensively. The paintings depict Florida landscapes and are renowned for their vibrant colors and serene scenes. Like other Highwaymen, Maynor sold his paintings out of his car along roadways and from his home. This practice led Jim Finch, a Sebring Florida gallery owner, to name the group the “Highwaymen” in a 1995 essay, prompting a renewed public interest. In 2004, they were inducted into the Florida Artists Hall of Fame.
Fort Pierce and the Florida Humanities Council. “The Highwaymen Trail.” 2012. https://thehighwaymentrail.com/bibliography/.
Description
Oil painting of a landscape with Poinciana and palm trees surrounding water. There is a river of pond in the lower half of the painting (a). The shoreline has thick vegetation. There are two (2) red Poinciana trees, one on each side of the painting. There are two (2) egrets depicted below the Poinciana tree on the right. There is a grouping of three (3) palm trees slightly off-center. There is a yellow sun at the top of the painting which blends into the blue sky. The sky is reflected on the water. The painting is signed in the bottom right. A sticker is on the reverse of the board on the right side. It reads [EUCABOARD] in black on a green background with a rainbow border. The bottom of the sticker is white with black text [1/8” x 48” x 96”] and a partially visible barcode.
The wooden frame (b) is made from repurposed construction materials. The frame is lightly painted with white and gold-colored paints. The white is evenly applied close to the painting and on the reverse. The board is secured to the frame with rounded brackets. A metal wire anchored with a screw eye on each side is strung across the upper back. The frame is nailed together at the corners. There are stamps on the reverse of the board and frame from Fort Pierce, Fl. collector Matt Samuels.
See more items in
National Museum of African American History and Culture Collection
Classification
Visual Arts
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Robert and Flory Kahn in memory of Wolf and Tybe Kahn
Data Source
National Museum of African American History and Culture
Object number
2014.185.8ab
Type
oil paintings
Restrictions & Rights
Unknown - Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
oil paint on hardboard
Dimensions
H x W x D (framed): 19 3/4 × 27 3/4 × 1 3/4 in. (50.2 × 70.5 × 4.4 cm)
Title
Title • Two Egrets in a swamp, Poinciana Trees
Record ID
nmaahc_2014.185.8ab
Museum
NMAAHC
Title Sort
TWO EGRETS IN A SWAMP, POINCIANA TREES
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2010s • 2000s
Geo Location
City • Fort Pierce • County • Saint Lucie County • State • Florida • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

NMAAHC

Hon. Robert B. Elliott of South Carolina Delivering His Great Speech On Civil Rights in the House of Representatives

Date: Date

Description

MORE →
NMAAHC

The Wounded Scout. A Friend In The Swamp.

Date: Date

Description

MORE →
No preview image
NMAAHC

Two Egrets in a swamp, Poinciana Trees

Date: Date

Caption

MORE →
No preview image
NMAAHC

Scanned photograph of bottomland swamp forest in South Carolina

Date: Date

Caption

MORE →
TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

MORE →
TRIVIA QUESTION OF THE DAY

Which heavyweight champion was known as the “Brown Bomber”?

Joe Louis.