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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Wilmington 1898 — An American Coup

Wilmington, North Carolina once had a thriving Black middle class and an elected interracial government. In 1898 white supremacists used violence to overthrow that government, kill Black residents and drive many others from the city.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Chromogenic print of Method Man in Greenwich Village

Date
1997
Description
A color photograph of Method Man playing a guitar in New York City's Greenwich Village.
Method Man is pictured in the center of the image, sitting on a white wrought iron bench next to the stoop of a brownstone. He wears a black stocking cap under a black hoodie with a black leather jacket, black pants, and black shoes. He holds a guitar on his lap, his proper right hand holds a pick against the strings and his proper right hand holds the neck. His body faces the camera, but his face is turned to the right, towards the neck of the guitar. The guitar has no sound hole and the bottom half appears to be covered in tan duct tape. There is a white and blue sticker near bottom center that reads [ego trip]. The wall to the left of Method Man and behind the bench is covered in ivy. There are two iron railings on the brownstone steps behind him and a man is in the background, walking past the steps. The photographer's signature is in silver at the bottom left [Ricky Powell].
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National Museum of African American History and Culture Collection
Collection title
Eyejammie Hip-Hop Photography Collection
Classification
Photographs and Still Images
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2015.132.358
Type
chromogenic color prints
Restrictions & Rights
© Ricky Powell
Permission required for use. Proper usage is the responsibility of the user.
Medium
dye and photographic gelatin on photographic paper
Dimensions
H x W (Sheet): 14 3/8 × 10 15/16 in. (36.5 × 27.8 cm)
H x W (Image): 13 1/2 × 9 1/16 in. (34.3 × 23 cm)
Title
Object Name • Chromogenic print of Method Man in Greenwich Village
Record ID
nmaahc_2015.132.358
Museum
NMAAHC
Title Sort
CHROMOGENIC PRINT OF METHOD MAN IN GREENWICH VILLAGE
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1990s
Geo Location
Locale • Greenwich Village • City • New York City • State • New York • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

John Coltrane Backstage, The Village Gate, New York City, 1961

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NMAAHC

Chromogenic print of Method Man in Greenwich Village

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NMAAHC

The Motion of Light In Water: Sex and Science Fiction Writing in the East Village, 1957-1965

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NMAAHC

The East Village Other, Volume 5, Number 6

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Which heavyweight champion was known as the “Brown Bomber”?

Joe Louis.