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MY'STORY

The MOVE Fire

This is a personal recollection on the Move fire on May 13, 1985 Philadelphia police fired thousands of rounds at the MOVE house, city officials approved dropping an explosive device on the roof, the resulting fire was allowed to burn, 11 people—including five children—died, and 61 homes were destroyed. Philadelphia City Council later called it a “brutal attack carried out by the City of Philadelphia on its own citizens” and acknowledged that no individual faced criminal consequences for the bombing. One timeline correction worth preserving for the BHP record: the major previous MOVE-police confrontation was August 8, 1978, about seven years before the bombing, not a year or two earlier. Officer James Ramp was killed, other police and firefighters were wounded, nine MOVE members were later convicted, and television cameras recorded police beating Delbert Africa during his arrest. The 1985 MOVE Commission later specifically criticized city planners for failing to adequately use lessons from that 1978 confrontation. And that actually strengthens the point you’re making: 1985 did not happen without precedent or institutional memory. There had already been a deadly confrontation with MOVE, years of conflict, negotiations and police involvement before Osage Avenue.

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BLACK FACTS
The Truths They Never Taught You...

Katherine Johnson — Mathematics to the Moon

Katherine Johnson’s mathematical calculations helped guide some of America’s most important early space missions while she confronted the racial and gender barriers faced by Black women in twentieth-century America.

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BHP gathered finds from its connected research sources. Showing the 4 strongest Black History matches.
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NMAAHC

Sunrise over the Marshland

Date
ca. 2010
Caption
Chico Wheeler was a member of the Florida Highwaymen, a group of self-taught artists who worked in Florida starting in the 1950s. The Highwaymen leveraged their entrepreneurial spirit to create an independent artistic tradition during the era of segregation. The group was made up of twenty-five men and one woman. Their art provided an alternative livelihood to the regional agricultural and factory work. Wheeler also worked in citrus groves for supplemental income. He began painting in the 1960s after starting out as a frame maker for another Highwaymen, Alfred Hair.
The group created a great quantity of work, often dozens of paintings per day, which would be sold inexpensively. The paintings depict Florida landscapes and are renowned for their vibrant colors and serene scenes. Like other Highwaymen, Wheeler sold his paintings out of his car along roadways. This practice led Jim Finch, a Sebring Florida gallery owner, to name the group the “Highwaymen” in a 1995 essay, prompting a renewed public interest. In 2004, they were inducted into the Florida Artists Hall of Fame.
Fort Pierce and the Florida Humanities Council. “The Highwaymen Trail.” 2012. https://thehighwaymentrail.com/bibliography/.
Description
Oil painting of a Florida landscape during sunrise. The painting (a) shows a marshland scene. There are white egrets or cranes in the water, one with lifted wings in the foreground and others in flight. There is a palm tree in the low marsh water on the left. There is a small island with trees on the right of the image. Vegetation, including palm trees, is also visible along the shoreline. The sky is shown in shades of blue and pink and is reflected on the water. The painting is signed in the bottom left. The reverse of the board has numerical inscriptions and paint splatter.
The wooden frame (b) is brown in color and made from repurposed construction materials. The frame has gold-colored paint with a textured band near the image. The reverse of the frame has brown tape along each edge. A metal wire anchored with a screw eye on each side is strung across the upper back. The painting is secured to the frame under protruding nails. The reverse of the frame has numerical inscriptions.
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National Museum of African American History and Culture Collection
Classification
Visual Arts
Credit Line
Collection of the Smithsonian National Museum of African American History and Culture, Gift of Robert and Flory Kahn in memory of Wolf and Tybe Kahn
Data Source
National Museum of African American History and Culture
Object number
2014.185.1ab
Type
oil paintings
Restrictions & Rights
Unknown - Restrictions Possible
Rights assessment and proper usage is the responsibility of the user.
Medium
oil paint on Masonite (TM)
Dimensions
H x W x D (framed): 15 1/2 × 19 1/2 × 2 in. (39.4 × 49.5 × 5.1 cm)
Title
Title • Sunrise over the Marshland
Record ID
nmaahc_2014.185.1ab
Museum
NMAAHC
Title Sort
SUNRISE OVER THE MARSHLAND
Source
National Museum of African American History and Culture
Metadata Usage
CC0
Date
2010s • 2000s
Geo Location
City • Fort Pierce • County • Saint Lucie County • State • Florida • Country • United States • Continent • North and Central America
Online Media Type
Images
Online Media Rights
Unknown - Restrictions Possible

Source: National Museum of African American History and Culture, Smithsonian Institution. Rights and restrictions shown above are supplied by the Smithsonian record.

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NMAAHC

Chico Hamilton, 1977

Date: Date

Description

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NMAAHC

Photograph of DJ Hawk, Roy Hamilton, LaVern Baker, and Rusty Bryant

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NMAAHC

Audrey Nell Hamilton and JoeAnn Anderson Ulmer Oral History Interview

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NMAAHC

Sunrise over the Marshland

Date: Date

Caption

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TOPIC OF THE DAY

Greenwood / Black Wall Street

Before the 1921 destruction of Tulsa’s Greenwood District, Black residents had created a remarkable center of business and community life. The district included stores, professional offices, entertainment venues and homes owned by Black citizens. Understanding Greenwood means learning what was built—not only what was burned.

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TRIVIA QUESTION OF THE DAY

Who became the first Black woman to travel into space?

Mae Jemison, aboard Space Shuttle Endeavour in 1992.