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THE JOURNEY THROUGH TIME

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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Katherine Johnson — Mathematics to the Moon

Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Chromogenic print of a "Stop AIDS" graffiti mural in New York City

Date
ca. 1990
Description
A color photograph of a portion of a Stop Aids graffiti mural in New York City. The mural is painted on a light tan wall. The bottom half of the image features a depiction of a white brick wall with cracks running through many of the bricks, running the full length of the image. A light and dark blue cloud features prominently on the left side of the image with the words [STOP / AIDS] spray painted in yellow letters outlined in red. The middle of the image features an illustration two men standing in profile, facing each other, on either side of a tombstone. The front of the tombstone has the text [USE YOUR / HEAD BEFORE / YOU END UP / DEAD.] written in black text. The word [DEAD] is underlined and the letters have drip lines giving it a bloody text effect. The man on the left is featured wearing a yellow shirt, yellow pants, and black shoes with yellow laces. He has three black thought bubbles above, and to the right of his head. He is holding his proper left hand splayed out, reaching for a syringe with a bloody hypodermic needle in the proper right hand of the man depicted on the right of the tombstone. The man on the right is depicted with red spikey hair, a green shirt, green pants and black shoes with white laces. On the far right of the image is the text [THE LAW] written in red block letters, outlined in black, above a depiction of scrolled paper with the text [I. DON’T “SHOOT” / DRUGS. / II. USE CONDOM. / III. HAVE SEX WITH FAiTHFUL / PARTNER.] written in black text. There are no inscriptions on the recto. On the verso the image is signed in blue ink by the photographer.
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National Museum of African American History and Culture Collection
Collection title
Eyejammie Hip-Hop Photography Collection
Classification
Photographs and Still Images
Movement
HIV/AIDS Activist Movement
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture
Data Source
National Museum of African American History and Culture
Object number
2015.132.262
Type
chromogenic color prints
Restrictions & Rights
© Ernie Paniccioli
Permission required for use. Proper usage is the responsibility of the user.
Medium
dye and photographic gelatin on photographic paper with cardboard and Fome-Cor (TM)
Dimensions
H x W x D (Sheet): 18 × 41 5/8 × 1/4 in. (45.7 × 105.8 × 0.7 cm)
H x W (Image): 12 1/2 × 36 1/4 in. (31.8 × 92 cm)
Title
Object Name • Chromogenic print of a "Stop AIDS" graffiti mural in New York City
Record ID
nmaahc_2015.132.262
Museum
NMAAHC
Title Sort
CHROMOGENIC PRINT OF A "STOP AIDS" GRAFFITI MURAL IN NEW YORK CITY
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
1990s
Geo Location
City • New York City • State • New York • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Limited Use

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Pinback button promoting the American Red Cross HIV/AIDS program

Date: Date

Description

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NMAAHC

Poster advertising the AIDS Memorial Quilt events

Date: Date

Description

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NMAAHC

Chromogenic print of a "Stop AIDS" graffiti mural in New York City

Date: Date

Description

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NMAAHC

Latex Ball, Manhattan, NY, 2010

Date: Date

Description

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

What prosperous Tulsa district became widely known as “Black Wall Street”?

The Greenwood District.